Name: La Puerta Del Bucle by Turiya
Duration: 7 min 58 s
Description: grabación de toma unica, improvisación.

this was the 3rd episode of my radio show HUSH! :) enjoy ---

hush ~ 03

Music by Craig Tattersall.

The Humble Bee - The Bedside Book (A Miscellany for the Quiet Hours) Cotton Goods
The Archivist - (i did it deliberately) (David Newlyn/The Archivist/Insecto) Mobeer
The Seaman and The Tattered Sail - Suspended Dust, Slow Movement, Light's End (Light Folds) Facture
E and I - Tiniest Smile (An Inch of Air) Cotton Goods
E and I – Putting off Stars (Putting off Stars) Cotton Goods
The Archivist – Untitled 6 (The Keeper of The Library, Handmade Edition 3” CDR) Lacies Records
The Archivist - Mining for Sound (The Wooden Laser) The Archivist Self-released
The Humble Bee – Beginning (Henrietta) Other Ideas
E and I - Pearls for Alma (Projected Images) Cotton Goods
The Humble Bee - 31 jan 2010 (Morning Music) Cotton Goods

Music by Craig Tattersall 
exept E and I with Emmanuel Witzthum
The Seaman and The Tattered Sail with Bill Seaman

Craig Tattersall is a multi-talented brilliant artist, member of Remote Viewer, The Boats and several other projects. The man behind the much loved bespoke imprint Cotton Goods, Other Ideas and the Moteer/Mobeer labels. He makes beautifully modest and understated music, highly recommended to fans of life's subtler joys.

"A lot of times it’s not only the sound itself but also the way it has deteriorated. I just love the crackle of vinyl, the saturated distortion of analogue tape, the hiss of wax-cylinders, the aging process of the artifact itself is equally important as the sounds themselves. They add a second layer of emotionality to the sounds. The medium is part of the instrument". (Craig Tattersall) 

More info about Craig and his amazing music and art, please visit Tape Dust:

http://tape-dust.tumblr.com

Dowload the mix here:  http://mindovermidi.no/mwtr.htm

Man with a tape recorder. Music by Craig Tattersall

This month’s show features new and old favorites to brighten your day.

http://www.instagram.com/greekdiner

Bright Patterns with Vicki Siolos @ The Lot Radio 02 - 02 - 2023

grabación de toma unica, improvisación.

La Puerta Del Bucle

18th edition of my show ~ hush ~ on Radio Paranoia

hush ~ 18

Bypass is a montage of journeys, a series of passing sounds representing the "in-between" and being in the middle of sonic passages. The compositions in the release are created entirely from live recorded and processed audio loops made with electronic instruments, namely the Casio SA-3 keyboard. The looping technique applied during the recording is based on tape looping techniques developed by Brian Eno and Robert Fripp.

In Bypass, loops are processed and refined in real-time during the recording. Audio processing is an integral part of the improvisation and a factor that dictates the direction of the passages heard on the album. Each composition is founded on a singular live performance that is later arranged as a composition by layering segments from the overall recording. The sonic content folds over itself and forms a soundscape that bends the linearity of the performance.

The recording performances are spontaneous and improvised journeys, with the creation process evolving throughout the making. The exploratory approach entailed unpredictability and surprising timbral events. Each track offers something unique, with moods and soundscapes revealed only during the performance and arrangement. In other words, nothing on the album was predetermined or premeditated.

Released on digital format by Language of Colours [LOC-5]. Written, produced, and artwork by HOMI. Mastered by Samuel van Dijk.

https://languageofcolours.bandcamp.com/album/bypass

Bypass

Bypass - Language of Colours, [LOC-5]

A Po(i)etics of the Disembodied Voice is a work which focuses on the sonic potential of the voice as a phenomenon in its own right, separated from the body.
It is a 47 min composition made using my voice elaborated through spectral processing and granular synthesis techniques – originally composed fo PARA, Parasitic radio takeover and digital sound exhibition on Radio 80000.

Pre-Listening via Radio 80000: March 1 - 25, 2021
Radio takeover & opening weekend: March 26 - 28, 2021
Digital sound exhibition: March 29 - April 30, 2021
The project is funded by the City of Munich Department of Art and Culture & the Goethe-Institut.
Further information: https://paraparapara.org/

A Po(i)etics of the Disembodied Voice is a work which focuses on the sonic potential of the voice as a phenomenon in its own right, separated from the body. In all ancient cultures and traditions, voice and orality have always played a fundamental role in the transmission of culture, and of course in the act of communication among living species.
With the advent of the Gutenberg era, with the introduction of printing, sight took over from hearing: there was a shift from an oral culture to a visual, ocular-centric culture, in which the sense of seeing acquired greater weight and importance than the sense of hearing.
Although this, the hearing has always occupied an important place in modern society through the reinvigoration of media such as radio. In recent years, especially if we see at the past year, when it was physically impossible to move,
see and meet with each other, the voice through radio, podcasts, web platforms of various kinds, vocal messages etcetera has managed to overcome the barriers of the real world to connect people with each other. It has achieved a level of awareness that was previously missing or taken for granted.
If we jump back in history, before the invention of electronic and electroacoustic devices for recording and transmitting sounds, every sound was original and inextricably linked to the source that produced it. This separation of the original
sound from its source and its recording was first discussed by R. Murray Schaefer who conceived this condition of separation as a phenomenon called “Schizophonia”.
Following the operating mechanism of Schizophonia, a similar separation also occurs between the voice and the body: there is a partition of one from the other through the fragmentation and omnipresence of new media and technologies. The voice thus becomes an unknown, mysterious territory, a fluctuating and ethereal phenomenon.
There is a liberation of the voice from the signifying words, from metrical and grammatical structures of discourse through the destruction and fragmentation of the discourse itself, of the words themselves, preferring to the semantic aspect the sound aspect, which is full of expressive and communicative power. Indeed, properties such as voice modulation, tonality, expressiveness, quality, vocabulary, cadence, rhythm, accente, volume etcetera carry a subtext of cultural meanings that are lost with the written text, which is marginalised, as opposed to the evanescence of the voice.
All this provokes an emotional response different from the meaning of the words themselves. Hence, the audio is the text, a sound text in which words act together with sounds and silences creating a dramaturgy of voices without a body.
On the basis of this, I like to think this work can increase and extend the awareness of having a voice, physically and metaphorically speaking, and using it in the most diverse and unconventional ways to explore hidden or seemingly meaningless cultural levels.

