Tolles Stück. Gefällt mir sehr. Die Stimme erinnert ein wenig an Heiner Pudelko von Interzone.

Handwerklich top! Und dann geht's auch noch ins Ohr. Und in den restlichen Körper auch.  ;o)

Sehr tolle Komposition und Arrangement. Das ist der Sound den ich sehr liebe. Tolle Instrumente und Gesang. Ja ich erinnere mich an die 13 Mann Band Swissorns der 80er und besuchte leider nur ein Konzert. Tolle Arbeit Jungs 🔥🎶😊

Very cool song!  I really like the instrumentation and the vocals.  Also, the production is very good quality.  Nice job!

GROOVE is mandatory and you have achieved ..

"Wenn" is the new single of Seßler/Zeeb, released in March 2023.
It´s a lively Pop-Song with a bit of jazzy attitude and cranky wordplay in the German lyric.

Wenn

Hi everybody,

let me introduce to you my new electronic 2024 track Will You Kiss Me, I'll appreciate all your support and feedbacks on this one, btw I wish you all the best in 2024, may all your dreams and desires come true<3

Your darcis
My IG: darcis66

Will You Kiss Me

Save Me

Dub Reggae Party 🔥🔥...Dub It...Dub & Dub...More Dub...

DUB IT

DUB IT  (DubKontrolRiddim) -  KRT Production)

"Song of the Open Road" is a poem by Walt Whitman from his 1856 collection “Leaves of Grass”. It has 15 sections, each with 3-4 stanzas. For the lyrics of the song that I have composed, I have chosen the most famous of these sections, which is the first. At the end of this introduction I have attached the lyrics of this section.

The intention has been to compose a small song to continue delving into the use of the singing voice synthesis software, Vocaloid. Since this software only sings in the English language (which is not one of my usual languages) I thought that it might be interesting to use a poem by an author of that language as a text and I decided on this American poet.

On the other hand, the most important issue in the harmonic-melodic aspect has been that I have considered it as an exercise in Modal Harmony. I have used a different mode for each of the stanzas of the poem and in this order: Phrygian, Dorian, Mixolydian and Lydian. It is an order that fulfills the elementary principle of going from less to more musical "brightness." I have also dispensed with the Ionian and Aeolian modes to get away from the tonal environment and enhance the modal color. In the use of each of these modes I have introduced a "strange" note, that is, it does not belong to the scale of the mode. In all cases this note is the one that corresponds to a semitone lower than the base note of the scale of the mode; it is also located in the last position of the melody of each stanza, closing it and coincides with the first note of the following stanza, but in this case it is not strange, on the contrary, it coincides with the characteristic note of the new mode. This is the way the different modes are chained together.

I attach the lyrics of the poem to facilitate your understanding: 


Song of the Open Road

Afoot and light hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me leading wherever I choose.

Henceforth I ask not good-fortune, I myself am good-fortune,
Henceforth I whimper no more, postpone no more, need nothing,
Done with indoor complaints, libraries, querulous criticisms,
Strong and content I travel the open road.

The earth, that is sufficient,
I do not want the constellations any nearer,
I know they are very well where they are,
I know they suffice for those who belong to them.

(Still here I carry my old delicious burdens,
I carry them, men and women, I carry them with me wherever I go,
I swear it is impossible for me to get rid of them,
I am fill’d with them, and I will fill them in return.)




Esta introducción en castellano:
https://drive.google.com/file/d/1OqX5rUbuEkHBFP8MlUnpJfH2LaJIynP9/view?usp=sharing

Aquesta introducció en català:
https://drive.google.com/file/d/1fKxXa2Ms5qZES9MdmYOnRT3894_cdC2r/view?usp=sharing

Song Of The Open Road

You tube link:
https://youtu.be/TOOnh8NLkzQ?si=0_Qvdd5m5YQERqg5

Coffee Beans

Here is the next song for our album, The Windmill of the Year. It celebrates Lughnasadh, a Celtic festival that takes place at the beginning of August which honours the sacrifice and death of Tailtui, mother of the Irish god, Lugh, and the last High Queen of the Fir Bolg. 

