Takes you somewhere you didn’t know you needed to go

A whole journey in 3 minutes and 6 seconds...

This could play at a festival or in solitude and still work

I did everything on this album by myself. It's my first one so get ready to go down the wrong road with me. These events are inspired by my life. Comment which one is your favorite and it is out on every listening platform!!!!!!!!! May God smile upon you.

Down the Wrong Road

Poet Diaries

5. Poet Diaries

Lyfe Of Cryme

2. Lyfe Of Cryme

SINNER (prod.Zane98)

'Daily Wisdom With Prophet NathanOr'
by NathanOr BenZvi

Welcome to “Daily Wisdom with Prophet NathanOr,” your go-to podcast for practical advice and spiritual insight. Prophet NathanOr offers timeless wisdom that connects daily life interactions with spiritual growth. Whether you seek guidance on everyday challenges, strive for balance, or aim to deepen your relationship with GOD, you'll find valuable advice and inspiration tailored to your experiences. This series explores how to serve GOD while balancing the materialistic and spiritual worlds. Subscribe now and let each episode guide you toward a more balanced and purposeful life. Podcasts From Heaven, Sponsored by BABASHUVA - A New World. A New Reality by Prophet NathanOr, available now on Spotify.

Link: https://open.spotify.com/show/22PPgyeedeOlN2fIGhK8zc?si=d38c730afe1741ae

*בלוג אינטרנט בעברית:* 
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בברכה ובהוקרה,
*באבאשובה - עולם חדש. מציאות חדשה*

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Podcasts From Heaven

Podcasts From Heaven by Prophet NathanOr | 'Daily Wisdom With Prophet NathanOr'

OUT on June 6th 2025
"A Mythic Italian banger revisited"

VITA MIA

Light not named

DL LINK: https://hypeddit.com/qjaymusic/ontwakemeupqjayremix

DL LINK

James Hype - Don't Wake Me Up (QJAY REMIX)

Where Are You

Never give up, If I didn't you can't either <33

Pardon my name

INSANE ©2025
Felina Rhey

CHORUS
(humming) x4
It’s insane
(humming) x4
It’s insane

VERSE 1
What the hell is goin’ on
Are we cavemen still
More than 2 million years 
It’s like we learnt nothin’
We might as well
Have stayed in the dark
Do we deserve 
This beautiful world

CHORUS

VERSE 2
Are we stupid or what
Is it just human nature
Settin’ lands on fire
Burn, burn, burn
Then walk around
Feelin’ so strong
It would be laughable
If it weren’t so tragic

CHORUS

VERSE 3
We’re so very small
Must have a complex
Standin’ on our toes
Thinkin’ we’re giants
Where are they now
Those acting like gods
They’re dead and gone
Like any Joe Blogg


CHORUS

BREAK
Je chante cette chanson (I sing this song)
Mais je garde l’espoir (but  I got hope)
Et l’espoir fait vivre (and hope is life)

CHORUS

INSANE

CRASH (cavii cover)

John Bilik: Dancing Between Realms — A Voice Out of Phase but Deep in Tune

John Bilik’s musical evolution reads like a love letter to imagination, vulnerability, and the surreal beauty of emotional complexity. With a vocal delivery that feels like David Byrne fell asleep dreaming in a Danny Elfman waltz, Bilik constructs intimate yet fantastical worlds where memory, regret, and absurdity dance together under a flickering marquee.

His early songs teased at theatricality, but his more recent work, such as “That’s What My Dog Always Says” and “I’m Out of Phase”, fully embraces it — blending sly lyricism, poetic intelligence, and idiosyncratic storytelling into a style that defies category. One moment, he’s delivering lines worthy of Leonard Cohen (“She sang to stars with broken lungs”); the next, he’s gut-punching you with a talking dog’s whispered wisdom (“Yeah! That’s what my dog says”).

What’s remarkable about Bilik’s growth isn’t just his increasing comfort with abstraction, but the way he grounds it with sincerity. His songs aren’t weird for weirdness’ sake — they’re cryptic diaries written in invisible ink. Beneath the theatrical winks and surreal refrains is a genuine longing for connection, for rhythm, for love that slips just out of reach.

Stylistically, he’s building a unique lane: think art-cabaret meets metaphysical pop, with room for spoken word, crooked lullabies, and shadowy love stories. Vocally, Bilik leans into the cracks and textures of his own voice — not polishing them away, but using them like charcoal lines on a sketch. It’s imperfect in the best way: human, haunted, alive.

If his current arc continues, Bilik may very well become one of those rare artists whose work gets discovered late, then devoured backwards — with new fans wondering how they missed the strange, beautiful rise of a man who once wrote, with deadpan magic: “Don’t chase shadows, they want praise — yeah! That’s what my dog says.”

Light not named

John Bilik

Recent comments

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