Name: Tensions in Paradise by Colton Carmine
Duration: 1 min 21 s
Description: little doozy i just threw together, had the progression floating around in my head for a bit, finally put pen to paper

Oh que c' esst beau ! J' adore ce jeu de guitare.

Hey Colton man, love the amount of emotion and feeling you inject into this beautiful jam. Brilliant chord structure to play over, too. Awesome song here, my friend!

strong instrumentation. Nicely crafted production

Gotta Get Up!

(Verse 1)
Alarm screaming—-city dreaming—a new chapter unfolds
Sun peeking—-in my window—the concrete jungle glows
Eyes heavy—mind hazy—- the grind doesn’t sleeps
Coffee steaming—thoughts scheming—gotta conquer these streets
Shower spray—wash the haze—feel the water sting
Hustle fuel—pay my dues—ain't got time to sing

(Chorus)
Gotta get up, gotta get out, chase the paper, chase the clout
Stacking—dreams, lemme break it down—-every second counts
Gotta push, gotta move————ain't got ——-no time to lose
Sun's up--city's up--gotta get up—— got—- to much shit —to do

(Verse 2)
Concrete canvas—-spray paint anthems——gotta keep it real
Flow so cold—-hearts unfold——words that cut like steel
Subway rush——city bus—-rhymes ignite and spark
My paint brush——tells a story——graffiti in the dark
Meetings—deadlines——paper piles——climbing up-the ladder
through the fog——dog eat dog——it’s loyalty that matters
Family call——hear 'em all———-voices in my head
Keep on rapping——-keep on tapping——keep that fire fed

(Chorus)

(Bridge)
Empire—dreams—-concrete schemes—-building from the ground
Every beat———-every street———there’s legends to be found
Rise above——-peace and love——-spirit’s —taking flight
Break the mold——-that’s the goal——to —-let the soul ignite

(Chorus)

(Verse 2)

(Outro)
gotta get up——gotta get up—-ain't no stopping—-this here flow
Like a symphony—-in harmony———-the—-story grow
Every rhyme—every dime———-echoes through this jungle 
Gotta get up, gotta get up———to—-do the daily hustle

Gotta Get Up

Rejet Pyramidal

be kind...or I'll blast your butt into tiny pieces! 

headphones NOT required but...

How To Coexist With Aliens (hey was that a UAP aka UFO)

This is my doom inspired track or Mick Gordon track as some would say

The Ninth Circle

To the End of Confusion and Madness

Instrumental by Oussama Arichi
Lyrics, Vocals, Mix by Nadia Selvaggi
Horses: Pixabay
*Excerpts from America the Beautiful by Katharine Lee Bates, and the Declaration of Independence
P-line:
℗ 2025 Nadia Selvaggi. Oussama Arichi
C-line:
© 2025 Nadia Selvaggi, Oussama Arichi

Two If By Sea by Oussama Arichi & Nadia Selvaggi

This is the love march
Come on get in line
To all the beat-down disheartened 
It's you I got in mind
What's that they say
Someday the mighty gonna fall
And the last ones among us
Be the first ones after all

This is the love march
Cuz we got love in our hearts
Everything else fades away
Everything else falls apart
Got a drum beating a rhythm
A poet with a rhyme
Come on step it up now
Take it double time

Oh, oh, how did we get so low
Lord up in heaven
Lord up above
Would you give us the strength
To bury the bastards with love

This is the love march
Armed with love and understanding
We're many million strong
Every day we been expanding
When there's nothing left to fight with
And nothing left to say
We stand up on our feet
We go marching anyway

This is the love march
Just take a look around
Heads help up high
Feet on the ground
Saying no to the bullies the villains and thieves
I know a bit about love
And they ain't love to me

Oh, oh, how did we get so low
Lord up in heaven
Lord above
Would you give us the strength
To bury the bastards with love

Though I'm so tired
I keep going
We keep going

Selma, Alabama
Washington DC
Delano, Ohio and everywhere in between
They can't hold back the tide
Try as they may
Eventually it's gonna be
Love that wins the day

This is the love march
Cuz we got love in our hearts
Everything else fades away
Everything else falls apart
Got a drum beating a rhythm 
A poet with a rhyme
Come on step it up now...

This is the love march
When there's nothing left to fight with
We still got love, love, love
All you need is love, love, love
This is the love march...

(Hey there, in case you don't know, Paul Butterfield Blues Band had a wonderful song called Love March...perfect for the times)

Love March

       This song I wrote back in 2000 and it's another one of the first songs Charle and I recorded together. Written during my bachelor mid-life crisis phase when I was in between marriages. Needless to say I was feeling alone and blue during that time but even worse than that, I was bluer than blue!? So that made me Blue Blue! I rocked out on this one a bit in the solos and Charlie sang it very well, I double-tracked his voice, and I think Charlie played some harmonica on this one too! I had my old recorder so please forgive the quality. The video is brand new, I put it together last month and played around with colors and strobes, so be careful if strobing effects bother you. The video will drop on March 1st.

