Like Dreams - If It Lets You: November Rain Sun Day, Day 5

Nu Jazz chill music with a throbbing beat at varying tempos. I used the same "tick-tock" synth from tracks on my Time Machine EP.

Happy Samhain! 🔥

Hour Glass is about time ⏳

An original composition, no AI, digital music created MIDI to DAW by a human

HOUR GLASS
I have an hour glass in my mind 
It measures life in bits of time 
Like TikTok videos
Showing how the sand flows 
All in a trickle 
Dancing Wu-Li masters remind
The consequence of time 

While the force of gravity 
can bring me to my knees 
The hour glass remains to hold
Above and below 
Before and behind 
Carry me forever
In the consequence of time 

.........................
70-52 bpm
Variations of Cm, Am, Fm, C7, G7
DAW: Apple Logic Pro X
MIDI: Akai Professional Keyboard
VST or E-INSTRUMENTS:
Concert Grand
Boesendorfer Grand
Ambient Lead
Clarinet Solo
Ethereal Mallets
Lunar Chords
Phantom Winds
Cellos
Modern Strings
Studio Double Basses
Deep Round Synth Bass
Upright Ballad Bass
E-PERCUSSION:
Timpani
Indian & Middle Eastern Kit
..........................

COVER ART is a surrealistic interpretation of the song as original CGI by SUNNYBECK using a composite derived from original and AI-generated images rendered by the DaVinci app, then altered, retouched, and designed in Photoshop.

Released on SoundCloud
October 31, 2025, 11:12 PM ET

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Hour Glass

Instruments

-Vox runs x 3
-Written on 5 String Bass
-Drums heavy rock
-Boarding Area pad played on keys
-Electric guitar rhythm (Drop D)
-Electric rhythm octave power chords
-Electric lead
-Synth lead played on keys
-Rolling bodhrán beat with rubber mallets
-Synth bell roll



Apparently when an active movement from a population reaches 3.5% of the population... They usually get what they want. I believe 7 million Americans came out peacefully calling for the clowns to stop clowning around. 12 million seems to be the target for the next ones ✌🏻🕺🏾🖕🏾👑s 


No Kings

The right to protest
The right to dream
The right to say no
The right for rights clean

The right for all colours
The right for all state
The right to be centered
The right of no faith

The right to love real
The right to call lies
The right to stop steal
The right for girls and guys

The right for constitution
The right for democracy
The right for good solution
The right to quash autocracy

The right to stop hate
The right to stop division
The right to make fate
The right of definition

The right of truth
The right of no one above
The right of our youth
The right of our love

The right to be heard
The right to speak word
The right of sane crowd
The right to call out absurd

The right to evolve
The right that soul brings
The right rights do solve
The right of no kings

No Kings

Link to the Youtube vid - https://youtu.be/_nsDeIYUlIM

Lyrics
Well if love’s just a word that you heard 
There’d be no need to be scared of a word
But when down and you’re so solo down
You gotta fly to make someone your ground

What if hope’s just a smile that you show
Has every new path got a chance to be alone
Where I was scared now I’m feeling brave
You’re not the only one that we saved

Dream…I don’t dream anymore
Feel…Just like I’ve felt before 
and before and before

When your trust’s just a must to feel real
Can an empty bubble only dream to heal

Dream…I don’t dream anymore
Feel…Just like I’ve felt before
Seeing…People dying to be saved
Believing…That no good will come from grace 
Yeah no good can come from grace

Are you ready 
For your face to fit the place
To find a mind 
To hide inside 
Of that human race
But I’m still waiting 
For your fate to turn to faith
But is it fair 
To stop the race 
Before you start the chase

So how do you dream 
Cos I don’t dream anymore
How do you feel 
When you’ve felt it all before
What’s worth seeing 
If a worth less can’t be saved
No point believing  
Are you still holding out for faith
You’re telling me you’re giving me love for real
And hope I learn to trust the faith you deal
We know our dreams are bullets hidden inside our sleep
So it’s up to us to bleed the love we need
But you keep telling me you’re giving me love for real
And hope I learn to trust the faith we deal
We know our dreams are bullets hidden inside of sleep
So it’s up to us to bleed the love we need
It’s up to us to bleed the love we need 