I find the music created for this by @APi_ZZ to be quite enchanting, nostalgic and towards the end, moving, as he once again reaches back to remind us of an age that Time forgot. 

Words and vocals by Annie Dieu-Le-Veut 
© Copyright Annie Dieu-Le-Veut, May 2024

Music and artwork by APi_ZZ 
© Copyright APi_ZZ (Andreas Pirner) May 2024

Words: 
Children are playing in stacks of hay, 
On this long hot day in Earth’s Paradise, 
With their bellies full of your goodness 
They've no knowledge of your sacrifice. 
Their days are spent in blissful content, 
Far from feeling the pangs of lament, 
They’ve no idea even that we mourn 
The last High Queen of the Fir Bolg, 
The Great Mother, the Grain Mother 
Tailtiu, womb of our cornucopia.

When they're older, they will know 
How you cleared the land of stones 
While your birds fertilised the ground, 
Before the ploughing and the sowing. 
How they found you, lying on the soil,
Your body stiff; dead from exhaustion, 
How the long days drew in their breaths 
And their curtains ...for your requiem, 
The Great Mother, the Grain Mother
Tailtiu, O how you did suffer.


 Lugh, who fought off Balor’s blight
And famine from the scorching heat, 
Is leading you through the Lion’s Gate, 
Below, reapers of the harvest meet
For the festival and crowd the pews,
But they never knew you, Tailtiu. 

As the Sun begins its fall, to journey south 
We humbly offer these first fruits to you, 
O Great Mother, O Grain Mother, Tailtiu. 
As we stand here, we give honour to you 
And your self-sacrifice on the altar of Earth.

Lughnasadh

Song composed & created by The Boilerman
Eric created & plays: all acoustic, distorted lead & rhythm guitar
Eric created & mix's: all drum, bass, ambient, atmo
LPM created & sings: all vocals
Production by E.H.T Studios
Thank you for listening!

The Spirit Of Ivy Hall

Thực Vật Thực Vật Thực Vật Thực V

Inspired by a poem by the lovely and sadly, late Amara MacEachern, about why the occult is occulted. And @APi_ZZ's music as ever is out-of-this-world DELIGHTFULLY enchanting! 

Vocal by Annie Dieu-Le-Veut
Copyright © Annie Dieu-Le-Veut, June 2024, all rights reserved

Music by APi_ZZ 
Copyright © APi_ZZ (Andreas Pirner) June 2024, all rights reserved

Cover art by APi_ZZ.  

Words:

We locked up our wisdom into our bones
And swallowed the keys
They sank in our Rivers of Blood, 
And we forgot the maps
Because we had to forget the Mysteries
To keep them safe.

We wove our hair into brooms
And swept over our paths,
And then burned the earth with our rage.

We didn't teach our children;
It was the only way to protect them, we thought.

But in them we planted seeds, seeds and keys
And told them stories and riddles and songs
With no roots, just tangled threads
That would take years to unwind,
Just enough time
For the rains to fall again
and put out the fires,
For the dams to break,
For the rivers to flood,
For the paths to be walked again,
For the soil to breathe.

And as the old bones crumble
Deep beneath the rubble
We find we've always had the keys.

 Our stories are our maps,
Our paths are revealed to some,
And the seeds grow again
The threads are unspun
And woven again.

Amara Bronwyn MacEachern, Hollow Bones
RIP 29th June 2022

Ouroboros

Alles so schön bunt hier drinnen...

Welcome to my mind

Feels Like Home

We are two musicians from the south of Germany.
Kurt Seßler ist the songwriter and singer. Werner Zeeb - as a multiinstrumentalist - plays all the instruments and is the producer.

We have been working together since 2021 and released our first album "Märchen" (12 songs) in March 2022. 
In 2023 we released two singles:  "Wenn" (March 2023) and "N.N." (October 2023).
On April 5th, 2024 our first single with English lyrics “If No One” was released - a Pop/Rock-ballad.
On June7th, 2024 we released another single in English: "If You Believe Me", a progressive rock track. For the first time, there is also a music video.

Our genre is Rock and Pop with influences from other music styles.

Wenn

Seßler/Zeeb

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