ThroughMovements – 2020

K Shirley

9:13 minutes, .WAV file

ThroughMovements is a sound-based piece that explores the relationship between the visual and the auditory experience of the increasingly anxiety-fuelled experience of travelling on public transport. The piece is built on a series of field recordings recorded in Brisbane, Queensland, Hong Kong, and Beijing, China. 
Comprised of four distinct movements, ThroughMovements engages and encapsulates the listener by guiding them through a series of auditory loose metanarratives. 
This piece begs the listener – the participant – to ask themselves about the bias they may have in their own listening, and to question what they may have or have not heard amongst the white noise that comes with existing in a public space like a train station.

ThroughMovements

soundtrack for sans.sensation
https://youtu.be/IFWu7xtWVco

ARTS340 
Semester 2
2020

sans.Sensation is an exploratory conceptual project that aims to present ideas on a future concept of the “body”. Utilising the theoretical framework of “the Body Without Organs” (Deleuze) and popular cultural conceptions of a future in which people experience new and variant ways of humanity, sans.Sensation is a visual discussion on what dissects the body from its consciousness.

SANS.SENSATION

an auditory response -in the form of a digital noise jam- to the chapter 'hysteria' from 'francis bacon: the logic of sensation' by gilles deleuze

sans.sensation

AN INDETERMINATE ORGAN

an auditory response -in the form of a digital noise jam- to the chapter 'body, meat and spirit, becoming-animal' from 'francis bacon: the logic of sensation' by gilles deleuze

K. Shirley