Trying out a song in Haitian Creole. I'm not 100% fluent.

Happy Monday.

Byenvini (dwòg) // Welcome (drug)

Something new for my people really in it really.
Credits @ChrissKing *Free Download

#BLM

Cerita singkat OST "TAMBORA"

Tambora adalah sebagian kecil dari kisah kehidupan, Kisah ketentuan tuhan pada alam yang menimbulkan Banyak arah tanya pada manusianya. Didalamnya Timbul ketidak-sesuaian rencana manusia dengan apa Yang baik menurutNya. Suatu saat manusia harus belajar Dari kisah tambora bagaimana menjadi sebuah kisah dengan kesempurnaan rencanaNya.

Lirik 

Dia telah sangat membuat bara 
Tunggu menunggu berat di tepi
Dia telah mengumbar Tanya 
Termenung memendam perih usia

Kini telah rusak kata manusia 
Indah surganya tak kan seindah surganya 
Tambora menjadi latar belajar manusia

Kenali bahasa alam tambora 
Rusak ku indahnya alam tambora 
Kenali bahasa alam tambora 
Rusak ku indahnya alam tambora

Dia telah sangat mengumbar Tanya 
Termenung memendam perih usia

Kini telah rusak kata manusia 
Indah surganya tak kan indah surganya 
Tambora menjadi latar belajar manusia

Kenali bahasa alam tambora 
Rusak ku indah nya alam tambora
Kenali bahasa alam tambora 
Rusak ku indah nya alam tambora

Tambora

Hujan Kemarau

A VISION FOR OUR LIVES is a song and protest chant inspired by the Movement for Black Lives and is designed to communicate the major tenets of the Movement for Black Lives Platform. I composed and released the song as the culmination of a design thinking project involving The Root Social Justice Center in Brattleboro, Vermont. The project was a demonstration of how design thinking could be applied to music production to educate and inform about the Movement for Black Lives Platform.

A Vision for Our Lives

A Vision for Our Lives (Extended Mix)

Ode To George

instagram: @solarwick
samplekit: https://payhip.com/solarwick

awoken

https://payhip.com/b/S2yU 
https://payhip.com/b/S2yU 
https://payhip.com/b/S2yU 
https://payhip.com/b/S2yU
art by @chokokid ig: @artbyhooptie

in order:
@solarwick
@lvusm
@pandimoosic
@prodbyedp

solarwick drumkit vol.1

Hopelessness Springs Eternal [Instrumental] (demo)

Black Lives Matter.

Weekly Beat 22/52
weeklybeats.com/tqi

Fascistic Failure

It's not enough to apologise for your mistakes.
It's not enough to say that you will do better.
It's not enough to pretend like you are listening to the people.
It's not enough.

A track using excerpts from the Los Angelos Police Commission Meeting from June 2nd 2020 - https://youtu.be/oz0CKlGj3uI

Timestamps:
Michelle Marshall - 3:31:28
Alex Washburn - 3:33:42
Caitlyn G - 3:35:57
Souhai Lee - 3:38:12
Michelle - 3:39:54

All the funds from this track with be donated directly to Black Lives Matter UK (https://www.gofundme.com/f/ukblm-fund) and the Black LGBTQIA+ Therapy Fund (https://www.gofundme.com/f/black-lgbtqia-therapy-fund?utm_source=twitter&utm_medium=social&utm_campaign=p_cf+share-flow-1)

It's Not Enough

Spätzer is a new project by emerging multidisciplinary artist Aiken Bömers-Muller. As generative-inspired compositions, Spätzer’s sound designs balance the formalist traditions of ambient music with an insouciant kismet, creating compelling soundscapes that gently invigorate the senses. Bömers-Muller conceptually draws on both Debord’s Situationalist texts as conceptual inspiration, and his direct experience as a matriculated stage actor which includes performance, sound design, and original compositions for both dance and stage such as “How Sweet the Sound”, “Orlando”, “A Doll’s House”, “An American Daughter”, and “HIR” to mention a few. After several trips to Berlin’s MaerzMusik festival to participate in workshops and field recording, Bömers-Muller work has evolved radically from his Bellingham-based folk indie band laughingstock (sic) and their 2017 full-length release “Thank You, Laughingstock.” One can literally hear this new awareness of the tensions between randomness versus structure, and intentionality versus emergence in these algorithmically-driven soundscapes. Some have described these creations as post-ambient. More precisely, they are soundscapes for the future.

Ode To George

Spätzer

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