jeff gburek: melodica; karolina ossowska: violin

Ossowska_Gburek Senza Titolo

BLÄTTER FALLEN / marc schaffroth/ulrich langenbach

Welcome to Finding the Monster Within.

An ambient (and very minimal) set made in October 2024.
This is the seventh in a series of ambient sets that I am releasing each month.

This set has a darker tone than the previous ones in this series.
It was made as I prepared for a Dark Ambient performance for Støyscene in Drammen Norway.

I hope that you enjoy.

00:00 Brambling Take One
05:46 Bright Eyed and Bushy Tailed
11:26 Disclose
14:45 Grendel's Dream
20:12 Brambling Take Two

Finding The Monster Within (an ambient set)

This was my contribution for Disquiet Junto Project 0674: Cerberus Sample. The assignment: Make a song not just with but from just one sample.

Here’s a copy of my post on the Disquiet Junto 0674 discussion thread on Lines:

This gave me the opportunity to get more experience in learning the Rossum Panharmonium, a module I picked up second hand a few months ago. I setup a small 64hp modular skiff, and recorded a melody originally created in Ableton live, into Morphagene, then into Panharmonium, and finally to Monsoon. Modulation and other parameters were changed manually. Output was through Make Noise XOH into a Focusrite Scarlett interface, then into Ableton. Effects added were Valhalla Delay and Cableguys ShaperBox 3. The beginning 8.5 seconds is the actual sample. 

More on the 674th weekly Disquiet Junto project, Cerberus Sample — The Assignment: Make a song not just with but from just one sample — at https://disquiet.com/0674/ T

Open Air [disquiet0674]

The pale alence_04

2024-12-08

Dark At Night

2024-12-11

Everyone Has Already Left

Teacher, university professor, molecular biologist and molecular geneticist Reham Ishneiwra, said to be one of the brightest and most versatile scientific minds in all of Gaza, was reportedly killed either in November or last June already not before she had developed a revolutionary method for purifying seawater for her people in Gaza. It was called Operation Magic Stone. https://rehamishneiwra.com/  
As time goes on and with so many people have been lost in the disaster, I am forced back to my own notebooks where I jot down names and events registered by others in the course of my research. That it might go untold that there were many women scientists and students killed in the genocide as well as artists and journalist seems evident and yet there is another realm of memory open to us who hear the voice of the waters. Operation Magic Stone spoke to me and I knew that eventually there would be a poem or something like this. 

Operation Magic Stone

PREMIERE : Vidění - Whispers Beneath The Waves [AM002]

Music by Rosario Piscosquito aka Vidění
Mastering by Brice Deloose at Incidence Studio
https://www.incidence.studio/
Artwork by ambient matter
Distribution by Triple Vision


Vidění
https://soundcloud.com/videni

ambient matter
https://soundcloud.com/ambient-matter
https://substack.com/@ambientmatter
https://ambientmatter.bandcamp.com

PREMIERE : Vidění - Whispers Beneath The Waves [AM002]

At the heart of this music lies the steel pan — an instrument born in Republic of Trinidad and Tobago in the early 20th century.

During the colonial era, African drumming was banned under British rule, out of fear that rhythms could unify enslaved and marginalized communities. Yet, music could not be silenced.

People turned to bamboo sticks, metal containers, and eventually oil drums, transforming restrictions into invention.
From this resilience emerged the steel pan, the first acoustic instrument created in the 20th century.

The word Creole itself speaks of mixture and convergence: in Republic of Trinidad and Tobago it refers to Creole languages shaped by African, European, and Indigenous influences, and more broadly it names cultures formed where worlds collide.

Reflecting this spirit, Creole weaves the luminous timbre of the steel pan with tribal rhythmic currents, embodying hybridity, memory, and the unbroken force of music.


all instruments, program, artwork
produce and mastered by Setsuya KUROTAKI

releases September 9, 2025

All tracks are copyright protected. All rights reserved.
℗ / © 2025 MNTN rec. under exclusive license to NOiR Inc.

bandcamp

Creole

2503 three

Somewhere on the California Central Coast

Open Air [disquiet0674]

he_nu_ri

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