When did you begin your musical journey? 🎵🎶what aspirations and goal drive your music?😍🎶

Crossover

Minutes To Midnight

After decades of technological obsession, humanity is seeing the results. Some frightening, some favorable. And Seattle’s own EMUH explores this dichotomy on his new EP, Dial Tones, out now on Feral One Records.

EMUH is a celebrated producer, musician, and vocalist with releases on Prime Society Records and Space Yacht, alongside remixes for Arnold & Lane and GAWP. He’s also an established engineer and producer under the name Hume Audio, working with clients like Casmalia, Longstocking, Mitch Dodge, Schade, Speaker Honey, and ZOF for some of the biggest labels in the world including majors like Universal, Insomniac, and Columbia.

So it’s safe to say that EMUH has channeled the advance of technology into something fulfilling for himself and beneficial to the world. Still, he is far from ignorant of what this technological integration has meant for society, and, on an individual level, much of this technological integration begins with one item in particular: the phone.

This truth makes it only fitting that the Dial Tones EP begins with its title track, which in turn begins with the sound of a lively conversation at a jovial gathering, one that the narrator is ignoring entirely as he waits for the phone to ring. 

EMUH’s vocals say as much with a smooth tone and light fluctuations in pitch, demonstrating that this person who is waiting for the call is still indeed human. In between the vocals, new bits of melody appear with almost every beat, like little pings to show what he (and everyone else who’s spent an entire party staring at their phone) is missing around them.

Next is “The End Of The World,” and even when the world is burning, the narrator is still staring at his phone, harnessing another frequent experience of the modern world: technological escapism. EMUH captures this naive and avoidant dynamic with musical prowess, honing in on an ascending guitar loop. Clangy and gliding, it’s just that alluring to where (like the endless scroll of social media) something worthwhile and entertaining could be on the other side of the screen, but overall, it’s always just more of the same social loop.

For the third track, “Frog Kiss,” EMUH shifts to alternative rhythms, a less structured approach, and beautiful, dulcet sound design. Dreamy, glittering arpeggios like a night sky unimpeded by clouds and light pollution. Shimmering sheens that envelop the soundscape like a warm summer breeze. Just as when a frog turns into a prince after he feels the love of human connection, when a human puts down their phone, these are the experiences humans can feel.

To close the EP is the party track, “G-Bounce.” In this case, the “G” stands for gangster (not unlike other applications of the letter), and EMUH proves he is all that and more through his version of bassline-driven house music. In a genre that is still in the midst of its heyday, EMUH applies subtlety and intelligence. On the drop, instead of a massive foghorn, he implements a descending tone, one that then slowly rises back in towards the end of the phrase, like a clue at the beginning of a mystery being the key to the solution at the end. This is just one of the mid-range sounds that is oh so groovy, but still carries with it a great deal of emotion. 

Original Art: Tara Hatzidakis (NY, US)
Mastering: Subvert Central Mastering (UK)

Feral One Records LLC
www.FeralOneRecords.com
linktr.ee/feralonerecords

Coming Dec. 29th

EMUH - Frog Kiss

Linkon - The Legend (Ficción Sonora)

185Bpm

BORLZ - ONE MORE TIME

Youtube: https://youtu.be/rB9xSH6i-CI

Instagram: www.instagram.com/borlz_

ONE MORE TIME

The Taste Of Orient

*Lyrics*

How can I make you mine
How can I make you mine
How can I make you mine
You just love to hate
But I know your love inside

Like, How can I make you mine
My love for you is tight
You just love to hate
But I know your love inside
Baby, can I you mine
Baby, can I you mine
You just love to hate
But I know your love inside
Baby, can I you mine

Baby girl can I make you mine (Mine)
I know your love inside (Inside)
Sometimes you love to hate (Hate)
But that's not really you - you (You)
Why do u love to hate
I am trying to show you love
I treat her like a dove
You are the only one special for me
If you only knew
How much you mean to me
Don't forget I like you
I would even fight for you
You drive me crazy
When I am around you
How can I make you mine
If you didn't say yes
Hate to love than you love to hate
You hate me forever
If I don't tell you that I like you huh
How can I make you mine, baby
Why do you love to hate, baby
Baby can I make you mine

Like, How can I make you mine
My love for you is tight
You just love to hate
But I know your love inside
Baby, can I you mine
Baby, can I you mine
You just love to hate
But I know your love inside
Baby, can I you mine

If I had one wish, I would always wish for you
If only I had one chance, I would take the risk
Hop and stop in the fantasy
Always got feeling the better me
Look into your heart I see the galaxy
Hide from my love
Like it is hide and seek
Seeing to be strong
But I would rather be weak
You know you wrong
When you are roaming in the street
You know you belong
In home full of sweets
I know you deserve
All this wonderful things
I know you feel so alone
Sometimes

Like, How can I make you mine
My love for you is tight
You just love to hate
But I know your love inside
Baby, can I you mine
Baby, can I you mine
You just love to hate
But I know your love inside
Baby, can I you mine

You just love to hate
But I know your love inside
How can I make you mine

SpeedPoint Extreme (Christmas Special Rewind Edition)

L2H [Edit]

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J3tsam 11

Windit.mp3

Epic Soundtrack

Hendrix Aden 
aka Da Clout ezA
Born 1987, 23 August 
Is A South African  , Rapper, Singer, Producer, Publicist, Song Writter , Entrepnuer that tells  experiences and lifestyle through music. Versatile Artist

Windit.mp3

𝕯𝖆 𝕮𝖑𝖔𝖚𝖙 𝖆𝖐𝖆 𝖊𝖟𝕬

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