Name: Harbour [Naviarhaiku126 - rowing through] by User 827974115 in NH126: rowing through / out of the mist / the wide sea
Duration: 1 min 59 s
Description: See http://bassling.blogspot.com/2016/06/naviarhaiku126-rowing-through.html for track discussion and video.

NH126: rowing through / out of the mist / the wide sea

https://hearthis.at/sevenism/north-of-the-mountains-naviarhaiku124/ (full)

a remix of a track from my newest album https://sevenism.bandcamp.com/track/mountain-view 
confusingly the album track was for this project but that was a few days ago and i needed to meddle!

i've added digital space and width (cf disquiet) and made it more dark and distorted.

^^^
NAVIAR HAIKU
Music inspired by haiku poetry
soundcloud.com/groups/naviar-laboratory

North of the mountains

alien and dangerous

-  darkening clouds


     

DEADLINE: 25th May

Poem by Back Roads Haiku

Picture by  Image Catalog



- Upload your track to the Naviar Haiku group on Soundcloud
- When you upload your entry, include
"Naviarhaiku124 - North of the mountains" in the title.
- Please use a Creative Commons license for your track and set the track as downloadable should you wish to be included in the podcasts.

For more information visit http://www.naviarrecords.com/about/naviar-haiku

https://hearthis.at/sevenism/north-of-the-mountains-naviarhaiku124/

north of the mountains (naviarhaiku124)

There's a definite case of synchronicity with this entry, Whilst walking the dog in the woods I recorded a number of woodland sounds to create a song for an upcoming album titled 'Sunday Constitutional'.  Later that day I received the email about Naviarhaiku125 and decided to produce the album track and submit it as my entry.

The song has an ambient / dub kind of feel and is reflective of the cacophony of sounds you tend to hear in the woods, Apart from the synth and the kick, all the other sounds were created from the field recordings.  I've used Sensomusic Usine Hollyhock II to record the song live.  Groove Matrix and homing pad processed with Cryogen by Glitchmachines created the rhythm; woodland sounds st different pitches were triggered manually and processed with Izotope DDLY Dynamic Delay,  

Woodland Symphony (Naviarhaiku125 - rhythmic woodpecker)

six string ambience fog
random s&h seabirds
crystal reverb emergence

~.~.~

rowing through
out of the mist
the wide sea


     

DEADLINE: 8th June

Poem by Masaoka Shiki http://terebess.hu/english/haiku/shiki.html

Picture by Amy Zirkle https://www.flickr.com/photos/amyzirkle/11983745105/



- Upload your track to the Naviar Haiku group on Soundcloud https://soundcloud.com/groups/naviar-laboratory
- When you upload your entry, include
"Naviarhaiku126 - rowing through" in the title.
- Please use a Creative Commons license for your track and set the track as downloadable should you wish to be included in the podcasts.

For more information visit http://www.naviarrecords.com/about/naviar-haiku

viscous-flow

rowing through (Naviarhaiku126)

This track was created for the Naviar Haiku group.
126 week haiku 

somewhere at sea  [Naviarhaiku126–the wide sea]

See http://bassling.blogspot.com/2016/06/naviarhaiku126-rowing-through.html for track discussion and video.

Harbour [Naviarhaiku126 - rowing through]

Half moon hanging. Sky
cover blurring the edges.
Summer nighttime, misty
 
Poem by Glenn Sogge
https://www.facebook.com/ComposerSogge

Picture by Happy Yoga
https://www.flickr.com/photos/happyyoga/607204584/in/faves-cryxuss


Misty

Misty [Naviarhaiku132 - Half moon hanging]

A request from @LarrykingUndead to write some music in a "John Carpenter" style.  Also was given the theme to "Stranger Things" as a reference.

Acetylene Waltz


The Alchemy plugin was once a boon companion of mine -but alas no more. I used midi file and loaded in alchemy. It kept losing my sound when recording so I recorded some of each sound so the loops would not match. Crossfading a beat in. Used my desert island plugin "Guitar Rig" on it.  

More on this 239th weekly Disquiet Junto project — “Compose a short composition in memoriam for a piece of recently deceased software” — at:

http://disquiet.com/0239/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:

http://disquiet.com/forums/

Requiem for an Alchemist= For Camelaudio "Alchemy" disquiet0239

**Production Notes**

This Soundcloud thing getting more to me than I thought. 

