The short, opening saxophone phrase is cool. The saxophone in the middle is also tense due to the small number of sounds. Very nice. It's my dream music.

This is something I found in my old laptop. 
I made this track like 10 years ago, with GarageBand, without any kind of knowledge in producing electronic music. 
So, don't be mean with this one;)

Trance (or "Something I found in my old laptop)

Out of the Box August 2022
Just hiding...

Bush

The flickering glow  of spring flowers  as sunlight fades.

Started off resynthesizing a short field recording of crickets, birds and distant highway traffic motorbikes 
All parts generated in Metasynth- image synth and effects rooms- basic mixing in Logic.
Custom sampler in meta synth from gas bottle drum and other metals, xylophone and cello sampler instruments in Metasynth

Flowers in the Dusk Light

TRIIB (and SONUUS ARKESTRA) - Visibility Is Not A Proof Of Existence

Anizatoop

Tango And Rock Things

Bamboo

Composed, arranged, performed, and produced by
Carlos Vivanco & Jason Mowry
Final mix by Jason Mowry
@asleepwithheadphones
@lazydadamusic

Sunset Cantina

Sunset Cantina by Jason Mowry & Carlos Vivanco

Webster was the town in Massachusetts that I moved to when I was 4 years old. I went to elementary school and later high school from there while living with my grandparents. It's the town that got me started in everything.

Bob Remembers The Town of Webster, MA

printable artwork included with free album download. 
** https://lilspaceman.bandcamp.com/

so last night me and gary busey
we were  gettin’ all boozy in some fat cat’s jacuzzi
we both were straight starin’ at some floozy named susie
we weren’t looking at her booty, we were looking at her uzi
rat a tat tat
she shot the gun the air
she said “hah hah hah”
like she just didn’t care
me and gary busey, we both headed for the stairs
but then she lowered the gun and she said “stay right there”

and there was me and gary buesy, dodgin’ shots from susie’s uzi

susie had an uzi and she’s staring straight at us
just a floozy in the jacuzzi, but she’s scarin’ the two of us
it was me and gary busey, so honestly I really wasn’t that scared

susie lowered the gun
gary smiled like it was fun
he did moves, and then he took it away

susie had an uzi and she stares straight at us
just a floozy in the Jacuzzi, but she scares the two of us
(she scares the two of us)
it was me and gary busey
susie lowered the gun
gary smiled like it was fun
he did moves and then he took it away

so last night me and gary busey
we were  gettin’ all boozy in some fat cat’s jacuzzi
we both were straight starin’ at some floozy named susie
we weren’t looking at her booty, we were looking at her uzi
rat a tat tat
she shot the gun the air
she said “hah hah hah”
like she just didn’t care
me and gary busey, we both headed for the stairs
but then she lowered the gun and she said “stay right there”

soundcloud.com/plex-auchta - guitars, drums and production from his song SQUEEZ. > lilspaceman.bandcamp.com/track/squeeze

a big thanks to not only plex but a few other friends who helped with unused versions of this along the way.  i've made so many stabs at finishing this song...i've never spent anywhere near this amount of time or energy on a song or project before.  that being said, i really like the finished version, and i am stoked to be finally sharing it with my friends.

**  all accounts of excitement are fictional.  im not after money, just ears and smiles.  plz be kind and rewind.  :)

me and gary busey (ft. Plex Auchta)

Movement 11 from my 2020 exhibition 'La morte mi troverà vivo' (death will find me alive). I dont know where to start or finish with the story of this piece - if you want the long version please go to bandcamp https://nomatesensemble.bandcamp.com/album/la-morte-mi-trover-vivo  there 3 essays on the exhibition in the notes and of course the whole work which is 90 minutes long. This piece for Intonarumori was the starting point for the show, written and recorded to be played at Luigi Russolo's grave as a form of 'calling ' to his spirit. La morte mi troverà vivo is a kind of sonic seance where i composed music as an evocation and used occult number theory to manipulate field recordings to capture what i term an 'imagined response from the spirit world'. The work was made in Italy July/August 2019 and exhibited in Hobart Tasmania in Jan/Feb 2020. I will post visual links and more info at a stage, though of course its a sound installation (i managed to get the whole room to softly rumble with speakers installed out of site in the walls and under the floor)so there isn't heaps to see. :) Thank you all, sorry to ramble !!

Piece For 3 Intonarumori (La morte mi troverà vivo  - mov. 11)

all performed and composed by me

https://vascoribeiromorais.bandcamp.com/?from=viewsite_dashboard

Tango And Rock Things

vasco ribeiro morais xi

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