But is it love that we need
Or just hope that we can feel
Is it love that we all find
Or just echoes lost inside
Is it love we must believe
An empty heart still has to breathe
So is it love we all need to find
Or is it just echoes lost deep inside
Are we just echoes deep inside
Are we just echoes lost inside


Love echoes

A bit late for the end of summer, but I hope you enjoy this melancholic atmosphere.

This is a song I started composing in August 2024, with the idea of ​​featuring a real guitar solo, especially at the end. This summer, I approached Chris Grant @chris-grant-554540731 about joining the project. He loved the idea, and what I've included here is the result of that collaboration. His solo made a huge impression on me, and I'd like to thank him for his fantastic contribution. Without that guitar, this song wouldn't exist! Thank you so much, Chris!
If you want to listen to more of his amazing music, please visit his profile: @chris-grant-554540731!

I hope you enjoy his contribution and our song as a whole!

Composition, programming, production and mastering - R.U.R.
Guitar additions and solo at the end - Chris Grant @chris-grant-554540731

To make my part I've used:
DAW: Ableton Live 11 Standard
Instruments:
Spitfire LABS (free): Soft Piano, Bell Swarm, Expressive Strings, Bass Guitar
Impact Soundworks Sheddage 3.5 Stratus Free (NI Kontakt Player)
Drum Loop: 64 Pads Dub Techno Kit groove 01_105 bpm from Ableton's Drum Essentials Pack
Samples: Ambient Crash (Live's Factory Content)
Chris used: Yamaha Revstar guitar and the ToneX Mesa boogie reference signature collection – Mesa Boogie MKIV amp capture

This piece was created without the help of any generative AI.

Cover picture by me, at Grzybowo, Summer 2025

The Summer's End

Summer's End

Composition and lyrics: Paul and Fritz Kalkbrenner

This is the raw version (the "Sand"-edit...) of a collaborative project with https://soundcloud.com/synline. We both used the same vocal track.
Please take a listen to his "Sky"-version, it is quite different:
https://soundcloud.com/synline/sky-and-sand?si=95b81c6c2859417d8653ce0853ecc8df&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

A Big Thank You to my friend Synline. I enjoyed this collaboration very much.

Sky And Sand 

In the nighttime when the world is at its rest
You will find me in the place i know the best
Dancin’, shoutin’, flyin’ to the moon
Don’t have to worry ´cause i’ll be come back soon

And we build up castles in the sky and in the sand
Design our whole world ain’t nobody understand
I found myself alive in the palm of your hand
As long as we are flying, all this world ain’t got no end
All this world ain’t got no end

(I found myself alive in,
In the palm of your 
In the palm of your hand,
I found myself alive in…)

In the daytime you will find me by your side
Tryna do my best and tryin’ make things right
When it all turns wrong there is no fault but mine
But it won’t hit hard `cause you let me shine

And we build up castles in the sky and in the sand
Design our whole world ain’t nobody understand
I found myself alive in the palm of your hand
As long as we are flying, all this world ain’t got no end
All this world ain’t got no end   

(I found myself alive in,
In the palm of your,
In the palm of your hand…
As long as we are flying 
All this world ain’t got no end,
All this world ain’t got no end,
Ohh,
All this world ain’t got no…)

Sky And Sand (cover, raw edit)

“Smokey Hornz” by Luke

I figure I’d experiment using my old piano & my old trumpet my old skins and a touch of synth’s ..
it’s definitely a unique  piece

Keys & Piano & Synthesizer & trumpet & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“Smokey Hornz” by Luke

