Name: Barely Getting By by Tatertot
Duration: 2 min 49 s
Description: dubstep, with banjos and fiddle interwoven into heavy bass-driven dubstep drops; raw male vocals delivering soulful grit, gritty, fusion of organic and electronic textures, blues, bluesy

A gritty blend of midtempo bass and raw lyricism — this track is protest in motion. Born from the cracks in the system and voiced through the smoke, “Mask They Can’t Tame” is a war cry for the unheard. It's not about fame — it's about freedom. No face, no fear, just fire in every line.

For the ones who stepped out of line and never looked back.

A Mask They Can't Tame

Lonely Currency

blending house, intricate hi-hats, rap, trance, heavy, electronic-infused, symphonic metal, metal, and soaring orchestral strings layered over aggressive drum patterns. male vocals with raw intensity., and symphonic metal elements. deep basslines

Pyro Paradox

female vocals, glitch, layered with ethereal pads for contrast, dance, edm, soul, dubstep, heavy bass drops with stuttering synths and glitch effects

Trapped In My Mind

romantic, glitch, layered synths, electro house, edm, airy pads, edm with dubstep glitches, future bass, dubstep, female vocals, trance, dance

Dancing for the last time.

melodic drop with chopped vocal samples. male vocals., electronic; deep basslines with layered synths, edm, world, dark, and trap-inspired percussive patterns. tension builds in the verses, dubstep, rap, glitchy textures, trance, glitch, emotional, releases into a haunting

Burn it down

glitch, dance, dubstep, glitch; driving basslines, edm, sharp synth stabs, world, and glitchy percussive textures with a build-drop-build dynamic to energize the crowd

New World Will Rise

“Don’t Care About Us” is a dark, high-energy electronic track built around themes of alienation, pressure, and defiance. The song captures the feeling of being ignored by systems, voices, and forces larger than yourself, translating frustration into controlled chaos.

The intro establishes tension with atmospheric pads and filtered percussion, creating a sense of isolation and build-up. As the track progresses, the rhythm tightens and the energy rises, leading into a heavy drop driven by aggressive bass, distorted synths, and punchy drums. The drop feels confrontational and unfiltered, designed to hit hard in a live or festival environment.

Breakdowns pull the energy back into a colder, emptier space, emphasizing contrast between silence and impact before rebuilding into the final section. The overall structure mirrors emotional pressure — quiet resentment escalating into explosive release.

The track sits in a dark bass / dubstep / festival hybrid lane, with a cinematic edge and a rebellious tone. It’s meant to feel powerful, raw, and unapologetic rather than melodic or emotional.


Don't Care About Us

SNOWFLAKE.001

dubstep, with banjos and fiddle interwoven into heavy bass-driven dubstep drops; raw male vocals delivering soulful grit, gritty, fusion of organic and electronic textures, blues, bluesy

Barely Getting By

Want To

PSA All music is created with help of AI Tools. I write the lyrics tweak the sounds with plugins. All vocals are AI generated. Please don’t assume I’m some musical professional.

Barely Getting By

Tatertot

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