rock

The soundtrack is a reflection on unrealised dreams and the disenchantment that comes from not following your true nature. 

Music, arrangement and production: Massimo Ghianda
Vocals and lyrics: Eliza M - @eliza-em
Cover art: Nikodem Arte Machnik

Equilibrium (feat. Eliza M)

The Offspring - Self Esteem

Green Day- The Forgotten

Green Day- Kill The DJ

The Offspring- You're Gonna Go Far, Kid

Listen at the convenience of YouTube:  https://youtu.be/kyWAQMV8TXI

Retouch Edit for the “Red Hot Moon” Ska Punk anthem by Tim Armstrong and Rancid. The original song is not changed at all, because it is “Indestructible”,  as its 2003 album name suggests. Original song was produced by Brett Gurewitz of Bad Religion). In the remix I did some gentle widening and respectful highlights for the song. Added very few beats and hats and lotsa subtle deep bass. 

Tempo is locked to much slower 150Bpm. So it should be perfect for the slow Pogo dance perhaps?!?! ... or for this awesome, romantic SKA dancing like in the original, at 1:43 ?!?!  : D 

    https://www.youtube.com/watch?v=zly9--6A4Hk

The take on mixing one of my favorite Rancid songs was to celebrate Red Moon celestial even in Oct, 2015. The Red Hot Moon is eclipsed by Mini Moog rework only. Three Moog synth lines added to expand the lower domain. All done in Live9 with MiniMoog by Arturia. More explicit words are scrambled in case you take kids to the “grave yard tonight” to observe the Red Hot Moon event : ) 

The artwork is actual phot of the Red Super Moon I did from our backyard, as it’s was viewed those days from “Cali, California….”   : ) Canon Rebel T4i, w/o editing. No idea where the blue-ish glare is coming from, probably from the Moog button highlight?!?  : ) 

My tribute to Tim Armstrong, guys! So to quote him here "Respect to New York, respect to London, but we're from California and our state is golden" :D

    https://www.youtube.com/watch?v=0zmIR1aAGYE
 
Made with love and a heart! I’m serious regarding author rights. Support the artist, buy the original on iTunes and/or my remix on Legitmix, so original artist gets paid!

Lyrics (and all rights) Rancid:  "Red Hot Moon"

Under a red hot moon, take a bus downtown to the Grave yard shift tonight

KC’s from Cali, California.
She's got a reputation that she didn't ask for.
She’s waiting for an escape now, escape is called the 164.
Now, KC, she won’t admit when she’s wrong,
now KC, she’s always run, run, run.
She’s a punk rocker, she don’t trust no one
on a south end bus all alone.

Under a red hot moon, take a bus downtown to the Grave yard shift tonight

KC was never caught up, like the rest of the rats in a fucking maze
“Check me out” she said, “I’m in a concrete jungle,
I’m an individual and you’re stuck in my waste”
Oh hell no, she knows what the truth is. Because she said so
She knows who her friends are so fuck you, don’t get no closer,
it’ll only make her run far away

Under a red hot moon, take a bus downtown to the Grave yard shift tonight

I know KC’s brother pretty well, lets say
we spent a lot of time hanging out
I always thought for he said that she’d be the one to get out of here
and make a life fore herself
but when we found her in the little league park,
in the dugout it was cold in the dark.
No one knew why she wouldn’t wake up,
I think she finally made it back home.

Under a red hot moon, take a bus downtown to the Grave yard shift tonight

[Rap verse by Rob Aston]
One time for your mind, two times for your soul three for the graveyard and the money I fold.
Dimmed out in the city where the sun burns slow, no hope it’s a pity I can’t say no.
It’s not my time to go, it’s not my time to die,
the last thing I wants for my mother to cry
It was love at first light, since the very first night,
things have never been the same since I took my first flight.
The way I live my life, I love; I live lavish, lost me from the start.
You lose, you’ll never have it! Untouched, unleashed, back up you don’t want it.
Stick him for his cash. It’s back, now he’s fronting.
Take two pass, I’ll take to blast.
Bust a mother fucker; I’m out on the flash. Pimped out, high as fuck.
I’m out of control. Let's bounce, rock, skate, Man I'm ready to roll.

Rancid

Rancid - Red Hot Moon (Retouch Hot Moog Edit by Sam PROCK)

129GONE
Angry Angles "Angry Angles" LP/CD
Street Date: May 20, 2016
iTunes: https://itunes.apple.com/us/album/angry-angles/id1086730499

Angry Angles’ Retrospective is a 17-song collection that comprises 100% of the studio recordings by the duo of Jay “Reatard” Lindsey and Alix Brown, one that came together shortly after the mid-2005 demise of Lindsey’s long-running Lost Sounds. The sheer immensity of Jay’s musical discography relative to the artist’s demise at the age of 29 in January of 2010 is an undeniably impressive attribute of his legacy. But this is unlike other examples of massive output-footprints built via an uncontrollable sink-or-swim necessity to retain a prolific profile at any cost. This is no sort of prolonged demo or practice session for what came next. 

Sure, extraneous live documents reveal a handful of set items that would turn up on that landmark album, and there’s more than a passing riff or several heard amongst the songs collected here that would do the same. Ms. Brown herself even turned up handling on that album’s "I See You Standing There" and some vocals on "We Who Wait". But the album didn’t really “come next” at all. Angry Angles’ musical demise, at some point during the latter half of 2006, was a direct result of Brown and Lindsey’s demise romantically, but concurrent with the many previous months of activity and productivity was the writing and recording of Blood Visions. 