I welcome a collaboration with the vocal
Current voice Ai generated

Souls United

Happy Halloween.... the song is actually a tribute to Ian Hunter and Mott the Hoople ..one of the best bands of the 70s....Ian is still rocking into his mid 80s..so I am the one with the rigor mortis clearly..go Ian go...
sound clips from 1931 Frankenstein movie
There are at least 8 Mott the Hoople Song titles in the lyrics


Rock N Roll Rigor Mortis

Roll Away The Stone                                        
God is calling, he's on the phone
He's got a glambam plan, one last stand        
Before they take you home                               

Spotlight shines in your face
You better put on a pair of Ian Hunter shades
I Wish I Was Your Mother, wish I was your father
Never could put you in your place

Hey, old man
What don't you understand?
Know your rights
Plead that Habeas Corpus
Hey, old man 
The music makes demands
Shake off your rock n roll rigor mortis

Move your hips to the beat
Take a deep breath, unstick yourself from that seat
Shine a light through your pupil, of pure Mott the Hoople
To energise those ancient feet

Time to rise again
Like Lazarus, a comeback, this ain’t the end
You're one wild stiff, rockin all my riffs
Be careful how your body bends 

Hey old man
What don't you understand?
Know your rights
Plead that Habeas Corpus
Hey old man 
The music makes demands
Shake off your rock n roll rigor mortis

All The Way From Memphis               
The Golden Age Of Rock N Roll    
Elvis and the Whizz Kids                 
Ain’t no peace in the valley for the last patrol 

Drivin’ Sister, Jerkin’ Crocus
Help me When My Mind Is Gone
Do the shimmy shake, bring it into focus
Sing it loud this victory song

Chorus

It's alive!!! It's alive!!! It's alive!!!

lyrics HotR/ Ian Hunter & co
music HotR





Rock N Roll Rigor Mortis

Original by Dr. Feelgood 1975

Drums, bass, vocal & mix : little Man
Al other instruments : PdB Orchestra

She Does It Right ( Freestyle )

[I accidentally removed the track. Sorry about that - those who have already listened can just move on.]
Unfortunately, the connection has dropped, and we cannot be sure what is happening in the apartment where, at such a late hour, the light is still on. Probably nothing; they’re likely watching a film or reading a book. They might be projecting their reactions outward, and what we see could therefore be nothing more than the reflection of someone else’s nightmares — or dreams. Certainly, we have now reached a turning point: nothing can any longer be regarded as real, or the opposite... (all talk!).

This is the fifth in a series of eight easy, acoustic, rather short, and deliberately inconclusive tracks, assembled by combining new ideas with reworked older material, adding parts and sounds along the way. 

Part 1 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-1-night
Part 2 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-2-dawn
Part 3 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-3-noon
Part 4 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-4-late-afternoon

Composed by Michele Ansani (2023-2025). This time I simply redid a piece I had posted in the spring of last year, slightly changing the atmosphere: https://soundcloud.com/michele-ansani/overlays
All the ambient noises and female vocals are taken from public sound archives.
Posted on Souncloud: 2025, October 16 and reposted on November 4.

In case nothing happens - part 5 (night again)*

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All Mantra All Beginning - To Primordial Sound

excerpt from the transcript translated into English:

"Om is therefore a mantra, Amen is a mantra. And, if the world is sound, and if this sound—the world itself—is ultimately unreachable for us mortal humans on a rational level, then we need reflections, symbols, parables of the primordial sound. Not least so that we can make ourselves understood, both to ourselves and to others."

//

Primordial sound refers to the original, eternal, and unstruck cosmic vibration underlying all existence. It is often described as timeless, beginningless, and endless—a sacred universal frequency sometimes identified with the sound "Om" or "Aum." This sound is considered the source from which all creation and sounds emerge. In various spiritual traditions, like Hinduism and Taoism, primordial sound represents a foundational vibration of the universe that connects all life and existence beyond the physical realm.