A Po(i)etics Of The Disembodied Voice (2021)

For this edition of ~hush~ I invited my friend @rivamut to do a mix. I was amazed when she sent me this beautiful piece. enjoy:)

“it was early may, about an hour after the sun had set. we talked slowly about our days, taking turns sitting on each other's laps. the nearly empty square was speckled with lit windows and the sounds of homes and faraway engines. to the right, a broken path lead to a vacant lot full of trash and wilderness. you had just started teaching, the pay was bad. r. and j. had parted ways because they couldn’t handle exhaustion and rent. a man parked his car, perhaps coming from work and —
suddenly a train of lights moved unearthly across the sky. in awe, i jumped and waved at the man. he was so quick as to capture an image of its tail before it faded into the dark sky.
that night i couldn’t sleep. the lights kept coming back to me and besides i was once again caught in the disintegration loops of my depression. it too was fading away into something new and unknown, though in the way of a piecemeal miracle. i warmly accepted it.” — Riva Mut

Tracklist:
Jaco Pastorius — Portrait of Tracy
Klein — signed and delivered
Terre Thaemlitz & Scanner — Terre loves Robin
Aaron Dillaway & Lucretia Dalt — Tender Cuts
Joana Guerra — Onna Bugheisha
Brigitte Fontaine — Encore
recording 1
recording 2
recording 3
recording 4
Filipe Felizardo and The Things Previous — Comehoming at War, Us Newts
Graham Lambkin & Jason Lescalleet — The Breadwinner
Vanessa Amara — Piano II
1995 epilepsy — went too far
Kode9 & The Spaceape — Hole in the Sky
and splashes of Rain by SWV

hush ~ 19 - Guest Mix by Riva Mut

beautiful contribution by friend and artist Tomé Silva @tome-silva for the 20th edition of ~hush~ on Rádio Paranóia. 
tracklist available on IG. 

Thank you Tomé ~
cover picture by @asiootus

hush ~ 20 - Guest Mix by Tomé Silva

♾ De Kat Memwa #53 w/ Andrea Ida ♾

Track ID: @ae-ida

Embarking on the new calendar season of De Kat Memwa with a guest I've been eagerly anticipating. There's always been an imaginary roster of creators in my mind that I'd be thrilled to host in the series. Vienna-based artist Andrea Ida has long been on this list, but somehow, due to my own negligence, I couldn't get in touch with her. Finally, I managed to correct this glaring mistake.

I recall stumbling upon Andrea's mixes somewhere around 2019, and I was absolutely mesmerized. Nearly every corner of the sonic internet space was filled with tropical sounds, which we were also cultivating at that time. However, Andrea stood out among music enthusiasts with her love for krautrock, punk, NDW, and other dark arts and matters.

I deeply admire individuals with diverse musical interests who can showcase a wide array of genres in their mixes, while evoking a specific emotion or association. Andrea is precisely one of those musical weavers. Her mixes are comprised of different nodes and intertwinings that form a unified masterpiece.

For me, her works are always about active listening, surprise, inspiration, and most importantly, immersion in sound, transitioning from one state to another, and also about charisma and daily protest against routines. And this unique release, recorded by Andrea specifically for De Kat Memwa, is no exception.

As I was crafting this text, I wanted to encapsulate the impression of listening to the mix in the form of a metaphor. Perhaps it was obvious to write something about an esoteric shamanic ritual.... But not today... 

For me, this mix is akin to riding on Falcor the Luck Dragon from the movie The NeverEnding Story, only you're not a teenager anymore, but an adult!

The mix is, as always, available on De Kat Memwa's SoundCloud, link in the profile description!
 

Postscript: The mix number is 53, and 5+3=8=♾.

Draw your own conclusions, but nothing is accidental in our world of narratives and simulacra!

De Kat Memwa #53 w/ Andrea Ida

Living Room n°68 ~ @jonnnah

q. pls introduce yourself 
a. I'm Pierre, from Lyon. 
Working for LYL Radio and Le Transbordeur, a big concert venue here. 

q. is there a story behind the mix ?
a. no story , feeling, the story is to be made after 

q. what's the best way enjoy your mix ?
a. alone 

q. describe a favorite object in your living room :
a. my cat, even if it's not an object :I , but he is always with me in the living room

q. are you working on any projects right now ?
a. I'm launching a label called Second End Records, the first release is a personal album.  
Then I'm definitely invested in promoting some other people's projects.
I'm also working on a more techno project, and with my friend Salma Rosa as a trip hop duo.

Living Room n°68 ~ Jonnnah

Una vez los sonidos alumbran los pasos al camino, un estado anterior surge y baila sin que los sentidos puedan detectarlo.

La Puerta Del Bucle

Turiya

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