Time to Kill,God's Will(Ft.Papi el'Nito)

Pendulum

Memory

Homicide

The long awaited release of Deep featuring club icon Alan T has arrived!! Additional mixes including Stephane K and Eddie Baez are avaivable on Beatport for download or Spotify to stream.

Deep

Deep Feat. Alan T

The interlude that shows the motion of moving back in time to when the pandemic first hit.

Lockdown In Progress

I wrote this song about an almost relationship I had in early 2020 and how even though it didn't work out I eventually found the one.
lyrics
(Intro)
Come on

(Verse 1)
We could’ve really had it all
Until you ghosted me
For you I never thought I’d fall
But it happened to me
Took me a whole year just to talk to you
Then you disappeared on me in June

(Pre-chorus)
Like what the hell happened?
Why did you leave me?

(Chorus)
Tell me how you feeling now
Now that I’m no longer around
Bet your life’s a mess and
Your whole world is crumbling to the ground
Tell me how you feeling now
Now that I’m no longer around
What goes around comes back around boy
Watch your heart get destroyed

(Verse 2)
I always tried to reach out to you
You never did the same
Made plans to cancel them every time
What did you have to hide
Thought you would be the next lover in my life
But you disappeared without saying goodbye

(Pre-chorus)
Like what the hell happened?
Why did you leave me?

(Chorus)
Tell me how you feeling now
Now that I’m no longer around
Bet your life’s a mess and
Your whole world is crumbling to the ground
Tell me how you feeling now
Now that I’m no longer around
What goes around comes back around boy
Watch your heart get destroyed

(Bridge)
Hope you’re ready to eat your heart out
And regret that you left (x3)
Hope you’re ready to eat your heart out
And regret that you fucking left (x3)

(Verse 3)
We could’ve really had it all
Until you ghosted me
But now I found somebody new
Who really gives a fuck about me

(Chorus)
So go on and guess how I’m feeling now (how?)
Now that I got a new man now
He’s the best thing that ever happened
And kept my world from tumbling down
So tell me how you feeling now
Probably feel like less of a man now
What goes around comes back around boy
I hope your heart gets destroyed

Ghosted

I wrote this song about my experience working my first job and becoming essential.
lyrics
(Verse)
July 22nd I got my first job
And at first I thought
Aw man this is gonna be great
And it was great for a couple of weeks
Until I got yelled at for what had nothing to do with me
“Where’s the manager? I want my money back”
No problem mam manager’s in the back

(Chorus)
Please don’t be a bitch to me
When I’m just trying to find the supplies you need
To keep your friends and family covid free
And also help fulfill your home improvement needs

(Verse)
One month later I started school
And I learned how to balance that and work
Had to stay calm, collected, and cool
So I could avoid making myself look like a fool
I also cut down on my shift times
While making sure I had enough money to survive
So...

(Chorus)
Please don’t be a bitch to me
When I’m just trying to find the supplies you need
To keep your friends and family covid free
And also help fulfill your home improvement needs

(Instrumental)

(Chorus)
Please don’t be a bitch to me
When I’m just trying to find the supplies you need
To keep your friends and family covid free
And also help fulfill your home improvement needs

Essential Worker

Immortal Hybrids (instrumental)

3+ Years In The Making. "STOP AND CONSIDER THE FOLLOWING is a Short Film Written and Directed by Wyatt Moltrup. 2023" 

No Genre Affiliated.

Sax Talk (feat. Lurid O.D)

“Gather close, and let the embers speak. For this is no tale of kings and crowns — this is the saga of fire, oath, and blood. This is the song of the last skald, and the flame that refused to die.”

In the twilight of the old world, when the fjords whispered of gods and ghosts, a warband rose beneath the dawn. Their oaths were carved in stone, their names etched in frost. The saga begins with “Oathbound at Dawn,” where warriors swear loyalty not by word, but by fire — a ritual of steel and spirit beneath the rising sun.

From the shadows of the fjord comes “The Wolf and the Fjord,” a tale of cunning and survival. The warband moves like smoke, striking with the silence of beasts. Then the drums thunder in “Hammerfall Rite,” a berserker’s invocation to Thor — the moment before the clash, where rage becomes ritual and the sky splits with fury.

But war is not only steel. In “Seidr’s Veil,” the warriors kneel before the völva, the seer who chants in tongues older than time. She shows them fate — not as prophecy, but as consequence. And then the clash: “Blood on the Ice” erupts with chaos, where shields splinter and the fjord runs red. Victory is won, but not without cost.

The ravens arrive in “The Raven’s Feast,” circling the dead with solemn grace. They do not mourn — they honor. The battlefield is silent, save for the wind and the wings. And then the myth deepens in “Stone of the Nine Worlds,” where the skald walks through realms of fire, frost, death, and dream. Each world speaks, each stone remembers.

Now the skald stands alone in “Skald of the Last Flame,” the titular track. He sings not for glory, but for memory — the last voice of a vanished warband, the final ember of a forgotten age. The longship burns in “Ashes of the Longship,” a funeral voyage across the sea, where names are whispered into the tide.

But the saga does not end. In “Echoes in the Hall of Shields,” the voices of the fallen rise in chorus. Their shields line the walls of the honored hall, and their names thunder through eternity. Yet even this is not the final flame.

A new chapter begins with “Where the Chief Fell, the Flame Rises.” The warband’s leader is gone, lost to legend. But his fire lives on. The Son steps forward in “The Son Who Bears the Ember,” uncertain but resolute, carrying the weight of legacy in trembling hands.

He learns the truth in “Peace Is a Lie.” The world does not honor restraint — it devours it. The Son casts aside hope and embraces fire. But in “Ashes of the First Command,” he learns that war is never clean. The cost of leadership is written in blood.

And finally, he rises in “The Flame That Does Not Bow.” No longer a child, no longer a warlord — he is the flame itself. Not wild, not broken, but eternal. He walks not for vengeance, but for truth. The saga ends not in silence, but in fire.

“So remember this, you who listen by the hearth: the skald may fall, the chief may fade, but the flame marches on. And in every oath, in every name, in every echo — the saga lives.”

Skald of the Last Flame

Just a local Long Island girl trying to make it. 

https://linktr.ee/BrinaElizabeth

Essential Worker

Brina Elizabeth

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