Techno

One of the last track out from 29th july from the last Paul's Ritch single.

Paul Ritch - Run Baby Run (Original Mix)

Download Link >>>> Tap "More" unter dem Track

BoOkInG AgEnCy LinK

A.N.A.L. @ NATURE ONE 2013 -Electronic Visions Bunker-

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, ‘Satellite’, by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin’s Plus8, Sven Vath’s Cocoon and of course, Adam Beyer’s Drumcode. In his time he has been responsible for underground hits like ‘Zoe’, ‘Polyester’ and ‘Fire In My Arms’, all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, ‘Satellite’ is Sam’s first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

From there it’s a case of getting straight down to business. ‘Another Chance’ is a spacey bit of cantering techno and ‘White’ is rooted in devastating kick drums and is riddled with serrated synth lines that build lots of great techno pressure. ‘Down’ is an undulating bit of funky techno complete with choice vocal flourishes and tracks like ‘Lotus’ are prime offerings from the deeper end of the scale.

No two tracks sound the same on Satellite: Sam is always teasing out a new bit of texture, nailing a slightly different vibe or exploring different amounts of light and dark throughout the course of this most excellent album. This is evidenced by diverse cuts like ‘Dusty’, ‘Toxic’ and ‘Rave’.

Despite ‘Satellite’ being Sam’s debut album, it showcases his seductive style in all its glory across 12 fantastic tracks that will leave you begging for more.

Sam Paganini - Rave - Drumcode - DCCD10

We are happy to welcome Maceo Plex to Drumcode with the fourth instalment of his Conjure series, ‘Conjure Infinity’. Featuring two tracks ‘Conjure Dreams’ and ‘Conjure Floyd’, both are peak time monsters that introduce two very different elements. ‘Conjure Dreams’ utilises a groovy, melodic bass that is reinforced using tight thumping drums to shatter any dance floor into the universe. ‘Conjure Floyd’ builds into a more ‘heads down’ techno vibe with a very interesting breakdown. Two sure fire tracks to ignite the floor.

Maceo Plex - Conjure Dreams - Drumcode - DC136

https://soundcloud.com/billykennymusic

The What You Sample / I Eat Beats EP is Billy Kenny’s first EP on his own co-run imprint, This Ain’t Bristol. Already gaining huge support from all across the board, these two sweetened and fruit-flavoured peak time bangers are accompanied by a juicy remix by non other than Dirtybird’s Ardalan. 

What You Sample’s kit shuffles it’s way into a hypnotic masquerade of melodic 808’s, calming the listener before hitting with some serious grit! This track shows off one of the deadliest reese basses known to mankind like it’s nothing, while keeping it’s cool in-between, creating a seesaw of volume and atmosphere.
 
A concerto of violins, gangster leads and talking warps are the main ingredients that “I Eat Beats” consists of. The epic orchestral break reverbs its way into the abyss and prepares you for the drops - yes, there's a few and they switch up constantly! We think it would do exactly what it said on the tin if it wasn’t a track in your playlist. 

Ardalan’s approach to I Eat Beats introduces even more strings than the original, one hell of a thumping kick and a piercing saw bass enough to rip the kevlar from a speaker cone! Upon the second breakdown, Ardalan shows us how to make a gangster lead even more gangster with a little G-Funk spin to it. 

What You Sample / I Eat Beats

I Eat Beats

Buy all on Beatport

Billy Kenny - I Eat Beats (Original Mix)

Up first is Get Enough, seven minutes of seductive techno that has an almost machine-gun like disco synth firing across the groove. It is a rumbling peak time track with real force and energy that will bring any floor to life. The title track, Toleranz, is a gritty and stripped back basement cut with dry hits and burrowing acid bass that takes you deep into the night. Cobra then proves this pair have real breadth in the studio and is a barrel chested house cut with more big hits, rib rattling bass and incendiary techno hi hats that really get you on your toes. Remixing are the tech duo of Pleasurekraft, whose releases on Octopus and Mood Records have won them plenty of DJ and dancing fans. They layer in some dark melodies to SQ80 and build it steadily before allowing the militant drums and crisp snares to explode and drive you and the whole club forwards.

Kaiserdisco - Get Enough - Drumcode - DC163

Moby is a name synonymous with us all in the electronic music world and we are lucky enough to have been able to hand select some Drumcode artists to remix his work. This 9 track package included remixes from Enrico Sangiuliano, Dense & Pika, Bart Skils, Alan Fitzpatrick, Marco Faraone, Tiger Stripes, Manic Brothers and Luca Agnelli. Each one has been thought out and accomplished with precision using some of Moby’s synonymous samples.

