What a nice glassy, playful, open and little windy ambience you created in your track.

This is a neat journey. It occupies its own little space yet sometimes a wall comes down and we see the bigger picture.

A really beautiful track! And I love the spatial dimension of the sounds.

💀
mysterious grin , sinister and bold
 playIng with fire, never gets old
Her Devil eyes,  catch the soul 
Little Goth babe, rocking black clothes

💀💀
sinister smile , she's got me trapped
Minds going  gotta snap back 
Smells of  lust drives desire
bloods pumping, souls on fire
💀
She plays with hearts, just like a game
 won't back down, make 'em feel pain
Her wicked ways seduce my mind
searching for peace you never find
💀
devilish grin,  I'm unshaken 
No mercy, no fear, I am forsaken
Black satin sheets, leather and chains
she wants to tie me up this is insane,
💀
Her whip slashs  the skin
she's ready to give sum sin 
 you can beg all you want 
she ain't gonna stop

lil Goth Babe

Barcelona trap

Happy Easter
An indefinite but infinite feeling of Love passes through the Universe

Difficult study, Prague, September 2004

Scherzo - New

Scherzo

The Trial
A Pico-Operetta for our Times

International Cast:

Lady Humanity - Oddrun Eikli - Norway, vocals and lyric on the last song; @oddrun-eikli
Lord Mammon - Peter - England, All poetic lyrics in the operetta, except the last song; soundcloud.com/user-264930040/tracks
The Judge - David Dunham - USA, nylon-string guitar in the song for Lady Humanity's defense; @david dunhamuser589535203
Music & Production - Seagull - Sweden, compilation, mixing, sound effects, and acoustic guitars in last song; @farout-music-studio

Here you can download all poetic lyrics: www.dropbox.com/scl/fi/37k203an5c…5u74dp2i&e=1&dl=0

Synopsis

Following unprecedented worldwide growth in human conflict, an emergency plenary session of the United Nations was convened late in 2023, tasked with finding new approaches to defuse global tension and ease conciliation. Recognizing the abject failure of extant UN jurisdictions and powers, and in a radical restructuring of the international legal and security framework, that session established a new UN institution to sit alongside the International Court of Criminal Justice. The International Court of Moral Justice was formally incorporated into the UN Constitution on 1 January 2024.

The foundations of this infant organization and those of the UN itself were shaken when it was revealed that the inaugural case to be heard by the ICMJ was to be a private prosecution brought by greed (Lord Mammon) against the defendant, mankind’s innate sense of humanity personified by Lady Humanity

In papers lodged with the court, the protagonist, Lord Mammon has asserted that the fundamental basis for human misery, the creation of discontent, thence envy and hence conflict, is to be found exclusively in false moral goodness and self-righteousness borne of a misplaced sense of benevolence. The human race survived and thrived, he states, not by moving at the pace of the slowest, or sharing resources with the weakest, but by taking and keeping, for the self alone, much more than is needed for basic subsistence, this being the singular route to strength, individual contentment and thus tolerance of others.

In reply, a broken and demoralized Lady Humanity has been compelled to present her own defense after failing to secure funding for a legal team to counter the advocates ranged in front of Lord Mammon. The case for the defense rests solely on the premise that good comes from within and cannot be created from nothing. So whilst she may try to bolster the moral cause in her work, she increasingly finds that the human souls she sees have no humanity in them whatsoever for her to strengthen, nothing to work with and as such, concedes that she has failed, but denounces the notion that it was for want of trying. Devoid of resources, supporters and allies of any kind she single handedly has held the fort against the self-perpetuating, self-reinforcing massed ranks of Mammon.

The Lord Chief Justice of the ICMJ along with his bench of associate judiciary adjourn proceedings to consider their findings and in the final act, return to deliver their verdict.

The Trial - A Pico Operetta for Our Times

Now its Sommer Time and we must make a litel bit 
Summer Chill, Thanks so much for your Help,
Great Sax Pervormance by Joerxworx
https://soundcloud.com/joerxworx

Lunatics 144 The Devils Ride / Joerxworx & Ratzzz

Lunatics 144 The Devils Ride 😈/ Joerxworx & Ratzzz

4 Of Swords

I Can't Stress This Enough If You Want To Learn The MPC Check Out Ave Mcree's Tutorials, thanks Ave.

Orange (MPC X) {Instrumental} 𝑷𝒓𝒐𝒅. 𝑩𝒚 Operation O™

This was my contribution for Disquiet Junto Project 0651: Why Compute?, which is based on a prompt by musician and Columbia University professor George E. Lewis. Lewis asks, “Why do we want our computers to improvise?”.

Here’s a copy of my post on the Disquiet Junto 0651 discussion thread on Lines:
My response to George E. Lewis's question "Why do we want our computers to improvise?" is - they can help create, influence, untangle and/or open up fresh neural pathways within our brains in discovering new approaches for our music compositions.

More than half the music I create usually involves some form of non-human generative or semi-generative improvisation to collaborate with. In the past, the collaborators have been various computer programs or hardware systems like the Monome Norns. Lately, it's been the modular synthesizer, though I did use my MacBook Pro here.

Three tracks were produced in Ableton Live with the help of a generative sequencer called TATAT by K-Devices. I improvised accompanying tracks using a K-Board MIDI keyboard. The synth plugins used were Slate + Ash Choreographs and Cycles, Fors Tela, and Sonic Beds 1.0 by Jogging House. Reverb effects were by Phonolyth Cascade.

More on the 651st weekly Disquiet Junto project, Why Compute? — The Assignment: Respond to a prompt from George E. Lewis — at Disquiet Junto Project 0651: Why Compute? – Disquiet
The cover image for this project uses a photo by Ioan Sameli, thanks to a CC BY-SA 2.0 license; it’s been cropped and text has been added to it.
https://commons.wikimedia.org/wiki/File:Intel_8742_153056995.jpg 1
https://creativecommons.org/licenses/by-sa/2.0/

Conical and Concentric References [disquiet0651]

Samples voices : « Listen to your heart » (DHT).

LISTEN TO YOUR HEART

A traditional song … Simon and Garfunkel by way of Paul McCartney and Wings interpretation! Be very careful what you wish for!

Richard Cory-Simon and Garfunkel cover via Wings

Composed, written and sung by Mizero 2024 
VIDEO: https://youtu.be/xFIQ_PCaDVg?si=86aCC9V0rQ2Cj24m 
Lyrics:
the sun is rising in the East
a dream is dying in the West
we run around without our heads on
and thinking we all know what's best.
but all the time 
our life is fading,
the leaves are falling from the trees.
you count yourself among the lucky,
and live a life of careless ease.


you've got to be a professional,
you've got to be on your game,
because it's only respectable
if everyone knows your name.

Respectable

Respectable | Video

Somewhere on the California Central Coast

Conical and Concentric References [disquiet0651]

he_nu_ri

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