Cool production techniques here man. And really nice guitar.  Love how you open it up some with that flanger.  Killer sounds

Totally immersive❣❣❣💘 👏🏼👏🏼👏🏼⭐🔥🔥🔥🎼🎸🧨🧨🧨🧨🔁🔁🔁🔝🔆🙌🏼

Hi Sanders, powerful guitar and sound, perfect product :)

Excellent guitars, Close Encounters of the Third Kind with powerful riffs 🎸🛸

Love this vibe! Soaring guitar and nice broken up middle part!

Daily Drops

Say It Again ft. jh0st(Free Download)

PASACANA

(Free WAV Download available here under '••• More'; and eventually as part of my Foul Weather Friends album)

I bet I met Belial Pelegrim (https://soundcloud.com/belial-pelegrim, https://belialpelegrim.bandcamp.com/) within the first 3 months of discovering Soundcloud; and man did he set the bar high. If you have yet to encounter his music while exploring this community, I would be flabbergasted. He is most definitely located in the left ventricle of this great circle of friends. :)

One of the things I genuinely admire about him (besides being an off-the-scale musical genius) is his tremendously generous nature in supporting the people of this community. Back when the idea of collaborating scared the living shit out of me, he actually offered me the opportunity; we then made ‘Fog Drinker’ (that was back in August of 2017. Wow! Where has the time gone?)… and after that, I wasn’t so horrified by the idea of collabs any more. Frankly, you survive the wild ride that is a Belial collab, and you’re pretty much fully acclimatized to the idea. Haha.

And here we are, almost 7 years to the day… and I have the great privilege of hosting our 8th musical soundscape… and this thing is superb if I do say so myself. 

Honestly, everything I’ve created with this guy is awe-inspiring. Here's a link to the playlist so you can check them out when you’re done here (https://soundcloud.com/justin_mackay/sets/the-belial-pelegrim-grevusanjl). You’ll thank me for this. I promise. 

Oh, and while you're on his page, check out any one of his Taffeta series. A new chapter is released every weekend. Needless to say, it has been a massive stretch just to reach song 200 (of 266) this weekend. And it is a labor of love we can all benefit from. It truly boggles the mind.

In the meantime, we hope you enjoy, ‘Trading My Doomsday Clock For A Sundial’. :)

F.W. Friends

Trading My Doomsday Clock For A Sundial | Belial Pelegrim & GrevusAnjl

J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, drums, bass, composition, and arrangement 
Llanpsych-- @llanpsych -- Tez – guitar
TexMex Shaman– @texmex-shaman –Stephen– guitar, production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–ehru 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – lap steel

This ripe piece of funk started with JJ essentially composing it on the e. Piano, organ, drums, and bass. He had the Eclectic Collective in mind when he did so, though. JJ actually is playing his drum kit on this one, so funkily that we decided to keep his drums in there. That didn't leave a whole lot of room for Ken to get in on it, but he managed to add a really cool ehru part. The ehru is a two stringed asian violin with a distinct high percussive sound. JJ's bass line was so well played and solid, we decided to keep it in there, too, which also left Josh searching for a place in the mix. He decided to go last with the lap slide to anchor the foundation of the blues idiom. But he did that after Stephen and Tez cast their spells on the song with their magical guitars. Tez can be heard with the trippy, delay-heavy staccato lines, and Stephen with the silky smooth crying blues lines throughout. 
  Of course, every great song needs a great mixer and producer, and we're lucky enough to have Stephen to do the honors on this one for us.
  This song represents The Eclectic Collective at our funky finest, and we always enjoy and appreciate when JJ starts a song for us. We hope you enjoy listening to this as much as we enjoyed making it. 
  If you really dig it, and have read the whole way to the bottom, please consider sharing this, too. We all appreciate your ears and support.

Sly Willy Blues  - The Eclectic Collective

Never Say Goodbye

Midnight

Cast of Characters:
J.J. Terrell–@j-j-terrell – drums, bass, and organ
TexMex Shaman–@texmex-shaman –Stephen– mix, mastering, and production
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–PRS semi hollow body electric guitar
This song began with JJ on a late Saturday night, coming up with it on the drums, bass, and organ. He had a killer jazz groove on his mind when he composed it, and was able to really bring it to life on all levels. He originally wrote it as a solo piece, but asked me if I would like to add a guitar part. I jumped at the opportunity to play an original jazz song on his guitar, and in a few days, recorded about 20 takes of it. He finally landed on the one you hear in here now. 
  We asked Stephen to mix, master, and produce it for them, which he did in his typically professional way.
  This was a fun, exciting collaboration, featuring just JJ and me, but the rest of the Eclectic Collective will be back with them next time. We hope you enjoy listening to this as much as we enjoyed making it.

Losing the  Paparazzi (With JJ Terrell, produced by Texmex Shaman)

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four-string fretless bass, Roland Phantom 6 synth, vocals, lyrics, arrangement, composition
J.J. Terrell-- @j-j-terrell—JJ--  Yamaha Genos 2 and Yamaha MoXF8 
synth, organ, electric piano, and vocal harmonies
Mistermark-- @user-432503709 -- Mark – clavinet     
Llanpsych-- @llanpsych -- Tez – Fender Stratocaser through a VST synth FX device
TexMex Shaman– @texmex-shaman –Stephen–  Gibson Les Paul electric guitar, Fender Acoustasonic acoustic guitar, Gibson Earl Scruggs Mastertone banjo, mix, production, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion

