Name: Why Doesn't Everyone Know These Songs? - the all indie podcast, episode 10 by Why doesn't everyone know these songs?
Duration: 1 h 1 min 12 s
Description: The tenth episode of "Why doesn't everyone know these songs?" where singer-songwriter Luna Keller talks about great indie music. Featuring an interview with artist of the month Ricky Reilly and great music by Mae Krell, Lucy Raquel and Me, Allison Leah, Bookie Baker, The Satellite Station, Safe By Sound, Hannah Brown, Rosa Tu, Blue Return and The Jayplayers.

Such an incredible compilation. Honored to be included - thank you, Luna!

Thank for playing our music, and honoured to be the opening track. I don't know everyone here, so I will discover new artists  for me -

We are honoured to have been included on this compilation of such wonderful tunes. Thanks so much! We will be listening to the podcast in it's entirety to discover some beautiful new music!

The tenth episode of "Why doesn't everyone know these songs?" where singer-songwriter Luna Keller talks about great indie music. Featuring an interview with artist of the month Ricky Reilly and great music by Mae Krell, Lucy Raquel and Me, Allison Leah, Bookie Baker, The Satellite Station, Safe By Sound, Hannah Brown, Rosa Tu, Blue Return and The Jayplayers.

Why Doesn't Everyone Know These Songs? - the all indie podcast, episode 10

Oumuamua

song: More Mordern
by Hannya White

You gonna be mine...

'Control'
More Mordern
'Control'



all rights reserved

London 2020

Installarion

More Mordern

Anna Awe – Far Away
Spotify: https://open.spotify.com/track/1kBML4E9FiIUE3ifIPzRMQ?si=0vW1ML0-RQaK5QLXsiTvgw
Apple Music: https://music.apple.com/ca/album/far-away/1526413543?i=1526413549
 
Connect:
https://instagram.com/annaaweartist
https://twitter.com/annaaweartist
https://www.facebook.com/annaawesound

#nature #mountains #rivers #gowest #meditativenature #alternativerock #electronicpop #indiepop #progressiverock #synthpop #femalesinger #poetry #poeticlyrics #western #westernmovie #sunrise #sunset #starrynight #bears #wildlife #bluebird #rockmusic #futurepop #avantpop #alternativemusic #singersongwriter

Far away from this life of pretending
I run away to some other place I know
To a land of fields never ending
Where the sunlit pastures forever grow
Where the stars shine
Till the sun climbs up to see:
Freedom

Where the robins sing
And the orchards bloom
And the day is good as new

I trek beyond
To a far away land
Where few have set foot but the sun
In mountains of peace
I can finally be
Simple as a baby just born

Far away from disease and chaos
Striving for the smallest scraps of dirt
Lives a land of health and bounty
And the willows they glow with endless gold

Where the beasts roam
Lillies wave in gentle wind
Freedom

I breeze on an open highway
Towards the vast unknown land
Paradise is in plain view

Far Away

look who came back 

LYRICS:
You always told me that you hated this town
you'd run away when you could
you always told me we were both falling down
you didn't think I understood

you always that you hated this place
and I should getaway too
you told me someday you’d be sick of my face
and I’d be tired of you too

you tried to tell me you don't mean it that way
you tried to tell me to go
you tried to tell me it would kill me to stay
I guess we won’t ever know

you tried to tell me that you had a plan
you tried to sell me a dream, that was grand
happy dreams are crueler, when you wake
things aren't what they seem
when they break

there were nights when we're 
alive in this town, drive a long way home
there are nights when the road lets you down
but on those nights were alone

these walls can feel like a prison, dear
the sky can look like a dream
oh we should take what were given, here
but I don’t know what that means

on the nights we were dreaming
we were just what we seem

we are just what we seem when we wake
all this time when give what you take
I love the moments when we lie awake
I tried to tell you, you keep what you break

all this time and you give what you take
But don’t you know that you keep what you break
I love the moments when we lie awake
I tried to tell you keep what you break

said baby won't, take the long way home
when it's your last night in town
told you darling you can pay as you go
stand your ground…. Stand your ground


I know there are worse places to be than right here
I know there are worse faces to see, did you hear?
did you hear 
did you hear
was I quiet

you always told me that 
you hated this town
you'd run away when you could
you always told me we were
both falling down
you didn't think I understood

you always told me that you had a plan
when you sold me a dream, it was grand

but happy dreams are crueler, when you wake
things aren't what they seem 
when they break

(new edit, same feelings)

