🐝

All tracks written and performed by Transmission Zero:

Jacek Zięba - guitar
Krzysztof Rutka - bass; synths
Sebastian Zimowski - drums

Recorded and mixed live by Michał Wójcik.
Mastered by Krzysztof Rutka.

Cover photo by Agata Maziarz.

Vostok 0 (Live from Cracow Music Scene)

آنگاه که کلام باز می‌ماند، موسیقی آغاز می‌شود

Crows in the rain- You are dying in my arms.mp3

#instrumental #post-rock #postrock 
#instrumental-rock #experimentalrock #classicalmusic #classical-music #emontional #progressive #progressiverock #progressive-rock

Blak - Mig de tot

Leave Me No Light

Pequeñas Hiroshimas

La Vida No Tiene Cura

Released via Temporary Residence Limited on Sep 4, 2012.

Dream Odyssey

A classical crossover / prog rock adaption of Adagio in G Minor by Tomaso Albinoni arranged and performed for electric guitars and synthesizers by Paul Landry.
Paul Landry: Electric guitar, bass guitar, vsti mellotron and synthesizers
🎦 Youtube: www.youtube.com/channel/UC4oiRhX2e51zhvzHQwmVt0A/
🌍​ Website: www.paullandrymusic.com
⬇️​ Downloads: www.paullandrymusic.bandcamp.com/
👱‍♂️​​ Facebook: www.facebook.com/paullandrymusic/
​​🟢​ Spotify: open.spotify.com/artist/5tbvGDZA2vYsMHitQ7GNKv
☁️​ SoundCloud: @paullandrymusic
🍏​ Apple Music: music.apple.com/gb/artist/paul-landry/287800079
📻​ Radio: newagemusicplanet.com/radio
🐦​ Twitter: twitter.com/paullandrymusic/
watch on YouTube www.youtube.com/watch?v=Mt8_CBpwd0k

Adagio in G Minor

YouTube

Hell yeah, me and Corey back again with another In Mourning tune.  This one is off their latest album 'The Weight of Oceans', already a few years old, can't wait for them to release a new album and some new friggin tunes!

Guitars, bass & production by me
Vocals & synth by @corey-amador

*update 18.09.2016
New mix! More beef

TM - Colossus (In Mourning cover) feat. Corey Amador

American Football (Covers)

For Sure

Taijin Kyofusho

A Shelter In The Desert - Y dormir, por primera vez, con el alma al lado

credits
releases November 8, 2017 

All songs written and performed by In Lights 

Li He – Guitar 
Bosen Li – Guitar 
Long Jin – Drums 
Ted Pederson – Bass 
Tianyang Wei – Violin 

Nick Liberatore – Bass on track 1,2,6 
Wenhui Li – Pipa on track 5 
Weitianyang, Jiayi Li, Yuanyuan Wen, Zhixu Li, Ni Sang, Chenxi Jin - Choir on track 7 
Recorded and Mixed by Chris Hughes at SAE Expression College and Suspect Studios 
Mastered by Greg Calbi at Sterling Sound 
Album Art by Chenxi Jin 
Photo by maxpixel.freegreatpicture.com 
“Om Namah Shivaya” contains a sample of ‘Om Namah Shivaya’ by Jeff Kagel, published by Mustamullah Music (BMI). @ 2003 Used by permission of Licensor.

1724 Records

Memory

Goddamit, Andrew, if you're gonna succedd at this thing, (What thing?) this, this thing you're trying to do, you gotta stop being so damn deferential!
I can't help being deferential, it's built in.
Then change.
Change?
I have changed.
I don't mean on the outside, change on the inside.
Take chances, make mistakes. (Mistakes?) Yes!
Sometimes it's impotant not to be perfect, okay, it's important to do the wrong thing.
Do the wrong thing?
Yes.
Why?
Oh, I see, to learn from your mistakes.
No, to make them!
To find out what's real, and what's not, to find out what you feel.
Human beings are terrible messes, Andrew.
I'll grant you that.
I see, this is what is know as an irrational conversation, isn't it?
No, this is a human conversation.
It's not about being rational, it's about following your heart.
And that's what I should do?
Yes.
And you have a heart, Andrew, you do, I feel it.
I don't even believe it sometimes, but I do feel it.
And in order to follow that heart, one must do the wrong thing.
Yes.
Thank you.


But you're not married yet!
No, two weeks from Saturday. {?} You absolutly positive you're doing the right thing?
Positive.
You're not getting married. *scoffs* I'm never absolutly positive about anything.
So you could be doing the wrong thing.
No, I'm pretty sure I'm doing the right thing.
Great.
Why is that great?
Well, in your apartment, you told me to do the wrong thing.
Now, you are not doing the wrong thing, you're doing the right thing.
Safe to say, you're not following your own advice, 'cause if you were, you would definetly not be marrying this man Charles.
Because I would be doing the right thing.
Precisely.
In some strange way, you're starting to make sense.
Good.
D'you have any idea what it's like to be in love with someone who's about to marry someone else?
Somebody who's totally magnificent, someone who walks into a room and lights it up like the sun?
Someone who you know is lying to herself?
Lying?
Convincingly, very very much so.
About what?
That you don't love me.
When I know in at least some way you do.
But how do you know that?
Portcia, I have done everything inside and out.
But that stuff doesn't matter to me.
Well something matters, 'cause I have to believe that if nothing mattered, you'd love me, and not some man who's chin can sink the Titanic! (*sobbing*) What?
See?
It's true isn't it?
I'm sorry...
Does he light you up like this?
Does he make you laugh? *sobbing* No one makes me laugh like you.
Good!
Then admit it, admit that you love me, and you want to kiss.
That's all, one quick kiss.
Just one kiss, could not jeprodize a glorious marriage.
Besides, it would also explain to me why your impulses just jumped from 66 to 102 beats per minute.
Your respiration rate has doubled.
You're putting out clouds of {?}.
Fair to read me like that.
I know, love isn't fair.
I'm reading your heart, I'm asking you to follow it.
Begging you.
Begging is supposed to be humiliating, but I don't care.
I love you, Portcia.
I've loved you the very first moment I saw you.

One Is Glad To Be Of Service

April Rain - One Is Glad To Be Of Service (in memory of Robin Williams)

Gone In Bloom and Bough

“I will write Peace on your Wings, and you will fly all over the World.”
Sadako Sasaki, Age 12

Now You Can Sleep

Underwater Cities

Sunny Days

Homesick For A Place I've Never Been

Something Remembered From The Past

Debut EP from In Inertia. Efflorescence is the emotional complexity that describes our respect towards memories and upcoming life. Composed as a mausoleum of our feelings for the period of greatest productivity, this EP describes every little thing that happened is like the time and process of budding and unfolding of blossoms; ended gracefully