Classical Bangers 🎹🎻

Swan Lake - Pyotr Ilyich Tchaikovsky

Swan Lake Act Two. No. 14. Scene (Moderato) - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

Waltz in C Sharp Minor, Op. 64 No. 2 (Sheba Blake Edition)

The Music for Ballet Classes series is a collection of CDs designed to provide dancers and dance teachers with all the music necessary for a complete classical ballet class. The featured piano on this album is a fantastic Fazioli concert grand with a wonderfully deep and resonant timbre. 
This fourth volume marks a departure from those previous in that tracks are not repeated for barre exercises, in order to provide some exercises with alternative tempi or time signatures. This makes Volume 4 the most flexible and best value album to date, featuring 40 separate tracks that span a wide variety of musical genres

23 - Pirouettes En Diagonal - Waltz No 2 From Jazz Suite - Dmitri Shostakovich - Preview

BO "Midnight In Paris"
Composé Par Jacques Offenbach
Interprété Par The Czech National Symphony Orchestra 
Réalisé Par Woody Allen

Midnight In Paris (Music From The Motion Picture)

Can-Can From "Orpheus In The Underworld"

I do believe that electric over-driven guitar is definitely sophisticated instrument.

Antonio Vivaldi, Concerto No. 4 in F minor, Op. 8, RV 297, "L'inverno" (Winter), Allegro non molto

The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist Erik Satie.

The melodies of the pieces use deliberate, but mild, dissonances against the harmony, producing a piquant, melancholy effect that matches the performance instructions, which are to play each piece "painfully", "sadly" or "gravely".

Audius Classical Music
https://audius.co/classicalmusic

Best of Satie
https://music.apple.com/gb/album/gymnopedie-no-1-single/847714522

Satie on Spotify
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Satie Album on Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Erik Satie - The Essential Collection

Classical Music - The Essential Collection

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Jazzopédie

Performed by The Andersonville Orchestra.

Piano Concerto No. 2 in F Major, Op.102; II Andante (Dmitri Shostakovich)

First Worldversion on Feltpiano. Listen to the Track on Amazon Music to trigger the Algorithm. Thank you so much.

Gustav Mahler - Adagietto from Symphony No. 5 cSharp - Minor. Feltpiano - Version by Jürgen Reimann

Sinfonie Nr.1 „OSTWALD", Satz Nr.6 (M:KR 2021)

ENG - “Flower” is the delicacy of a flower growing in an arid field, perhaps among rocks. It is the sign of a life that resists, of a hope that continues to exist even when everything seems to come to a halt. Within the Symphonic Rock Opera Dreaming a Human Symphony, it represents a moment of deep transformation: rediscovering within oneself a feminine image — the receptive, human, and emotional part that allows one to feel again. A love that recreates adolescence, perhaps lived, perhaps only dreamed.

It is a fully symphonic piece that introduces the theme of what will become the great choral finale, when all 80 artists and musicians will unite in a single voice. Toward the end of the piece, the piano hints at a theme that will return later — “Where a Flower Can Stay” — like a karst river, a seed waiting to blossom.

Throughout the Opera, fragments of themes often appear and are later taken up again in subsequent pieces: musical traces that tell a journey, a story, a dream. Dreaming a Human Symphony.

The studio recording session video is available on YouTube at this link:
https://youtu.be/bU6KgTwd6Bc?si=iVXrtU2Umg_TPhoB
ITA - “Flower” è la delicatezza di un fiore che nasce in un campo arido, magari tra le rocce. È il segno di una vita che resiste, di una speranza che continua ad esistere anche quando tutto sembra fermarsi. All’interno della Symphonic Rock Opera Dreaming a Human Symphony, rappresenta un momento di cambiamento profondo: il ritrovare dentro di sé un’immagine femminile, la parte recettiva, umana e affettiva che permette di tornare a “sentire”. Un amore che ricrea l’adolescenza, forse vissuto, forse solo sognato.

È un brano totalmente sinfonico che introduce il tema di quello che sarà il grande finale corale, quando tutti gli 80 artisti e i musicisti si uniranno in un’unica voce. Infatti, verso la fine del brano, il pianoforte lascia intravedere un tema che ritornerà più avanti, quello di “Where a FlowerCan Stay”, come un fiume carsico — un seme che attende di sbocciare.

Nell’Opera compaiono spesso accenni di temi che vengono poi ripresi in brani successivi: frammenti che “raccontano” un percorso, una storia, un sogno. Dreaming a Human Symphony.

È possibile vedere il video delle registrazioni in studio su YouTube a questo link:
https://youtu.be/bU6KgTwd6Bc?si=iVXrtU2Umg_TPhoB

Dreaming a Human Symphony

FLOWER - from the Symphonic Rock Opera "Dreaming a Human Symphony"

The Lansdowne Symphony Orchestra
Woodwinds and Horns
February 14, 2016
Reuben Blundell, Conductor

Sergei Prokofiev Romeo And Juliet Suite No. 2 From The Ballet Op. 64ter (1936)

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