Extract from 'Lightborn'.

Full 36-minute version available on Bandcamp (pay what you want). :-)

Lightborn (extract)

First released 2018-01-19
Play on Spotify:
https://open.spotify.com/track/3DU7kOTyutOEH2do19hOJQ?si=c30c154f507849fe

Broken Glasses

Padua, Italy - Moscow, Russia (November 2020)

Poem in Italian: Ilaria Boffa @ilaria_boffa
Poem in Russian, field recording & photo (poplars & recorder): Nata Boundariver @CrazyCompass
Music: Sergey Kobzev @Assembly-of-Honey

Traduzioni (Ilaria Boffa)

Una precisa geografia di pioppi bianchi
frassini e aceri circonda quest’area fluviale.
Narrazione di fruscii, conversazioni rumorose.
Traduzioni. Ciò che sentiamo e il linguaggio
udibile implicano indagini
sui modi di ascolto dell’altro.
In dubbio l’affettività, il riverbero degli oggetti
che scontra soggetti oltre noi.
Dentro quei metri cubi di suolo e aria
il suono prende spazio, costruisce e colpisce.
Neuro-trasforma e impatta la plasticità
delle cose.
Abbiamo tradotto le nostre voci in 
riferimenti e formulazioni. Ora, ascoltami.

География (Nata Boundariver)

На свете так много мест, куда я не смогу попасть.
Попасть бы хотя бы туда, где я есть.
Почти нигде и почти никогда.
Забытое слово я.

English versions:

Translations (Ilaria Boffa)

A clear geography of silver poplars 
ashes and maples surrounds this fluvial area.
A narrative of rustles, chatting loudly.
Translations. What we hear and the language
that makes it audible imply investigations 
on others’ listening modes.
We question affectivity, objects’ reverbs 
crashing into beings beyond us.
Inside those cubic metres of soil and air
noise spacialises, builds and hits. 
It neuroshapes and impacts the plasticity 
of things.
We translated our voices into exact
references and wording. Now, hear.

Geography (Nata Boundariver)

There are so many places in the world where I cannot get.
Get at least where I am.
Almost nowhere and almost never.
Forgotten word I am.

Geography Of Translations (Crazy Compass & Ilaria Boffa)

More on this 465th weekly Disquiet Junto project, You Thank (The Assignment: Make a piece of music for someone or something toward which you feel thankful), at:

https://disquiet.com/0465/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0465-you-thank/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Ellen K, and used thanks to Flickr and a Creative Commons license allowing editing (flipped and cropped with text added) for non-commercial purposes:

https://flic.kr/p/9ztLGg

https://creativecommons.org/licenses/by-nc-sa/2.0/

lonely fog hatch

halF technologY [disquiet0465]

a rework from M.Nomized of "piano patterns n°14" by Marco Lucchi

for "piano patterns" vol. 2, a project by Marco Lucchi
https://soundcloud.com/marcolucchi/sets/piano-patterns-vol-2

dicembre 2020

Marco Lucchi - piano patterns n°14 (minimal phase 14) - reworked by M.Nomized

first collaboration with Italian sonopoetress Ilaria Boffa

Two Cities

The Hauchzart Ensemble feat. Ilaria Boffa - Two Cities

Just a quiet textural beat to build on.

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Meg Jones, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/mDRT9

https://creativecommons.org/licenses/by-nc-sa/2.0/

new unit (disquiet0472)

Disquiet Junto Project 0475: Low End (4 of 3)

The Assignment: Remix a trio by doing forensics on its component parts.

Three tracks by Geoffroy (@g_montel), Evan Hartzell (@k-blamo) and Tsa Tse (@tsa-tse) form the basis of this mix.

Jam Time
========
https://llllllll.co/t/disquiet-junto-project-0472-jam-time/40425/36
A Larger Set Of Factors (disquiet0472)

geoffroy ... obsessed with musique concrète and playing guitar these days. So this time, ... recorded a short guitar improvisation on brand new Taylor Academy 10 with a Rode NT2000 microphone. Edited in Reaper. No fx.

Placebo Effect
============

abalone (k-blamo) played some bongos over it (file:geoffroy_bongos)
https://soundcloud.com/k-blamo/geoffroybongosdisquiet0473


Police Action
==========

Tsa Tse Geoffroy - bongo - flûtes - disquiet0474

Third part in an asynchronous jam. Just added the flute part. 

https://soundcloud.com/tsa-tse/geoffroy-bongo-flutes-disquiet0474?in=disquiet/sets/disquiet-junto-project-0474

file: junto474.mp3

Low End
=======

Extracted single tracks from the above tracks. Mixed in Reason Studio.


More on this 475th weekly Disquiet Junto project – Low End (4 of 3) / The Assignment: Remix a trio by doing forensics on its component parts – at:

https://disquiet.com/0475/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0475-low-end/

Trassel (disquiet0475) by Geoffroy, Evan Hartzell and Tsa Tse

My response to naviarhaiku371 – Heavenly creatures

Heavenly creatures
descending it seems –
the sea of spring

Matsunaga Teitoku (1571-1654) was an early haikai poet and founder of the Teimon school of poetry, which aimed to make haikai accessible to a wide audience while striving to make it a respectable literary form. A task ultimately accomplished by Bashō.

Seven days to make music in response to the assigned haiku: to participate, visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 17th February 2021

haiku by Matsunaga Teitoku https://www.britannica.com/biography/Matsunaga-Teitoku

picture by Nathan Dumlao https://unsplash.com/@nate_dumlao

Lately It Seems (naviarhaiku371)

naviarhaiku371 – Heavenly creatures

Heavenly creatures
descending it seems –
the sea of spring

Sea of Spring (naviarhaiku371)

one traveller
wakes another traveller
at the sight of the sea

naviarhaiku372: one traveller

1. Trying to get some of the musical noise in my head into the outside world. 
2. Still learning about sound construction and production (and hopefully always will be).
3. If you hear unrealized potential in any of my postings, do please get in touch as I'd like to explore doing some collaboration.

Lightborn (extract)

joyneski

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