Keep What You Break

Music, Production & Video Edit - The Zeropoint Projects
Lyrics & Vocals - Lohrd Snohw

Lohrd Snohw 
Twitter - @lohrdsnohw
Spotify - https://open.spotify.com/artist/7ISnfDHnLM1dSdkzsnuzmi


The Zeropoint Projects 
Twitter - @zeropointprojx
Spotify - https://open.spotify.com/artist/2R6Z7PtT1bNyB0rCjnqten
Bandcamp - https://thezeropointprojects.bandcamp.com/

Official Video - https://www.youtube.com/watch?v=l8Enk8cWbTE

Available on all major streaming sites as of October 2nd

Resist

Resist - Feat. Lohrd Snohw

Lyrics:

I told my mum we broke up yesterday
But asked her not to mention it again
Just days before you let me down I said I was in love out loud
I’d take it back but I still feel the same 

I’ve heard the stories all before
Of love that leaves you grieving
But now I know the feeling 

I can barely speak your name
I fell apart the day you left me
And every breath since then feels empty
Light this city up in flames
I would rather burn to bone 
Than walk these streets of ours alone

Heard you ran into my best friend
Told her everything’s a mess and 
You’re not doing life so good
Maybe I misunderstood
Did you see me as a dead end?
Were we parking on the pavement
Buying time to think it through
Am I a double yellow line to you?

I've heard the stories all before
Of love that leaves you grieving 
But now I know the feeling

I can barely speak your name
I fell apart the day you left me
And every breath since then feels empty
Light this city up in flames
I would rather burn to bone 
Than walk these streets of ours alone

We shouldn’t let a good thing pass us by
This has a lifetime written all over it
I don’t want space and I don’t want time
Even the streetlights know this isn’t over 

I can barely speak your name
I fell apart the day you left me
And every breath since then feels empty
Light this city up in flames
I would rather burn to bone 
Than walk these streets of ours alone

These Streets of Ours

These Streets Of Ours

The song surrounds the idea of a toxic relationship - both parties know that they can’t carry on keeping up appearances, but somehow they keep coming back to each other; hence the chorus phrase “stuck in a merry-go-round.”

Jack B Dawson - Vocals, Music & Lyrics ©
Guitar and Bass Guitar (backing vocals) Ryan Buxton
Drums Peter Mitchell
Recorded & mixed at Eve Studio Bredbury- Henry Broadhead
Mastered by Jim Spencer

Merry-Go-Round (Re-release)

Divisions

Quiet Frustrations

'All Things Good' is the third single lifted from "Starlings & Crows", the stunning album of last year by English ambient-pop artist Chloë March. The song is a delicate and evocative ballad, led by a vulnerable yet strongly flowing melodic vocal over gently propulsive piano. A wish-fulfilment and a spell of love and the healing sensuality of the natural world. Starlings & Crows has been featured in a number of Best of 2020 lists including Textura, Curveball and Mark Griffin.

“A stunningly lovely blend of electronic and orchestral jewel tones, sensitive vocals and diaphanous compositions, this record envelops and holds you to its chest where you can feel its beating heart.” – Mark Griffin

For her fifth album, March drew inspiration from her early childhood in the Warwickshire countryside, nineteenth-century nature poet John Clare, and Lewis Carroll’s fantastical Alice Through the Looking Glass. Throughout the album there’s a palpable sense of wonder at the natural world, shot through with a deep concern for nature’s vulnerability. Starlings & Crows resonates with notions of home on a macro and micro level. 

First single ‘To a Place’ is an elegant waltz built around swooning strings and piano. ‘Landing 1969’ sounds as astral as its subject matter would suggest, pulsing at the same tempo as Buzz Aldrin’s heart-rate as Apollo 11 left earth. ‘Remember That Sky’ is achingly emotive, showcasing March’s innate talent for creating an atmosphere of intimacy without compromising compositional depth. Despite running to a succinct 38 minutes, Starlings & Crows is lush and expansive, while distilled to its crystalline essence.

“The latest album by Chloe March is another heady trip through electro pop... The air is thick with atmosphere throughout and March is a masterful creator of mood… a beautiful sound somewhere between The Blue Nile and David Sylvian” – The Underground of Happiness

Oft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.

More on Chloe March here: http://www.hiddenshoal.com/project/chloe-march/

The music of Chloe March is available for licensing (film, tv, web and more) via Hidden Shoal.
www.hiddenshoal.com/licensing

Why Doesn't Everyone Know These Songs? - the all indie podcast, episode 10

Recent comments

Related tracks