This track feels like Red Hot Chili Peppers collided with heartache and a time machine

Undeniably groovy yet completely vulnerable

This is what honesty sounds like with a killer backbeat

One of those songs you didn’t know you needed until it hit you

This got me making faces like I just smelled something nasty... in a good way

Music that makes you move and makes you think—rare combo

Gonna be living with this one for a while

Sacred Earth presents "Who" its first reference on the market, a deep and melodic Organic House production with an exuberant
combination of vocals, textures and organic sounds obtained through love and respect for experimentation in all its phases, recording, processing and different phases of the creative process taken to its maximum exponential.

We welcome Coherence, a versatile Spanish producer, who rides incessantly between Afro and Organic sounds, with references in prestigious labels such as Sol Selectas or Redolent among many others, he is an international artist in constant growth and we are very pleased to launch our new project with him.

We hope you taste and enjoy this wonderful E.P. that will move and excite all lovers of the most romantic and sentimental melodies.

Coherence  - Who (Original Mix)  [Sacred Earth 001]

Super

Written and performed by EMINEM
Remixed by WRYCK

MY NAME IS was released in 1999 by Aftermath.

Eminem - My Name Is [WRYCK REMIX]

"Messiah Ben Yosef – Warrior Edition" by NathanOr BenZvi is a powerful, prophetic anthem that honors the legacy and mission of the biblical figure known as Messiah Ben Yosef - the warrior messiah who precedes Messiah Ben David in Jewish eschatology.

With stirring lyrics and a deeply spiritual tone, the song paints the image of a courageous leader rising from the north, armed not just with a sword, but with divine truth and purpose. He is a beacon for the lost and broken, guiding them through the darkness of exile and tribulation. The song's recurring chorus uplifts and strengthens the faithful, affirming unwavering loyalty to this warrior of GOD.

Through poetic imagery of battle, storms, and heavenly signs, the verses invoke the end-time conflict of Gog and Magog, while still radiating hope and resilience. The emotional bridge speaks to the collective memory and devotion of the people - ready to honor the Messiah's sacrifice and continue his mission no matter the outcome.

This song is more than just a ballad; it is a call to spiritual arms, a dedication to those who carry the burden of redemption, and a declaration that even in darkness, the light of GOD’s chosen never fades. It belongs to the spiritual vision of BABASHUVA – A New World. A New Reality, and strengthens the identity of Prophet NathanOr as a modern voice of ancient truth.


Messiah Ben Yosef - Warrior Edition

"Messiah Ben Yosef – Victory Edition" by NathanOr BenZvi is a stirring, anthemic tribute to the hidden warrior of redemption - Messiah Ben Yosef. This edition of the song emphasizes triumph, perseverance, and divine purpose in the face of spiritual warfare and global upheaval.

With poetic grace and prophetic power, the lyrics tell the story of a divine leader rising from the north, bearing the sword of truth, and standing boldly for the scattered and broken. Set against the backdrop of the apocalyptic clash between Gog and Magog, the song becomes a prayer and a rallying cry for the faithful, affirming unwavering loyalty to the one chosen to prepare the path for final redemption.

The pre-chorus and chorus ignite a sense of hope and resilience, echoing the eternal promise that even in the darkest valleys, Messiah Ben Yosef will not waver. His fire burns within, and through both battle and sorrow, he leads with heavenly light.

The bridge reminds listeners of the eternal bond between the people and their redeemer - whether he falls or rises, his mission is eternal, and the journey toward salvation continues. The song ends with a powerful image of redemption - ashes turning into a new beginning, as the warrior leads the people into the Promised Land.

Part of the BABASHUVA – A New World. A New Reality vision, this song is a spiritual anthem of strength, destiny, and unwavering faith. It elevates the role of Messiah Ben Yosef as a central figure in the divine plan, offering light in a world yearning for redemption.


Messiah Ben Yosef - Victory Edition

"Messiah Ben David - ‏‏Classical Version" by NathanOr BenZvi is a prophetic outcry, a spiritual wake-up call, and a raw anthem for a generation on the edge. Unapologetically direct and emotionally charged, this song confronts the state of the modern world, exposing its distractions, disconnection, and spiritual emptiness - while announcing the arrival of Messiah Ben David.