The Remixes

Moby - Natural Blues (Dense & Pika remix) - Drumcode - DC164

Moby - Why Does My Heart Feel So Bad (Enrico Sangiuliano remix) - Drumcode - DC164

Moby - Porcelain (Luca Agnelli remix) - Drumcode - DC164

When Pig&Dan decided to join forces, they began a truly prolific production schedule establishing their reputation as producers of pulsating electronic music that straddled dark house and high-energy techno, whilst creating their signature style of twisted and experimental breakdowns. Since those early days, they have created a repertoire that not many can match and have constantly been releasing their music on the most respected labels and playing at the best events worldwide.

Pig&Dan follow up to their outstanding first EP on Drumcode with ‘Chemistry’. Compromising of three tracks the mood fluctuates with each record to create a well-balanced, dynamic EP. Chemistry is a dreamy listening platform that mixes cyclic synth lines and stabs to crescendo into a late night imagination. The other two tracks are on the harder tip with their thunderous kick drums and disorientated sounds that provide a different edge to the EP with a harder, peak time sound.

Pig&Dan - Ukraine - Drumcode - DC165

We could spend the next three paragraphs banging on about the monumental impact our first release ‘We Do What We Want’ had, but to be totally honest with you, we are tired of the track now and just want to move on to the raft of equally amazing music we have lined up for release on We Are The Brave.
 
However, in case you were living under a rock this summer, the key facts you should make a note of are as follows: it was the unofficial anthem for ravers from Hideout Festival to Creamfields. Annie Mac went mental for it on Radio 1. We got snapchats from school kids buzzing off the track and tweets from retailers playing it in their shops. It was even heard in KFC! And our soundcloud stream went into virtual meltdown clocking up 315K listens in under three months.
 
So yeah, not much to live up to…  but you know what? We Are The Brave, we do what we want… and we want to get on to release number two! It’s called Friday Night Dancing. It’s by Alan Fitzpatrick. Skream is on the remix. Nuff said!

Buy now

Alan Fitzpatrick - Friday Night Dancing

Highlighting sets everywhere from Awakenings during ADE to Spazio 900 in Rome, the tracks are hard-hitting master studies in industrial-edged techno.  ‘Future’ is a chunky stomper perfect for the winter warehouse party season, as multi-layered synths and effects rub shoulders with heavy-set drums to ensure this one hits its target.

Adam Beyer Vs Dense & Pika - Future - Drumcode - DC166

'Going Down' by Adam Beyer vs Dense & Pika is a venomous, pounding beast that's going to send you into guaranteed meltdown.

If you've been to see Beyer or any of the Drumcode artists recently, you'll have no doubt lost your shit to this one.

‘Going Down’ will be released on December 12 via Drumcode

More exclusive music

Premiere: Adam Beyer vs Dense & Pika 'Going Down'

Highlighting sets everywhere from Awakenings during ADE to Spazio 900 in Rome, the tracks are hard-hitting master studies in industrial-edged techno. ‘Going Down’ is built around a deep menacing vocal, as subterranean bass drums, thundering kicks and a sinister synth line combine for a high impact finish. ‘Future’ is a chunky stomper perfect for the winter warehouse party season, as multi-layered synths and effects rub shoulders with heavy-set drums to ensure this one hits its target.

Adam Beyer Vs Dense & Pika - Going Down - Drumcode - DC166

2017’s first Drumcode release comes in the form of chart topping regular Julian Jeweil, who’ll be putting out his first solo effort on the label. Jeweil’s ‘Rolling EP’ showcases his skill as a producer and kicks off with the emphatic title track ‘Rolling’. The perfect soundtrack for the early hours in the club, this sweaty affair proves just why he’s at the top of the game right now. ‘Venice’ and ‘Blue’ illustrate his signature sound to a tee, with the EP’s final track ‘Traffic’ an acid-tinged behemoth, guaranteed to light up any set.

Julian Jeweil – Traffic – Drumcode – DC167

Julian Jeweil – Venice – Drumcode – DC167

Julian Jeweil – Rolling – Drumcode – DC167

Timmo follows up his debut Drumcode release ‘We Beat On’ with a brand new 4-tracker packed to the rafters with his own unique blend of techno. His productions are getting plays from the likes of Adam Beyer, Joseph Capriati and Richie Hawtin amongst others; 2017 is set to be his biggest year yet. 

Timmo’s unique sound has captured the eyes and ears of many highly revered techno DJs around the world and his ‘System’ release is a stark reminder of exactly why this is. ‘Intensify’ is a big room record that is set to do some real damage on dance floors worldwide. This peak time tool thumps through 7 minutes of power, dragging you in and throwing you out the other side as the track rolls on. 
‘The Maze’ is an example of his excellent production, with his use of synths on a level that some producers take years to hone. ‘System’ is a haunting track, authentic four-to-the-floor techno that screams in to top gear right from the off. The release closes with the more groove and bass line laden ‘Together’. One of those tracks that is guaranteed to get stuck in your head…

Techno

Berni