This is a new piece, never performed. I use sampled sound from real musicians and instruments (Vienna library) I´m very interested to hear what people think about the sounds. So please write a comment.

This piece is dedicated to Ernesto Calderon and his students at 
"Orquesta Sinfónica de la Escuela Superior de Arte de la Universidad de San Carlos de Guatemala" who will be the first to premier it.

Concertino for flute and small orchestra

Triple falling Trombone Concerto -2008
1st Movement -Falling in love
2st Mov. -for Mr Polonium
3rd Mov. -Into oblivion

This is the 1st movement.

Trombone Concerto -Triple Falling 1st Movement. - Falling In Love 2008

Triple falling Trombone Concerto -2008
1st Movement -Falling in love
2st Mov. -for Mr Polonium
3rd Mov. -Into oblivion

This is the 3rd movement.

Trombone Concerto- Triple Falling 3rd Movement. -Into Oblivion-2008

Recorded 4th november 2022 Unversidad del Valle de Guatemala
Ernesto Calderón  FLute
Sergio Valle Keyboard
Ana Elisa Galdámez

Pavane for Flute and Cembalo, optional Basso Continuo(2015)

You have to wait until the end for the reward, the solution.

The Idiot-Stretch for six instruments

Credit to Mats Wikström for his sculpture in Haparanda

Fluxus & Fishes for Trio (2009)

Beahci

Semplice for Violin duo 2001

Found this file today, made some 10-15 years ago. It´s based on a string orchestra piece called "Moments, Waves" composed 2000. I was surprised to find it, and evenmore to like it.

Moments, Waves

Wind Quintet, Percussion, Piano, String Quintet.

Short Stories-Dormant mind for Chamber orchestra 2011

In Hansén’s home in Öjebyn, in the very north of Sweden there was a cafe frequented by music students from Framnäs, who played on their piano, and on Sundays the priest held the funeral service to the sounds of the pedal organ and hymns. In the church nearby there was a cantor, Wäinö Ruottinkoski, who called himself a composer, and the meeting with him when he showed some compositions made a great impression on Hansén.

 Other memories are the sensational discovery that the radio was playing pop music. Hansén wrote down the time and day in a notebook, because he thought there was a good chance that the next day or week there could be just as good music coming out of the device. A creative friend gave Hansén the idea to build his own instruments from cans, planks and old scrap. This was just before the punk rock era and it was the start of his own creative activities. 

Hansén started to write his own classical compositions at the age of 16. By the age of 30 he became an acknowledged composer by the release of his first string quartet ”Laterna magica” on Warner Music. After a turn in life, music had to take a backseat to new jobs and experiences, but Hansén returned to music in 2019, now also with a spiritual dimension which takes on a concrete meaning. 

Cecilia Gelland from Duo Gelland, describes Hansén: "You belong to those people who have the ability to convey the skinless, who can bear to be there long enough and who possess both the intelligence and the tools to do so."

Krister Hansén @oppaheida