Om represents not only the cosmic sound but also the very process where breath (life force) turns into sound (word), connecting spiritual energy and expression. This is why sacred traditions emphasize chanting Om as both a meditative and creative practice, harmonizing body, breath, and spirit.​

​Thus, Om is the symbolic "location" or moment where breath becomes word, merging the invisible force of life with its audible expression.

Regarding original sound concepts like "Om" or "Amen," these are seen as human attempts to replicate or invoke the primordial sound—the sound from which breath becomes word and creation arises. "Om" especially is regarded in Vedic tradition as this original cosmic vibration encompassing all sounds and existence.

//
Joachim Ernst Berendt was a visionary German music journalist, author, and producer best known for bridging the worlds of jazz and spiritual sound. His groundbreaking book, The Jazz Book, became an authoritative global reference on jazz, influencing listeners and musicians for generations. However, Berendt reached even wider audiences with his exploration of the metaphysics of sound, especially through his seminal work Nada Brahma: Die Welt ist Klang (The World Is Sound).

Crucially, Nada Brahma was not just a book: Berendt himself narrated and produced powerful audio versions of this material. Originally created as radio broadcasts, these recordings featured his narration interwoven with evocative music and soundscapes, bringing his ideas to life for listeners. Available on cassette (K7), CD, and later streaming and digital download, the audio releases—including "Die Welt ist Klang – Nada Brahma"—last several hours and are celebrated for making his philosophical vision accessible and immersive to a new generation. 

Berendt’s Nada Brahma series investigates the principle that the world is sound, blending spiritual traditions, science, and world music. His work offered listeners—and especially young audiences, thanks to these audio sessions—a profound experience of sound as the origin and essence of reality, demonstrating how attentive listening connects us to universal harmony.

The book "Nada Brahma: Die Welt ist Klang" by Joachim Ernst Berendt was first published in 1983. The original audio version was created as a two-part radio feature, first broadcast by Südwestfunk in Germany on November 28, 1981, reaching a wide audience and later leading to the publication of the book. The audio versions were subsequently released on cassette (K7) in the 1980s and later on CD and digital formats.

Joachim-Ernst Berendt (July 20, 1922 in Berlin – February 4, 2000 in Hamburg)

::
I am infinitely grateful that his work reached me on cassette tape in my youth.
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Sunday, November 9th 2025
2 pm Central European Time Zone
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All Mantra All Beginning - To Primordial Sound

Paul Amlehn - Text, voice, technological augmentation of the voice with electronic prostheses, music, editing, mixing, production
Elya - Photograph of Pilgrimage church, Maria Königin des Friedens, Neviges, Germany
Gottfried Böhm - Architect of Pilgrimage church, Maria Königin des Friedens

Libretto:

Silent remembering
I, close to you
Ever more ignoble and supine
Against the wall of the reddening sky.

Flayed name
Ancient evil transposed in present time
Resolute grid of the user's body
Addicted to nothingness.

Precise form of accident
You from death
The brutal engima
Of your smite
On the slopes with powder of coral
In hideous night.

I, Close To You

Thank you for listening.
“Silent Current vol.1” flows with the quiet pulse of electricity.

Silent Current vol 1

“The Hypnotist” is a dark, cinematic electronic track that pulls you into a trance between reality and control. Deep, pulsating basslines merge with cold industrial textures and hypnotic rhythms, slowly building an apocalyptic tension.
A sound for the night — for deserted cities and the moment you surrender to the darkness.

The Hypnotist

Who Will Call

Fast_Lane

fictionalive /
popoems series / hyper media reports 
2001 / 2011 / 2024

/

/ to(tally) fictionalive or not

/


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I'm sorry. I'm afraid I'm going to upload too many songs, so I'll be deleting older, less listened-to songs. I'm very sorry, but thank you for your understanding.

“Until now, I have been replying in English through translation, but since translations can lead to misunderstandings, I will be responding in Japanese from now on.” 

＊ DAW  Logic Pro X, Studio One,FL studio
I will be cancelling my Pro Plan on June 12th.

Silent Current vol 1

sdmk

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