A three parts and pure synthetic composition, Digital Wandering is punctuated by a long sequence as a time flow reference. Sometimes, a-rythmic and atonal cells, polyrhythms and synthpads emerge, creating alternative sustained and undulating rhythms, new floating and meditative modulations or more aggressive soundscapes, crossed by additional energetic sequences. The landscape is paved with some creative noises and chaotic effects. Influenced by German progressive, created on Moog synths in dialogue with 80s analog synths emulations.

Ambiant Trials

Digital Wandering

Twenty - Ode to A. is dedicated to a single loved person. The hybrid composition with pianos and synths, is the B-Side of Crying Kyiv. The ethereal composition transcribes all potential, hopes, uncertainties, as well as potential ambiguities of youth moving forward with enthusiasm, life, energy and determination. The calm overall ambiance in major is positive, very vital and lively running a persistant tempo mark.

Crying Kyiv

Twenty - Ode to A.

Twenty - Ode To A. - 06:10:2022 02.51

A tribute to war victims in the Ukrainian war, with solidarity to the Ukrainians. Cities under fire of Russian missiles, innocent children, crying women, elders brutally thrown out on paths of exodus. Pianos, electronic music, voices and strings quartet.” With the Ukrainian National Anthem, the composition (4mn21) includes pianos, encapsulating life and freedom, electronic music, sampled voices, strings quartet.

Crying Kyiv   (remast.)

Dedicated to a beloved person, an hybrid  pianos and synths composition, B-Side of Crying Kyiv. The ethereal composition evokes potential, hopes, uncertainties, ambiguities of youth moving forward with enthusiasm, life, energy and determination.

Twenty- Ode To A.  (remast.)

“Synthetic soundscape post-covid potential EMD Dance music. In a total confinement, wandering in Paris empty streets, breathing the local energy of people occupied to survive to the lock-down, emerged the idea of a very energetic and lively electronic composition. Here and there, some emerging signals, annunciating the return to life one day, like triumphant signs of hope. 
Fully synthetic work using modern synths, 80s Vocoders and analog synths emulations. Absolute necessity, imperative perspective : Back to Life…” - Image courtesy of Steve Johnson- / pexels.

Alive and Up

Verlorene Zeiten is about lost time, as time passed away, times dissipated, not so much because it has been procrastinated. Meanwhile, the time track backbone is vivid and constant, persistent, above life, aiming to go further, past the usual humane lifespan. Vivid Berlin synthetic track where a persistent bass loop supports an ethereal and evolving soundscape. Fully synthetic work using 80s Vocoders V and Analog synths emulations together with some modern instruments. Image courtesy of Steve Johnson- / pexels.

Verlorene Zeiten

”Green Earth Revival" is a synthetic and digital landscape, hybrid, and with a deeply humane dimension, as well as an evocation about our natural  landscapes, water, forest, plains, seashores, glaciers, with hope we will preserve them. It is also about time and the emergency for everyone to act and change its way of life, influence society and our economic models so they comply with a sustainable living on Earth. It may be heard as the Spring revival of Nature and a positive evocation of how we may reach the goal of living in harmony with our Planet. Synthetic work using Analog synths emulations and modern synths, in particular inspired by some complex nature-soundpads.  -Image courtesy of Steve Johnson- / pexels.

Green Earth Revival

From past to future. Now the past.  As the first part of a larger piece, Time Run I briefly explores some time contrasts, running through time, from past times to our present and future, the transition between electronic and fully digital age. The experimental track also evokes the unavoidable time race of the musician against the digital world, soon the musical artificial intelligence, concluding in a major and positive tone. Past, about the analog music age, with a  marked reference to past synthetic music with typical vintage synth for the 80s, challenged with more recent digital synths. -Image courtesy of Steve Johnson- / pexels

Time Run I

ReBirth of Sound is an electronic composition idea, part of a larger musical project. It is a tribute to Miles Davies ‘« Birth of Cool », a major music piece which embodied the new spirit of cool, and launched a music stream who has been growing ever since. A progressive rock music reference is Pink Floyd piece “Echoes” on “The Dark Side of the Moon”, all the more a mythical Album. The piece sets an ambitious goal, that is to recreate, mark, and contribute to the emergence of a momentarily lost but fundamental and nurturing musical stream..

Exposed along a timeline of 3 movements, which refer to time spans (the past, the present, the future or the origins, the development, finally the maturity and perspective), each marked by synths sound bursts, three themes are intertwined in the composition : history of music, history of electronic music, and human evolution towards the digital and AI age. The composition idea has been confronted and elaborated with ChatGPT AI. Full synthetic works using vintage analog and digital synths emulations, starting with a natural resonance of a Tibetan singing bowl and ending on NASA recording of a Black Hole “Perseus” natural space sound.
With this more progressive and meditative piece, we truly hope our digital music will help the listener to travel far-away in past, present and future.

Image courtesy of Steve Johnson / pexels. Records thanks to NASA for its public diffusion of Black Hole “Perseus” space sound.

ReBirth of Sound

ReBirth Of Sound

The composition evokes an urban travel in the city of Berlin, which may also reference a spiritual travel from the outside to the inner inside knowledge, acquired in the dense and diversified city landscape. The vivid Berlin synthetic track is a tribute to the German electronic pioneer Klaus Schulze. The composition is in three part, designed as the evocation of  a near-mystical trip within Berlin, leading to the Potsdamer Platz, reaching the gracious and peaceful “Angel over Berlin” (“Der Engel über Berlin”), watching over the city, as seen in the Wim Wenders movie, “Wings of Desire”.
Fully synthetic work using modern synths, 80s analog synths emulation and some hybrid voices instruments. -Image courtesy of Steve Johnson / pexels-

Potsdamer Platz

Dawn Wave is an electronic music band, gathering synthesizers performers and composers from European origins. We create digital, progressive, ambiant music, electronic music or more experimental, fully synthesizers-based. We are inspired by German, UK electronic music, US contemporary music, which we build on, in a contemporary artistic perspective.
Enjoy music !     www.Dawnwave.eu
Contact us at Dawnwave.eu_dw@yahoo.com


Listen to our last LP Sept 2023 'AMBIANT TRIALS' !

Dawn Wave - Sda33

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