Requiem for Lorca
theatre solo performance

direction. Hristina Vasić Tomše
music. Slobodan Ivanović
dramaturgy & cast. Rodrigo Marcó del Pont

coproduction. Melting Teatro Brussels & Ustanova kulture Palilula Belgrade

premiere. 26th February 2014, Belgrade

Retablillo

Valse of Greasy Fighting Machines
Ringside in G Minor

Composed by Slobodan Ivanović
Performed by Theresa Seits, Thierno Diallo & Matija Anđelković

Recorded at Glej Theatre, July 2017

Valse of Greasy Fighting Machines

Clocks
Ringside in G Minor

Composed by Slobodan Ivanović
Performed by Matija Anđelković & Slobodan Ivanović

Recorded at Glej Theatre, July 2017

Clocks

Shark's Death
Ringside in G Minor

Composed by Slobodan Ivanović
Performed by Theresa Seits, Slobodan Ivanović, Thierno Diallo & Matija Anđelković

Recorded at Glej Theatre, July 2017

Shark's Death

Sea Shanty
Ringside in G Minor

Composed by Slobodan Ivanović
Performed by Theresa Seits, Hristina Vasić Tomše, Slobodan Ivanović, Thierno Diallo & Matija Anđelković

Recorded at Glej Theatre, July 2017

Sea Shanty

Final Round - Fight in 6/8
Ringside in G Minor

Composed by Slobodan Ivanović
Performed by Slobodan Ivanović, Thierno Diallo & Matija Anđelković

Recorded at Glej Theatre, July 2017

Final Round - Fight in 6/8

Fight in 7/8
Ringside in G Minor

Composed by Slobodan Ivanović
Performed by Slobodan, Ivanović, Thierno Diallo & Matija Anđelković

Recorded at Glej Theatre, July 2017

First Round - Fight in 7/8

Carousel
Ringside in G Minor

Composed by Slobodan Ivanović
Performed by Slobodan, Ivanović, Theresa Seits & Matija Anđelković

Recorded at Glej Theatre, July 2017

Carousel

Intro
Ringside in G Minor

Composed by Slobodan Ivanović
Performed by Slobodan Ivanović, Thierno Diallo & Theresa Seits

Recorded at Glej Theatre, July 2017

Intro

#Manifesto

Original music by Slobodan Ivanović

Track 2

EX-teater puts resources of music, circus and dance into the context of theatrical universe. We are researching how archetypal means of performing arts can be transformed and reinterpreted in the modern context.
​
We believe that different disciplines of performing arts have the same core.
Therefore we are blurring the margins between performing disciplines
by creating an umbrella style of theatre where the new, the old and the forgotten is juxtaposed.
​
Our work is based around the sound dramaturgy as the principle premise
and the performer as the first stage creator. Hence, we are a group of all-round theatre people with a strong base in language and literature.