It’s release in October of 2006 was to be followed closely by a proper studio full-length by Angry Angles, with the latter receiving heavier promotion. Well, whatever it says about…whatever, it can’t be denied that Jay + Alix was a hell of lot easier on the proverbial peepers in a marketing sense than “Jay + his whitey-tighties + pig’s blood”. 

And unlike much of the man’s discography, this was not “The Jay Show” all the way. Brown wrote three of these tracks, the amazing “Apparent Transparent” as well as no-slouch “In My Room” and appropriately, “You Call It Love”. Overall, these songs are guitar-based noise-pop/punk (not “pop-punk”) certainly informed by the garage-rock/punk landscape that Jay was constantly and effortlessly schooling. There’s certainly outside influence but “the hook” is clearly the biggest concern at the end of the day.

Then there’s the five never-before-released songs if we’re talking generosity: An unreleased version of “Things Are Moving” (that kicks off the collection), a cover of the Oblivians’ “Memphis Creep”, and of arguably the most gravitas…three songs (the collection’s closing triad of “Can’t Do It Anymore”, “All the Same” and “Set in Stone”) that came out of a session (recorded by Chris Thief) when the band went to Montreal to perform and ultimately shelved by Jay solely based on the fact that they weren't recorded by Jay. Amongst the preceding 12 tracks, it should be mentioned, are four cover versions, and if it isn’t already a known rule with such a thing and the Jay Reatard discography as a whole, covers are a special thing and well beyond the “here’s something I want you to know I’m on board with!” gesture. We get A.A.’s treatment of Wire’s timeless piece of post-punk pop, “The 15th”, another end of the same basic era but no less hooky in the Urinals’ “Black Hole”, the proto-all-of-that greatness of Devo’s “Blockhead”, and a reorg of the Oblivians’ regional character assassination, “Memphis Creep”.

This retrospective is the result of nine months of work by the involved parties of Goner Records; co-founder and handler of band’s visual presentation, Alix Brown; Adam Shore, Jay's manager/archivist in life and beyond; Tour/sometimes studio drummer, Ryan Rousseau (then of Tokyo Electron and then and now the man responsible for the almighty Destruction Unit.)

- Andrew Earles, 2016

www.goner-records.com

Angry Angles

Things Are Moving (Unreleased Version)

Angry Angles "Things Are Moving" (Unreleased Version)|| 'Angry Angles' [Goner Records]

Wifey

Demolicious

Nuclear Family (Demo)

Angel Blue (Demo)

A Little Boy Named Train (Demo)

Missing You (Demo)

Oh Love (Demo)

InfiNoise Feat. farhad Zohdabady - Hypnotized (Extended / Festival) [OUT NOW]
Beatport: https://pro.beatport.com/release/hypnotized/1760745
iTunes: http://apple.co/1ra38dQ

InfiNoise feat. Farhad Zohdabady - Hypnotized (Extended / Festival) [OUT NOW]

What can I say......one ray of sunshine and I can't help it......I see myself dancing somewhere sunny, hot with the sound of the waves nearby, music playing, surrounded with people dancing, having fun. 
A ray of sunshine and everything looks different. What might have looked gloomy and sad, now looks happy full of hope and happiness :)Copyright protected ©

Funky Tonk / Paploviante 2016
Bass Paploviante
Solo Guitar Carlos Eduardo Arellano
Logic Pro

Funky Tonk - Paploviante Original

This track is from a time when SoundCloud was on our side and allowed the community a lot of exposure. But I also enjoy this more intimate and real time we got going on. 

Shining light on your gardens, on your food, and on your health. Blessing 'em up!!! 

Big thanks to Blankets for giving me so many guitar tracks to work with that i can make songs for dayz. I miss you buddy! 

Big thanks to Robot Richard and Weighty Tree for being awesome. I have know you guys on the cloud for so long now - crazy!!!

Big thank to Wizard Shoes Aka Ill for being Ill!!! 

Blankets: acoustic guitar 
https://soundcloud.com/allergeist
Robot Richard: lead electric guitar 
https://soundcloud.com/robotbattles
Weighty Tree: bass and guitar 
https://soundcloud.com/theweightytree
Couch King: production, percussion, arrangement, lyrics, vocals
Ill: Final mastering 
https://soundcloud.com/ill-dub-productions

Lyrics:

oooh baby I like it raw
carrots and broccoli
cucumbers and lettuce 
I will cook 'em raw for you and you will be my goddess, yea
I got healthy treats that you just can't beat, no
were deconstructing food and were breaking it down to pieces, yea
I eat for love
and I eat to survive
I eat for nutrition and I eat to stay alive
oooh baby, I like it raw 

oooh baby, I like it raw
I got the sun set and sun shine captured in my food
with the rain drops and moon shine all the world is renewed 
I got the sun set and sun shine captured in my food
with the rain drops and moon shine all the world is renewed 

the first thing you need is a strong nutritious soil
the first rule after seed is to never leave it bare
you reap the benefits of the toil
you reap the benefits of the toil
 
with a top layer of mulch, you cover it with care
protected from the elements, now, you say your solstice prayer
worms and banana peels make my compost gay
coffee grounds and tea leaves keep the slugs away, oh
I once heard someone say, sow bountifully 
And receive it in fully, my love receive it, oh yea! 

oooh baby, I like it raw
I got the sun set and sun shine captured in my food
with the rain drops and moon shine all the world is renewed 
I got the sun set and sun shine captured in my food
with the rain drops and moon shine all the world is renewed

rock

Anna