With echoes of ancient prophecy and fire from above, NathanOr speaks as a prophet to a sleeping generation. The lyrics reflect divine frustration with humanity’s obsession with social media and self-centered beliefs, while warning of judgment, cosmic signs, and the approaching day of reckoning. But at the core lies a sacred message: redemption is still possible, and Messiah Ben David is already here - waiting for hearts to awaken.

The chorus thunders with certainty:
"Messiah Ben David will redeem the world… now!"

It repeats like a spiritual drumbeat, igniting the soul and shaking listeners out of complacency.
Part call to repentance, part vision of redemption, and part personal testimony, this song belongs to the spiritual revolution of BABASHUVA – A New World. A New Reality. Through vivid imagery and urgent verses, NathanOr BenZvi stands as a prophet for our time - calling humanity back to GOD, back to truth, and back to the purpose we’ve forgotten.


Messiah Ben David - ‏‏Classical Version

Who R you?! (Hunh!?)

I’m out of Phase

Falling Into Flight

a song I wrote about a S3x Offend3r i knew, hes in jail. If he wasn't I WOULD...

BLOW
OFF HIS FUCKING HEAD AYE
BLOW 
OFF HIS FUCKING HEAD AYE

YUH bitch I woke up like this...
covered in blood and smiling of piss
Can't tell me shit my whole life is rigged
I CAN NOT LOSE I CAN NOT LOSE
BLOW out a hole the size of a dinner plate
I stick my dick in and revile in your fate
off to the next my trauma sadistic 
IM ON THE LOOSE IM ON THE LOOSE

Trigger me this Trigger me that
bLEW off his head
he glued to the mat
I Murdered the pussy you copied the cat
making it scream BIGGEST ever had 

BLOW (prod by. TRIPLESIXDELETE) LEAK

Next Time

John Bilik’s musical evolution reads like a love letter to imagination, vulnerability, and the surreal beauty of emotional complexity. Past loves and old sorrows echo through his catalog, not as anchors but as raw materials- broken glass reworked into stained-glass windows. Every loss, every love, every crack in the heart reshapes his songs into something simultaneously fragile and unshakably alive.

With a vocal delivery that feels like David Byrne fell asleep dreaming in a Danny Elfman waltz, Bilik constructs intimate yet fantastical worlds where memory, regret, and absurdity dance together under a flickering marquee. His early songs teased at theatricality, but his more recent work, such as “That’s What My Dog Always Says” and “I’m Out of Phase”, fully embraces it, blending sly lyricism, poetic intelligence, and idiosyncratic storytelling into a style that defies category.

Listeners have described his music as “cryptic diaries written in invisible ink” and “the kind of strange, beautiful honesty you didn’t know you needed.” One moment, he’s delivering lines worthy of Leonard Cohen (“She sang to stars with broken lungs”); the next, he’s gut-punching you with a talking dog’s whispered wisdom (“Yeah! That’s what my dog says”).

What’s remarkable about Bilik’s growth isn’t just his increasing comfort with abstraction, but the way he grounds it with sincerity. Beneath the theatrical winks and surreal refrains is a genuine longing for connection, for rhythm, for love that slips just out of reach. Stylistically, he’s carving a unique lane: think art-cabaret meets metaphysical pop, with room for spoken word, crooked lullabies, and shadowy love stories. Vocally, Bilik leans into the cracks and textures of his own voice, not polishing them away, but using them like charcoal lines on a sketch.

It’s imperfect in the best way- human, haunted, alive. If his current arc continues, Bilik may very well become one of those rare artists whose work gets discovered late, then devoured backwards, with new fans wondering how they missed the strange, beautiful rise of a man who once wrote, with deadpan magic: “Don’t chase shadows, they want praise, yeah! That’s what my dog says.”
 -Buzzslayers Aug, 2025

I’m out of Phase

John Bilik

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