but I'm hurt. I'm way too hurt. I'm in denial and in pain. Too much pain to see. I'm restrained. But, I'm processing. Grappling with my brain and heart, all the pain I'm going through.

Following a mysterious student out of your dormitory through the school and into a dark forest...

you're following the mysterious student who is sneaking out of the dormitories (dark academia)

dancing in a ballroom (+ royalcore playlist )

Enemies to Lovers - Joshua Kyan Aalampour

Bruno Coulais is a French composer, born in Paris on 13 January 1954. He has a father from Vendée and his mother is an Iraqi Jew. He is most widely known for his music on film soundtracks.

Coulais began his musical education on the violin and piano, aiming to become a composer of contemporary classical music. However, a series of acquaintances gradually re-oriented him towards film music. Coulais was particularly influenced by director François Reichenbach, who asked him in 1977 to write the soundtrack to his new documentary Mexico Magico. The first full-length production he composed the score for was the 1986 film La femme secrète by Sébastien Grall. Until the end of the 1990s, he remained low-profile, composing mainly for television. His name can often be found from TV films by Gérard Marx and Laurent Heynemann. He also composed the soundtracks for Christine Pascal’s 1992 film Le petit prince a dit, and Agnès Merlet’s Le fils du requin in 1993.

In 1994, he met the television producer Josée Dayan, who let him write a theme for the TV series La rivière Esperance, aired on the France 2 network in autumn 1995. He worked with Dayan again with other major productions such as Le comte de Monte-Cristo, Balzac, and Les nuiteux.

The largest turning point of his career came in 1996, when he worked with directors Claude Nuridsany and Marie Pérennou of the documentary Microcosmos. This single film, which gave a great significance to the music in it, was a great success and made Coulais one of the most wanted composers of French film music. In 1997, he won the César award for the best musical score in a film, as well as a Victoire de la Musique. His reputation was confirmed by the soundtracks to Himalaya (1999) and Les rivières pourpres (2000), and after that Bruno Coulais’s name was to be found on most new French blockbusters, such as Belphégor and Vidocq.

After producing the soundtrack to Winged Migration in 2001, Coulais announced that he wanted to significantly reduce his contributions to film music, and instead concentrate on other projects, such as the creation of an opera for children, and collaborations with Akhenaton, Akhenaton’s group IAM and the Corsican group A Filetta, with whom he had worked since he had made the soundtrack for Jacques Weber’s film Don Juan in 1998.

In 2002, his name was found on the ending credits of the animation L’enfant qui voulait être un ours, and in 2004, on Frédéric Schoendoerffer’s Agents secrets. The same year, he wrote the soundtrack to the film Les choristes by Christophe Baratier, which subsequently became an international hit. The music for this film received as great praise as the film itself, and it won Coulais his third César award. Since then, Coulais’s collaborations in cinema seem to be limited to works by directors with whom he already shares some history, in particular Jacques Perrin, Frédéric Schoendoerffer, and James Huth.

Bruno Coulais’s musical style may vary significantly between different projects, but there are some constant factors visible: his taste for opera and for human voice (in particular that of children), for a search for original sonority, for world music and mixing different musical cultures, and finally, a certain tendency to give preference to the ambience created by lighting rather than the film’s narration.

Coraline Soundtrack Song  Exploration

Exploration - Coraline

Painstakingly recreated from the original soundtrack this 4 Piece harp instrumental of Exploration from Coraline is the perfect backing track for discerning solo singers.

Coraline - Exploration (Instrumental)

dark academia x royal core playlist

upload on soundcloud from the youtube channel oliviaaalee! please please please go check her out!!

19. A Playlist For Waltzing With Your Enemy (dark Royalty Core)

𝑻𝒊𝒎 𝑩𝒖𝒓𝒕𝒐𝒏: 𝑪𝒐𝒓𝒑𝒔𝒆 𝑩𝒓𝒊𝒅𝒆, 𝑽𝒊𝒄𝒕𝒐𝒓'𝒔 𝒑𝒊𝒂𝒏𝒐 𝒔𝒐𝒍𝒐. (𝑺𝒍𝒐𝒘𝒆𝒅)

𝓌𝑒𝓁𝒸𝑜𝓂𝑒 𝒶𝓃𝒹 𝑒𝓃𝒿𝑜𝓎 𝓈𝓉𝒶𝓎𝒾𝓃𝑔

the third playlist of this channel, I hope you like it!

pov: you are a witch living in a cottage and enjoying life ...

youtube link:

00:00 [intro: mother of darkness chant]
00:57 [soldier, poet, king - the oh hellos]
03:43 [the secret garden - aurora]
07:53 [like real people do - hozier]
11:07 [ingydar - adrianne lenker]
15:18 [run away with me - sufjan stevens]
19:27 [religion - lana del rey]
24:55 [familiar - agnes obel]
28:49 [shrike - hozier]
32:20 [carry you - novo amor]

a playlist for cottage core witches -

- slowed version -

Song- I Hear a Symphony by Cody Fry
Hello again! I really appreciate all of the wonderful comments and likes on my YouTube videos! It means so much that you enjoy my content :) If there is any interest, I could add some background dialogue to this. I hope you enjoy my newest remix!

i hear a symphony but you're dancing with your lover in the rain

youtube account : https://www.youtube.com/channel/UCMaj0eTiggK22SGMN7F9lZQ

[ french art student ]

[ academia inspirations ]

::: playlists and atmospheres for curious and passionate people

hope you like it :)

i wish you the best, 
emeraude

a playlist for cottage core witches -

emeraude-

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