Professor Alan C. Braddock and Dr. Lindsay Garcia discuss art, pedagogy, and environmental justice. How can art history join the posthumanist conversation? How can works of art attune us to our relationships across the lines of species? Note: This conversation was recorded in autumn 2020.

Alan Braddock is the Ralph H. Wark Associate Professor of Art History and American Studies at the College of William & Mary. His teaching and research explores the history of American and global art, ecology, environmental justice, and animal studies. He has authored and edited numerous books, including the landmark 2009 anthology A Keener Perception: Ecocritical Studies in American Art History, which he co-edited with Christoph Irmscher, and the catalogue accompanying the 2018 travelling exhibition Nature’s Nation: American Art and Environment, which he co-curated with Karl Kusserow. Most recently, he was a scholar in residence at the Getty Research Institute, where he was developing a new book entitled Implication: An Ecocritical Dictionary for Art History, under contract from Yale University Press.

Lindsay Garcia (she/her) is the Assistant Dean of the College for Junior/Senior Studies and Recovery/Substance-Free Student Initiatives at Brown University. She is also a socially-engaged artist, scholar, and teacher. She received her PhD in American Studies from William & Mary and her MFA in Visual Art from Purchase College, State University of New York. Her advising, research, and artwork employ a queer, feminist, and critical race approach. She is currently working on her book manuscript Infestation Identities, which explores the metaphors and materialities of the relationship between pest animals and humans in the context of race and sexuality in American visual culture. Garcia has published her research in academic and art world publications and exhibited her artwork internationally at museums, galleries, and film festivals.

Alan C. Braddock // Lindsay Garcia // A Broader Sense of Community

In episode two of this two-part conversation, interdisciplinary scholars Miranda Belarde-Lewis and Temi Odumosu continue to delve into the possibilities that emerge when arts pedagogy is integrated within the STEM-oriented setting of an information school. Belarde-Lewis and Odumosu describe their practices of teaching, curation, and research while discussing insights, methods, and core skills they have developed along the way. Together, they highlight why it's important to move beyond the siloed nature of traditional disciplinary boundaries to seek truly polyvocal contexts and collaborations. The conversation is moderated by David Strand.

Miranda Belarde-Lewis (Zuni/Tlingit) is an associate professor of North American Indigenous Knowledge at the iSchool and an independent curator. Indigenous knowledge systems are central to her work as she examines the role of social media and the arts in protecting, documenting and perpetuating Native information and knowledge. Her work highlights and celebrates Native artists, their processes, and the exquisite pieces they create. She has worked with tribal, city, state and federal museums to create Native-focused educational programming, publications and art exhibitions. Belarde-Lewis holds a B.A. in Cultural Anthropology from the University of Arizona, an M.A. in Museology and Ph.D. in Information Science from the University of Washington.

Temi Odumosu is assistant professor at the UW Information School and an independent curator and cultural heritage consultant. Drawing on her training in art history and international teaching experience in media, visual communication, and cultural studies, she takes a creative approach to mentoring information professionals. For over two decades she has been interrogating the visual politics and legacies of colonialism, activating collections as sites of memory and conscience, and collaborating with contemporary artists, designers, and curators to communicate unfinished histories more sensitively. Her current research and curatorial work centers wellbeing, considers the ethics of digitization in the age of AI and big data, and engages Black archival histories and possible futures. Odumosu is author of the award-winning book Africans in English Caricature 1769-1819: Black Jokes White Humour (2017). She holds both a Ph.D. and MPhil in Art History from the University of Cambridge (King’s College).

David Strand is an editor, curator, and emerging informational professional pursuing his M.A. in Library & Information Science at the University of Washington. He currently works as the graduate research assistant for the Center for Advances in Libraries, Museums, and Archives (CALMA) at the University of Washington Information School. Strand has over a decade of experience working in the arts and museums. He previously worked at the Frye Art Museum as associate curator and prior to that as the manager of exhibitions and publications. Strand holds a B.A. in Visual Art and English-Creative Writing from Seattle University. 

Unlocking Interdisciplinary Possibilities Part II // Miranda Belarde-Lewis // Temi Odumosu // David Strand

Mattie Schloetzer and Jason Vrooman come together to discuss trials and triumphs of remote and virtual museum internships during the COVID era.

Mattie Schloetzer is the administrator of internships and museum fellowships at the National Gallery of Art and a member of the CAA professional practices committee. She is co-chairing the session, "Best Practices and Lessons Learned from the Digital Shift to Prepare Students for Professional Success," at the 2021 CAA Annual Conference, February 10–13.

Jason Vrooman is a curator and educator at the Middlebury College Museum of Art. He especially enjoys letting conversations with museum-goers of all ages inform acquisitions and talking about ethics and equity with the next generation of museum professionals.

Mattie Schloetzer // Jason Vrooman // Remote and Virtual Internships

Join us for a live CAA podcast recording made for the CAA 2021 Conference! Rachel Beth Egenhoefer and Peter Dean discuss Sustainable Design: Beyond the Stuff, Towards the System
	
Rachel Beth Egenhoefer, Professor, Design, University of San Francisco
Peter Dean, Senior Critic, Department of Furniture Design, Nature-Culture-Sustainability Studies Concentration, Rhode Island School of Design

Unlocking Interdisciplinary Possibilities Part II // Miranda Belarde-Lewis // Temi Odumosu // David Strand

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