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Alan Fitzpatrick is back with a three-track EP that encapsulates what Alan’s Drumcode sound is all about. Hard-hitting drums that fire down onto the dance floor like cannon balls. Check! Intense key patterns that are as twisted as they are uplifting. Check! Beautiful melodies that seamlessly interlock with each element. Check! Big-sounding, infectious grooves and killer hooks generously sprinkled with the infamous Fitzpatrick magic over the top. CHECK! In short, this EP is everything we have come to expect from Alan over his long history with Drumcode (this is his 10th EP as a solo artist!), but still his sound remains fresh and super-charged for 2014.

Alan Fitzpatrick
Turn Down The Lights
Drumcode
Released: 27.10.14

(contains a sample from "The Revolution" by Superchumbo, courtesy of TWISTED Records Inc. (www.twistedrecords.com)

Alan Fitzpatrick - Turn Down The Lights - Drumcode - DC134

Pig & Dan vs Mark Reeve - Profound (Original mix)

EVERYBODY

Italy’s fastest rising name in house and techno returns to the respected Drumcode imprint with this blistering new 4-track EP, ‘Climax’. Featuring a distinctive vocal sample crescending over a typically thumping bassline, opening lead track ‘Climax’ grows gradually with the introduction of a single synth note and skipping hi-hats. Two beatless breakdowns increase the pressure whilst a new synth melody is introduced in the second, making for a powerful ending as all the elements join together.

‘Boost’ starts out deep and dark, with a high-pitched call echoing over a determined beat. The track changes course mid-way through with the introduction of a bassy, low-pitched synth melody, helping ‘Boost’ evolve into a catchier, more playful track.

‘Spectre’, a no-nonsense closing piece featuring a jittering synth note, rattling hi-hats and a trademark tension-filled breakdown.

‘Over The Clouds’, as its name would suggest, is the gentlest of the four tracks. Filled with dusty textures over a rumbling bassline, twinkling synths move in waves before lower-pitched chords join, adding a real sense of depth to this production.

Overall, ‘Climax’ is an outstanding example of Faraone’s ear for detail as a producer: his experience as both a resident and touring DJ clearly feeds into his skill for manipulating tension in his productions like he does on the dancefloors. Having recently warmed up for Adam Beyer at Tenax, Marco Faraone’s relationship with the iconic label continues to grow.

Marco Faraone - Boost - Drumcode - DC154

EYES OF MINE is a new series of club tracks by George FitzGerald. 

'Fig. 1.' is out NOW 

Digital: http://smarturl.it/EOMBeatport
Vinyl: http://bit.ly/1YcCeNC




EYES OF MINE - Fig. 1.2

Alan Fitzpatrick’s We Are The Brave label has been busy laying down foundations for the past twelve months. The run-away commercial success of their debut single “We Do What We Want” was just the start, and have since been setting the standards.

The label boss himself makes his welcome return to the label this October, with Magnetic Dog. The original comes laced with slicing hats, crispy yet superbly deep thundering kicks and a cheeky dose of acid thrown in for good measure.

Alan wrote the original back in 2016 and waited for that special remix to finalise the package. Always a supporter of Marcus Intalex and his productions, under his Trevino moniker he delivered a masterfully deep rework, taking down the tempo and achieving a euphoric cut of the original.

Magnetic Dog

PRE ORDER

AlanFitzpatrick - Magnetic Dog

Burrows is back! Following last year's hit "All Your Dreams", Gary returns to Respekt with a worthy successor in "Burning". Fusing his trademark rave influences with uncompromising drums and a DnB-inspired break, Burning is pure fire.
The remix comes from Dave Sinner, who dials back the tempo and cranks up the groove for a wicked, percussive re-think.
As if those two weren't enough, Gary also provides the relentless "Reaper One" and the shuffling acid of "Can't Hold Back" to complete the package.

Gary Burrows - Burning (Original Mix)

Alan Fitzpatrick’s We Are The Brave imprint has undoubtedly laid down seriously solid foundations. Now well into double figure, the label’s catalogue is forming into a formidable body of work with Alan’s anthemic ‘We Do What We Want’ backed up with a string of club bangers from Gary Beck, Reset Robot and Boxia, plus Fitzpatrick’s mammoth ‘El Jefe’ collaboration with Sasha, which closed out the labels 2017 release schedule in grand style.

Never one to rest on his laurels, Fitzpatrick is back in the driving seat and raring to go again. “I feel a real strong energy right now around the label and I am massively focused on pushing on from the really great start We Are The Brave has enjoyed”, he enthuses. To be fair it is not hard to see why with landmark occasions such as the highly anticipated (and totally sold out) 5000 capacity Alan Fitzpatrick’s Day Festival happening in Dublin on 17th March. After all, who can argue with that most over-used of clichés - fortune favours the Brave!

Of course, Alan’s first release of the year is a mega one. “These tracks have all been born in a different time and space, ranging all the way back in 2015 through to the end of last year. But I think together they fit well, which goes to show that like everything really, but certainly anything creative, it doesn’t make sense to rush things” says Alan

Lead track ‘Colour Of A Dream’ comes with cleverly crafted percussion and energetic claps alongside a dominant vocal, making the track instantly recognizable in the depths of any dancefloor. “I found myself looking back through old hard drives and I guess I found a lot of fresh inspiration from rediscovering music. It feels good to know an idea that has been lay dormant can all of a sudden become relevant, given the right time and space” adds Alan.

Next up, surging with fierce authority is ‘Joy Rider’ with its trademark thumping Fitzpatrick kick drum. A ravey synthetic hook line creates a gritty warehouse vibe, which is in complete contrast to the melodic, end-of-night-euphoria experience that is ‘Together Until The End’ - a truly musical work that oozes texture and emotion.

Alan Fitzpatrick - Joy Rider

Buy On Beatport

[SUARA312] 2pole - Alone feat. Ursula Rucker (Original Mix) Snippet

Rebuke-Rattle

Rebūke joins the Drumcode family with a blistering three-track EP.

We got our first taste of the Irishman’s exhilarating talents when he debuted on Truesoul back in April with ’50 First Raves’. His unique alchemy of house, techno and rave has seen him become one of the breakout stars of 2019 and ensured he’s stayed firmly on the radar of Adam Beyer.

Inspired by his experiences at Drumcode’s now-legendary party at Space Miami during WMC, Rebūke’s DC debut encompasses all the dynamic energy of his previous contributions, with peak-time pounding effect. ‘Rattle’ leads the trio, a cut voraciously track I.D’d by Rebūke’s fanbase and highly anticipated across the industry after a high-impact play during Radio 1’s Weekender in Ibiza. The track pops with the producer’s trademark rubbery rhythms, pin-sharp drums, intermittent rave horns and a wicked acid line, culminating in a high-octane trip that’s one of the most thrilling we’ve heard on DC this year. ‘Operator’ spits fierce drum sequences before a tweaked-out bass melody grows with undulating intensity giving the track it’s shining character. ‘Metal’ builds with intergalactic stabs and claps before a menacing low-end melody enters the fore and his signature percussion gives the track an otherworldly tribal crunch.

Buy all

Rebūke — Rattle — Drumcode — DC212

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