Life After Life

riserayss x loneliness - бескрылые надежды

Eunoia

Original-
https://youtu.be/4RpY5yA0hJ4

suffering from beatblock :/

in real life

wardub response to @altaremusic
reaktion - alone (ft. eden)

s/o @suigetsuluvu

nominating:
@phisxes
@prod_onyx
@euil

THANK YOU  @EUIL FOR NOMINATING

SENDING FOR @ZYME999 @10_05 @FLOATINURBOAT

something different <3

delocalization [WARDUB S3]

deeply, we breathe in. quietly, we exhale.

@bagel_music x @rexurexu

Find us on discord at:
https://discord.gg/CJ64RFj6Ut

bvgel x rexu💕 - AIR

i can't live without u<3

next track hardwave

dying without u

https://soundcloud.com/whosneith/hass-x-mystik

neith - hass x mystik [flip]

The haiku that guided this;

Winter waterfall
a rock untouched
by sunrise or sunset
(Naviar haiku challenge 607, details here: https://www.naviarrecords.com/haiku-music-challenge ),

has an obvious staring point, "Winter Waterfall" the track has finished up quite experimental.


Waterfall = white noise.
So I started with a noise source in Voltage Modular and created an evolving sequence that processed the noise output through a spectral filter bank using two instances of the WC-96 Spectral Processor from DMT Audio. I then created a rhythmic element by feeding that output through an LFO controlled envelope, passing the output on to Quadelay from Waverley Instruments. 

With the noise elements in place I added some pulses using basic VM modules then moved on. Having used a couple of tweaked Dreamsynth presets last week I decided it was time to take the deep dive and learn how to patch Dreamsynth from scratch. Dreamsynth (https://cherryaudio.com/products/dreamsynth) is deep, almost modular. I made a patch for the chord sequence; yes I know it's a bit weird but I liked it in isolation while developing the DS patch so kept it all be it sequenced, converted to MIDI and passed out from VM. While experimenting I found that if I played in a low register I got a rumbly semi random texture so I split that off and tweaked it a bit to represent the rock, triggered by a separate sequence in VM. The final element is a drone layer made from DMT Audio's "West Coast" modules (Uncertainty and Harmonic Oscillator), left over from an early experiment and passed through a band pass filter modulated by reused control, voltages from the noise sequencing. 

With all the elements in place I made two changes before recording, I added a small amount of ShimmerVerb from Eventide to the chord sequence and replaced the pure white noise that I'd planned to use at the beginning with a sample of a real waterfall from freesound (Staying close to waterfall by trader_one -- https://freesound.org/s/670515/ -- License: Creative Commons 0), because I wanted a touch of gurgling water.

With everything in place; opening waterfall, mapped physical controls, multitrack recording and no real plan. I hit record and improvised, one take, longer than I'd expected.
I'll own up to doing a lot of mastering to make the dispirit elements gel but didn't add anything significant.

Winter Waterfall - (naviarhaiku - 607)

Image created by me.
https://www.deviantart.com/leehon/art/Forbidden-Halcyon-896345574

Gefressene Jäger

Dark Ambient Music inspired by the writings of HP Lovecraft and the Cthulhu Mythos cult. Be scared and enjoy!

delocalization [WARDUB S3]

sennyx2

Recent comments

Graham LaNigra

murdermeslowly

senny

senny

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