It’s my Disquiet Junto submission # 101. For the last three years, I’ve taken off nearly every Thursday and Friday evening, enjoing Marc’s assignment, making the music, uploading the results, waiting eagerly for the first plays and comments.

What drives me is the feedback I get from listeners, especially from Disquiet Junto or Naviar Haiku fellows. My currency for making music isn’t money, it’s attention, plays, comments, likes and downloads. I have no intention of selling my music, all of my stuff is free for download. 

So, Soundcloud is closing it’s groups - that won’t shake the web, but it makes getting attention more difficult for all musicians on Soundcloud. They are shutting down the only real USP they have: their community, the people who bring them their content. 

Instead, they are offering us „albums“. In my humble opinion this is just the old approach to obtain something that can be sold - like the CD, the LP, the cassette tape. So they’re flirting with the music industry again… and I hate that. It’s like your girlfriend falling with the idiot next door, and you don’t have a clue that happened (in Soundcloud’s case, it’s the money). 

Back to this track. I had a sample from an 1930’s „Old Time Radio“ Gumshoe radio play - the girl’s intonation and mournfulness seemed to fit (she’s the one who killed him Mickey McQueen, btw). Used Kontakt Una Corda, Chromaphone, Solina, an E-Piano, Rhythmic Robots 601, some old samples. The FX on the drums came from Izotope Trash 2. 

* * * 

**Disquiet Junto Project 0239: Code Requiem**

The Assignment: Compose a short composition in memoriam for a piece of recently deceased software.

Please note the instructions below, in light of SoundCloud closing down its Groups functionality.

Project Steps:

Step 1: Compose a short composition in memoriam for a piece of recently deceased software.

Five More Important Steps When Your Track Is Done :

Step 1: Upload your completed track to the Disquiet Junto group on SoundCloud (this task will continue until the August 22 sunsetting of that service). It’s here:

https://soundcloud.com/groups/disquiet-junto/

Step 2: This is a new task, if you’ve done a Junto project previously. In the comment field to the track mention @disquiet. This will ping me to add the track to a playlist.

Step 3: Per the instructions below, be sure to tag your track #disquiet0239

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the morning, California time, on Thursday, July 28, 2016, with a deadline of 11:59pm wherever you are on Monday, August 1, 2016.

Length: The length is up to you. Between one and three minutes seems about right.

(…)

More on this 239th weekly Disquiet Junto project — “Compose a short composition in memoriam for a piece of recently deceased software” — at:

http://disquiet.com/0239/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:

http://disquiet.com/forums/

Mickey McQueen [disquiet0239]

The source material for this piece is from a live performance I did as Craig Carlton in 1998 recorded to DAT, then loaded into a Mac Performa running Pro Tools through an Audiomedia III sound card.  The original recording was 60-70 minutes long.  I boiled it down to a 4 minute track and assembled it in Acid, a program that still exists but many consider to not be worthy of respect.  True to form, Acid crashed on me while putting this together.  Hmm.....

Audiomediaddict {disquiet 0239}

Created for the Disquiet Junto Project 0239: Code Requiem 
@disquiet

To mark the passing of Soundcloud's Groups, this project asked the artist to “Compose a short composition in memoriam for a piece of recently deceased software” 

Is a program truly "dead" if it still exists on your hard drive? If it hasn't been updated since 2009, and is no longer distributed... then probably so. This is my rather dreamy requiem in and for the lamented Tuareg 2 by Bram Bos. Flaws, pops, and crackles in the audio engine and all, I'm still fond of it to this day. RIP (and thrive on, as long as my hard drive lasts).

(a few additional production notes...) Most of the piece is based on a sample from another improvised piece tentatively called Coup Tourist, which may eventually see the light of someday. A 5x Paulstretched version of that riff is looped directly near the end, while in the rest of the piece the sample is manipulated through Tu2's Bliss 2 virtual sampler and my favorite gating/slicing effect possibly of all time - the Variator. The high bell-like melodies are Tu2's Halo FM synth, and the bass is it's Amber animated modeling synth.

Pops, crackles and artifacts are just part of the charm with this software - it is not gentle with it's phrase looping points. But if you're open to it, it can lead to some great noise patterns along the way.

More on this 239th weekly Disquiet Junto project — “Compose a short composition in memoriam for a piece of recently deceased software” — at:

http://disquiet.com/0239/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:

http://disquiet.com/forums/

Requiem For A Tu [disquiet0239-coderequiem]

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Harbour [Naviarhaiku126 - rowing through]

User 827974115

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