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Acquaintance

That Old Lady With No Face

This week, Kadi and Teffer talk about movie adaptation, romance tropes & the people they exclude, beach loving, terrible parents, and naturally, who can get it in Along For the Ride by Sarah Dessen and its Netflix adaptation. This baby has no redeeming qualities...

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171. Along for the Ride by Sarah Dessen

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Praxisgemeinschaft studio background \FREE DOWNLOAD\

18.8 85BPM

just having fun with some lyrics and a nice R/B soul Band

Nothing New Under The Sun

Bad_Bitch_Feat_Yung_Tee_&_Yung_Whale.mp3

Hot Lovin

HoT LoViN )!(

https://www.stefanogervasoni.net/index.asp?page=catalogue&id=128&cat=vocal

for: mixed choir and live electronics
detailed instrumentation: S.S. A.A. T.T. B.B. (24-32 singers)
duration: 50'
commission: Ministère de la Culture (France) - IRCAM
first performance: 11.6.22, Milan, San Marco church, Milano Musica 2022, SWR Vokalensemble Suttgart, Yuval Weinberg (conductor), Thomas Goepfer, Benoît Meudic (IRCAM sound designers)
publisher: Ricordi
catalogue number: 142110

DeTinieblas - SWR Vokalensemble, IRCAM, Yuval Weinberg  - live, Paris 18.06.2022

Janice Merritt: vocals, melody & arrangement
Peter Fulham: guitars and arrangement
Bud Merritt: bass, lyrics, arrangement & production
© 2022 J. Merritt, B. Merritt & P. Fulham
Thanks to Peter & PG Music

Time is hard on your lies
Time wore down your lies
They’re easy to see in your eyes  

Time is hard on your secrets
Time showed me your secrets 
I’m left with nothing but regrets
 
Time is hard on a crossed heart 
You hoped to die crossing your heart
It was a vow broken from the start 

Time is hard on your fear
Time has exposed the fear
Now your judgement day draws near

Time Is Hard

Italian composer, born in Bergamo in 1962. Stefano Gervasoni began studying composition in 1980 on the advice of Luigi Nono: this encounter, as well as others with Brian Ferneyhough, Peter Eötvös and Helmut Lachenmann, turned out to be decisive for his career. After attending the Conservatorio Giuseppe Verdi in Milan, Stefano Gervasoni studied with  György Ligeti in Hungary in 1990, and then, in 1992, he attended the IRCAM Course in Composition and in Computer Music in Paris. The first three years in France launched Gervasoni's international career that eventually led him to be artist-in-residence at Villa Medici in Rome for the biennium1995-1996.
With commissions from prestigious institutions such the WDR, the SWR, the Orchestra Nazionale della RAI, the Münchner Kammerorchester, the Festival d'Automne in Paris, Radio France, IRCAM, the Casa da Musica in Porto, the Festival Archipel in Geneva, the Divertimento Ensemble in Milan, the Ensemble Intercontemporain, the Ensemble Modern, the Ensemble Contrechamps in Geneva, the Maerzmusik festival in Berlin, the Ars Musica Bruxelles, the Festival Musica in Strasbourg, the French Ministry of Culture, Milan Teatro alla Scala and Suntory Hall in Tokyo, Stefano Gervasoni has established himself as one of the most important Italian composers of his generation. His catalogue – which includes chamber and vocal music, concertos, works for orchestra, for ensemble and an opera (Limbus-Limbo), commissioned for the 50th anniversary of the Percussions de Strasbourg (2012) – was first published by Ricordi, from 1987, and then, from 2000, by Suvini Zerboni.
A monographic CD entitled Antiterra, which features the pieces An, Animato, Antiterra, Least Bee, Godspell, and Epicadenza, released in 2008 by Aeon, bears witness to «a sonic world of great wealth, subtlety, refinement, expressive but also organic, that immediately captures one’s attention» (Philippe Albèra). Other monographic recording collections include the Harmonia Mundi CD in the series Musique Française d'Aujourd'hui (Ensemble Contrechamps), the Stradivarius CD by Divertimento Ensemble and the CD Dir-in dir released in 2014 by Winter & Winter (Académie Charles Cros price and Diapason d'or in France). A recent CD by Winter & WInter, released in 2016, entitled Le pré includes the three books of a piano cycle.
Winner of numerous prizes, including the recent Premio della Critica Musicale "Franco Abbiati" (2010), his work has allowed him to be a grant-holder at the Fondation des Treilles in Paris (1994) and at the DAAD in Berlin (2006) and composer-in-residence at the Domaine de Kerguéhennec during the period 2008-2010. He has also been invited to teach at the Darmstadt Ferienkurse, on the courses organised by the Fondation Royaumont (Paris), at Toho University in Tokyo, at the Festival International di Campos do Jordão in Brazil, at the Conservatory in Shanghai, at Columbia University (New York), at Harvard University (Boston) and at Takefu International Music Festival. He has been composer-in-residence at Lausanne Conservatoire (2005) and at Yellow Barn Summer Academy (Vermont, 2016). Moreover, he has been visiting professor at ESMUC in Barcelona for the 2012-13 academic year.
Since 2006 Stefano Gervasoni has held a regular teaching post as professor of composition at the prestigious Conservatoire National Supérieur de Musique et de Danse in Paris.
The musicologist Philippe Albèra wrote a substantial book on Stefano Gervasoni's work, Stefano Gervasoni. Le parti pris des sons, published in 2015 by Editions Contrechamps (Geneva).

DeTinieblas - SWR Vokalensemble, IRCAM, Yuval Weinberg - live, Paris 18.06.2022

Stefano Gervasoni

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