An Oldie theme treated under a subtle Synth Pop perspective. The song is about a peculiar female perspective on relationships... versus another peculiar male perspective.

JEALOUSY

The beginning is Electronic in an overture to a Pop Synth theme where personal restlessness is important.
When sadness places us in front of an abyss, we must not forget that there is something and someone else that supports us... even if at the beginning we are not aware of it.

INTRO FOREST & DOMAIN

The sonorous journey begins with the anticipation of the departure from the forest. However, the Electropop song soon begins with an environmentalist message. In the end, the exit from the forest is consummated...

CALIMA - OUT FOREST

The track is a pop track where electronic and analog are mixed in atmospheres, sometimes evocative.
It is about the grateful and desired solitude after a storm.

INDIFFERENT

In an electronic environment over tribal percussions appears a pop song that talks about the lack of communication in familiar places.

INTRUDER

The track rests on country sounds and vocoder.
These are eventually joined by “piercing” guitars and effects over which a train stands out.
All this makes up a mystical theme that deals with the story of the singer's karma.

MIRROR F V

This is one of my favourite disco instrumentals that I have made lately with my friend @Inthecloudsproject  . :)

Other Club 24

Other Club 24 (Instrumental Disco)

The introduction is an electronic instrumental that leads into a synthpop style song. It talks about the side effects of the quest for personal power... and who gets to benefit from it.

I - KEY UNION

A mixture of styles converge in this electronic and vocal track. The track is a fantastic story of dragons and humans...

DRAGON

It is a danceable pop song with a touch of the nineties. It is about the simple desire to have fun and not about people's common passions and desires.

The theme is electronic but with diverse influences that are integrated in a musical panorama where the oriental and the western coexist.

LOST IN T4

Piano introduction elaborated by “Inthecloudsproject” followed by two tracks. The first one is synthpop and the second one is more pop. They belong to an old conceptual Lp work of mine where they narrate the adventures of 2 Elfs from different lives that maybe were not destined to meet (or maybe they were...).

ELFS XX & XY TALES

After the piano intro of “Inthecloudsproject”, an electronic dance track inspired by the 70's and with a clear funk influence appears. I have also tried to make it a Super Single for the dancefloors of that time, very defined places.

OPTIONS CLUB (INTRO & THEME)

After the piano intro comes a Pop synth track inspired by themes of the late 80's with aspects close to the gothic style. In it, the suggestion is a strange journey of the soul around the imagination of melancholic character.

THE FLIGHT OF THE SOUL (INTRO & THEME)

After the Piano Intro of my friend “Inthecloudsproject” appears a first electronic track with old and modern synthpop influences. Its name (prisoner) wants to refer to the idea that some tastes incarcerate... Then the enjoyment disappears but the prison continues. The second track, of more synthpop classicism, may insinuate a musical hymn in which the right to have the License to Breathe is requested.

PRISONER - LICENSE TO BREATH ( INTRO & THEMES)

This electronic theme combines classicism, modernity and strangeness.
It would describe a parade of souls in transit from this world to the afterlife. On the one hand the perspective of this, for humans, would be frightening and mysterious. On the other hand, the spirits that parade with the voices of men, women and children, do so with innocent and convinced joy. And the parade continues its course towards the Beyond...

GHOST ROAD (INTRO & THEME)

Electronic synth pop track with a strong pop rhythm. It's not so much about the amount of speed as the strength of it, even more so when combined with various melodic choices.

FAST

The song is conceived in two parts: the first one has thick pads, a lilting rhythm and vintage evocations of brass and guitar. The second submerges the previous in a Caribbean rhythmic base treated in a modern way.
It intends to suggest the decadent environment of an old hotel whose splendor was in the 50s and 60s. Today its memories survive in a kind of fog that, if it catches us, envelops us in that lively atmosphere. But... be careful not to get caught... you will be part of that...

FOG (INTRO & THEME)

A cheerful Christmas pop song with an electronic and dance base. It is about the mood that you try to bring to a character when the Christmas season arrives.

POPS

A song with strong electronic rhythms that sustains evocative melodies and rhythms with winds, synths and piano.
The female voice is sustained at times as in a dance, and at other times as if it were a prayer.
The theme is a kind of indigenous fantasy where the voices cry out for desires that modernity has suffocated.

CORALA

Electronic theme and vocal duet with a walking rhythmic lack. It emphasizes musical expressions from the Far East. It tells of a fictitious successful businessman with a dark past.

ORIENT

Although the tools with which the track has been elaborated are mainly electronic in nature, its personality is of strong and heavy rock, at the same time with a certain lyricism.
To someone it could suggest aromas of Rammstein, but the listener has the last word.
The song is about a story, about the harshness, a personal vision about what they call the evil of a human being... without going deep into his conditions. This does not detract from the despicable nature of his possible actions, but it also indicates other factors that society usually avoids dealing with... He will have his reasons in this regard...



BAD MAN

The track is a fast-paced Country Rock Western song where the guitars and rhythm take center stage, along with the vocals, until about halfway through the song.
It is then when the epicness suggested by the trumpet is incorporated, which gives it an even greater movie touch.
Inspiration comes from Sam Peckinpah and Tarantino's films, where no concessions are given until the end.

LAST BULLET

Independent musical project of songs created in studio. We do not have a defined style, so the subject matter can be surprising for its variety of forms and styles.

Groovian

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