Butta Nd Cuttas

Punch In T - Candy Shop Drip

yapper

Faxin Rsa - Aisavayi Joe (prod.by F.O.WiseBeats)

Music: Paolo Alberto Samonà
N° Repertorio: 17327031000

STONE MEMORIES

This is a small LP of 7 tracks in the style of soul jazz, which immerses listeners in the atmosphere of retro films about spies, special agents, gangsters, mafiosi, cowboys, sheriffs, well-aimed shooters.

We present to your attention a new cool track in the style of symphonic-retro-funk with soul jazz elements. The track sounds very glamorous and rich, as it was fashionable in the 50-60s. You can use our track in advertising jewelry, hotels, restaurants, VIP cars, fashion clothing, shoes and other goods and accessories. Also, the track is ideally suited to feature films, television series, documentaries, TV shows, various events such as weddings, birthdays, anniversaries, corporate parties, etc. Wherever it is necessary to emphasize prestige, success is useful this track. Such tracks were used in the 1950s and 1960s in films about rich people, great businessmen, secret agents, gansters, mobsters, cowboys, etc.

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Vintage Soul Jazz

glam funk

03 Glam Funk

Our very first sample track from our Album "String Theory" called "Stringing Along". Solo by P. Christ, Chords and Background by S. Goerlach, Sound Production and Edit by Peachboy.

Stringing Along - P.Christ & S. Goerlach (Prod. &Edit By Peachboy)

Way is a soulful pop sound that tells a story of one's huddles through life, hoping to find a way get through even with the odds of uncertainty

WAY.mp3

Links & Chains for Violin and Marimba
Duration: 5'
Performers: Robin Zeh, violin; Robert Paterson, marimba

Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1210

For more information: https://robertpaterson.com/links-and-chains-six-mallet-version

Four-mallet version also available: https://robertpaterson.com/links-and-chains-four-mallet-version

PROGRAM NOTES

The title of this piece reflects the structure: many parts and motives are linked and looped together, forming chains. There are also missing links throughout the piece, spots where notes have been dropped out and placed in other parts of the piece or else lost entirely. The violin part is designed to be a showy and slightly virtuosic, coupled with a solid, ostinato-like marimba counterpart. Both parts utilize flashy, extended techniques.

Look At My Drip

YO OSWALD

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