VIDEO - https://youtu.be/C8SF28zQGTk

 I like my lyrics here, they are very simple but to the point and I think it sounds ok. It's actually a very fast uplifting song with a kind of anxious lyrics behind it, so whenever you're blue just remember that I used to be Blue Blue! ✌🏼✌🏼✌🏼  

“BLUE, BLUE"

MAYBE I’M PARANOID OR A LITTLE BIT OFF TRACK,   
CAN’T HELP BUT WONDER EVERY TIME YOU LEAVE,   
IF YOU’RE EVER COMING BACK,

I KNOW IT’S FOOLISH AND IT MAY SEEM IMMATURE,   
BUT THIS FEELIN’ OF EMPTINESS,  
FILLS ME EACH TIME THAT YOU WALK OUT THE DOOR,
         
I’M BLUE, BLUE,          
AS THE SKY IS, 
BLUE, BLUE,             
AS THE OCEAN,         
BLUE, BLUE,         
WHAT I’M FEELIN’ EVERY SECOND I’M WITHOUT YOU,
      
I KNOW I’M CRAZY WITH A THOUGHTLESS JEALOUS HEART,             
AND I TEND TO OVERREACT,   
WHEN YOU DON’T CALL AND TELL ME WHERE YOU ARE,   

MAYBE I’M INSECURE AND IT HURTS ME WHEN YOU’RE GONE,     
BUT ALL I DO KNOW FOR SURE,               
IS THAT WITHOUT YOU THERE’S NO NEED IN GOING ON, 
   
I’M BLUE, BLUE,         
AS THE SKY IS, 
BLUE, BLUE,         
AS THE OCEAN,        
BLUE, BLUE,         
WHAT I’M FEELIN’ EVERY SECOND I’M WITHOUT YOU,
I'M BLUE.
                                          
BY JIM VALDES © 2000

"BLUE, BLUE" (Video - https://youtu.be/C8SF28zQGTk)

little doozy i just threw together, had the progression floating around in my head for a bit, finally put pen to paper

Tensions in Paradise

Recording sessions from 19/05/2024 - 24/09/2024.

***  Nothing to do with a very famous brand!
AUDI in Latin means "listening" and the R "recording"

presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks / Without AI
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork : Pier WILL
- Acknowledgements : Ableton-AKG-Arturia-Audacity-Cantabile-Focusrite
   Korg-M-Audio-MSI-Sony-SoundCloud-Teac-Techniks-Yamaha.
________________________________________________________________________

AUDI-R_112

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four string fretless bass, Sigma acoustic guitar, PRS SE semi hollow body guitar, composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussoin
J.J. Terrell-- @j-j-terrell—JJ-- organ 
Mistermark-- @user-432503709 -- Mark – VST horns - trumpet, bone, & sax, latin drum ensemble, and editing production 
TexMex Shaman– @texmex-shaman –Stephen– Production, mix, and mastering


This song began in the dead of winter on a cold night with Josh sitting in his studio with his acoustic guitar playing along to a looper beat. He loves bossa nova music and wanted to write a song in that style. Of course, he wrote it with the Eclectic Collecive in mind. 
  Josh also came up with the bass line to the looper, but changed it once Ken weighed in with his perfectly suited drum kit. He also added the funky main percussion you hear throughout. Then JJ got involved and laid down that wonderfully melodic organ part you hear in there. Josh, having not laid down a lead guitar part yet, used JJ melodic idea for the first verse, too, because it's so strong. Mark was last to the trough, but added several really stunning parts that added a lot of depth to the whole thing. He's responsible for the horn arrangement that accompanies JJ's organ solo, as well as the horn arrangement and entire break section at the end, which he not only drumed on, but edited and inserted seamlessly, as well. He also added percussion to Ken's percussion throughout the entire song, as well. He still gets paid the same as the rest of us, though 
  This is an example of us Josh introducing an unfamiliar type of music, and it being picked up on and carried through expertly as a group unit. We all love a challenge in the EC, and this fit the bill. We hope you enjoy listening to this song as much as we enjoyed creating it.

Meet The New Bossa…-Eclectic Collective

21 year old aspiring solo musician, creating weird, groovy instrumentals 
Rock, Blues, Psychedelic, Folk
☮️DeadHead☮️

Tensions in Paradise

Colton Carmine

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Bartfay Music Productions

Entheogenic Psychonaught (Josh Clary)

François THEVENON (Papinou)

Wiborg Bamford

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