This song started when as a vague idea Josh came up with while listening to Lionel Richie's All Night Long followed by Michael McDonald's song Sweet Freedom. He wanted to create a song that uses that same basic structure because those are both perfect pop songs in his opinion. He came up with a rough structure on his bass and piano before enlisting the help of his team of musical superheroes. 
  Ken was first up to bat, adding his magical drums and helping Josh find a groove on his bass. Ken later added the hand percussion that adds a spicy drive to the song, too. Next up was Mark, who added the funky clavinet throughout. Stephen threw down after Ken, adding some foundational guitar to the stew. He also added the awesome banjo you hear trickling throughout. Very shortly after, Tez came through with the trippy guitar solo at the end. JJ followed with the breathy organ that lifts the whole thing aloft.
  Now that we had a solid foundation to work with, Josh added the synth "horn" part in the middle, as well as the vocals, including the third harmony part in the choruses. JJ added the fifth harmony part in the choruses soon after. He also added the synth hooks throughout and synth solo at the end. Not stopping there, he also added the electric piano intro, with Ken's drums, and Stephen, who added the electric guitar in that part, as well.
  Now that the whole thing was in the can, it was time for a mix. One of our resident production experts, Stephen, did the honors, as well as the mastering. 
  This is an example of everyone in the Eclectic Collective adding just the right puzzle piece to form the bigger picture. We hope you enjoy listening to this as much as we enjoyed making it. 

Original lyrics by Josh Clary:

Got a little baggie
Got a tank of gas
Now what I need from you 
Is to light a fire under my ass

Let’s put down our phones
And turn up the tunes
By now you know there’s nothing 
That we can’t get up to

Wherever we go 
That’s where I want to be
Just as long as 
I know I have
You there with me
Because
I’m down for anything x2
And you know that’s true
You know that’s true

Whatever you wanna do
Whatever we get up to 
I’m down for anything
Anything

With you I love to eat
But I never want to sleep
Because I don’t want to miss out 
On spending any time with you

When I hear you laugh
Or get excited with a gasp
You make my heart feel like
I just ran a lap

Let's go on a run 
Or figure out some fun
Or jump in the car and drive to where 
The ocean meets the sun

Chorus repeats/Chorus reprise

When you hit me with those eyes
You know you hypnotize me
And just when I think you won’t 
You can still surprise me 

We’ve done it all before
Now let’s go do it all some more
Every day is a reward 
When I feel like I just scored

Down for Anything (Eclectic Collective)

Infektomorph's mix and master on the same collaboration track. This song is about my least favourite personality trait I wish to abolish.

Impetus & Nemesis

Impetus & Nemesis (Infektomorph mix)

Another unpretentious pop song. I kind of like the chorus and the instrumental bridge. It should be shorter, but it came out that way, with an extra minute.

since she's gone

Bad things don't break close to home, close the blinds
Turn the T.V. on, sleep on the couch
Freaks still rumble, stuff going down 'neath my nose

There was a shooting at the park
After dark anything can happen
Police can't be everywhere at once

Still pretty sure nothing gonna break, avoid the news
At every cost, anything I don't know aint gonna hurt me
Anything I don't know I don't need to know

Lawless society is a no-mans-land
Destroy everything
Sit and watch as all this play on the screen

08-07-2024

A Shooting At The Park

Sur une musique de Christian Devienne, merci à lui. 

Ça fait déjà quelques années
Qu’ils préparaient son arrivée
Disant le tout et son contraire
Avec des mots très ordinaires
Prêts à tous les excès pour plaire

Charmant des esprits engourdis
par le malheur et par l’envie
De mensonges en raccourcis
La bête a fabriqué son nid

S’imaginant fille d’un dieu
Pas vraiment miséricordieux
Elle n’a plus à se confesser
Puisque le mal n’est plus péché
C’est tellement pratique pour rester

Lorsque sur des tombes encore fraîches
De morts qui sont encore pleurés
La bête prévoit d’édifier
Des Disneyland et des palais

N’importe où, qui que vous soyez
Même silencieux et caché
Louvoyant la tête baissée
Lorsque votre numéro est tiré
Ses sicaires sauront vous trouver
Pour vous pendre ou vous enrôler

Quand la raison meurt sous le fer
Le pire qu’on croyait révolu
Laboure des terres inconnues
Plus brûlantes et noires que l’enfer

Mais si la bête toujours renaît
Le meilleur aussi apparaît
Si d’autres monstres ont paradé
Ils ont tous fini par tomber




la bête

Original by : FPMORINSTUDIO/Francois Pierre Morin musicians composer 

MANUFACTURERS OF RUIN

After The Storm

File Updated: Lots of goodies added

Notes
I'm thinking of the mentalists who fascinate me in this tune as well as other things. The idea of neuroplasticity and actually wiring your brain. releasing negativity just by intending it or doing the same conversely if that's your frame of mind. Derren Browne and Keith Barry are two great mind specialists worth a rabbit hole each. 


432 A - EADGAD - 96 bpm

Lyrics
One can never know
Ones suffering
It might not show
You might just get a glow & a grin

Brave faces found
We know deep down
Their light flickers sound
Pain as Earth pounds and pounds and pounds and pounds and pounds ...

So give me your pain
Let me release it
Let me find some peace for it
Give me your pain
Let me release it
Let me find some peace of it

Then it gets hard
Untenable
We disconnect
We end this fake mirrored show
We sleep
We wake
Hands tied
Joints and pills to take
We're trying to feel alive
May we all survive

Oh give me your pain
Let me release it
Let me find some peace for it
I'll be your devil drain
Let it out to cease your sore
Lets find peace for more



Give me your Pain

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

PASACANA

SANDERS

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