Original. la folia progression in Dm. 100->135->125

Piano, Electric Bass, Synth bass, Acoustic Guitar, Trumpet, Violins, Mandolin, Irish Bouzouki, Strings, tin whistle, Synths (choir, pads).

May add cinematic perc or do a series of pieces building on it or clocks ticking.

F5dBvHrp1c3

pic publicdomainpictures.net mohamed mohamed mahmoud hassan Time, Losing Time, Clock

Timelapse

I finally ruined house

synths, more synths, trumpet, drum machine

v2 fds(FDUP)3d1

Ruined House

Very loose Chiptune rendition of Spalpeens Lament Chiptune1c

Dead King's Lament

Les Barricades Mystérieuses (The Mysterious Barricades) is a piece of music that François Couperin composed for harpsichord in 1717. It is the fifth piece in his "Ordre 6ème de clavecin" in B-flat major, from his second book of collected harpsichord pieces (Pièces de Clavecin). It is emblematic of the style brisé characteristic of French Baroque keyboard music.

https://en.wikipedia.org/wiki/Les_Barricades_Myst%C3%A9rieuses

François Couperin (French: [fʁɑ̃swa kupʁɛ̃]; 10 November 1668 – 11 September 1733[citation needed]) was a French Baroque composer, organist and harpsichordist. He was known as Couperin le Grand ("Couperin the Great") to distinguish him from other members of the musically talented Couperin family.

mb1(flemish)g

May have to work on the rubato. Flemish-style harpsichord.

François Couperin - Les Barricades Mystérieuses

Hybrid, Poly-800, sax, 909

SwveFebRtry3b

Picture public domain, publicdomainpictures.net, Larisa Koshkina, Night Landscape

Lucid Nightmares

pianos, violins, acoustic, guitar, pads, staccato strings

picture "flower", publicdomainpictures.net, Sergey Klimkin

Bi10b

Turning Point

Loose interpretation of a classic Cornwall dance. 4 hand reel.

The way it modulates is odd, that's not me taking liberties or an error. The tempo shifts in the actual dance, too.

Piano, fiddle, bass

4hndrl10

Plethen A Beswar

Original, mine. Based on the historical Romanesco/Passamezzo type/progression popular in the baroque period. Triple meter. Will probably add another verse or two. Baroque Guitar, side drum.

Romanesca was a melodic-harmonic formula popular from the mid 16th to early 17th centuries, used as an aria formula for singing poetry and as a subject for instrumental variation. It was most popular with Italian composers of the early Baroque period. It was also used by vihuelistas including Luis de Narváez, Alonso Mudarra, Enríquez de Valderrábano, and Diego Pisador.

Originating in Spain as O guárdame las vacas ("O let us put the cows to pasture" or, "look after the cows for me", occasionally known as Seculorum del primer tono in reference to the similarity between the a g f e d melody line and that of the chief termination, "Seculorum, Amen", of the first psalm tone), a romanesca is composed of a sequence of four chords with a simple, repeating bass, which provide the groundwork for variations and improvisation. A famous example is the refrain of "Greensleeves" (whose verses follow the progression of the passamezzo antico, of which the romanesca is an alteration) About this soundPlay (help·info). The romanesca is usually in triple meter and its soprano formula (melody) resembles that of the passamezzo antico but a third higher. The harmonic bass pattern of the romanesca is:

III—VII—i—V—III—VII—i-V—i

en.wikipedia.org/wiki/Romanesca

less reverb than v1

Rowdy Roustabout v2

Irish Traditional. Fiddles, piano, banjo, flute, Cajon

My arrangement. Have to EQ the violins and fix mix

3S7b5c

3 Sisters

I try to write pop music but it's always somewhat odd, and more than a bit broken.  I recently sampled a lawnmower.

See also my other account https://soundcloud.com/user-923252499

Bigger Ron

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