Your Mix 3

ME & MYSELF
Written, Performed, Produced & Mastered
by Andrew Borderick Copyright 2022 AB Music
https://www.youtube.com/watch?v=6N3NU2j2fdY

I'M HEARING A SOUND AND IT'S LOUD 
AND IT'S CALLING AND SHOUTING TO ME
I'M HEARING THE WORDS OF A SONG ALL ALONG
THEY'RE ALL RINGING YOUR NAME

MAYBE THERE'S SOMETHING
I'M HEARING SOMETHING STRANGE OUTSIDE
MAYBE IT'S JUST ME AND MYSELF

THE LIVING THE LAUGHING THE TALKING
THE CRYING IT COME TO ME
I'M HEARING THE WORD'S THAT YOU LEFT
NOW YOUR GONE AND IT'S CLEAR TO SEE

I'LL TELL YOU SOMETHING
I'M FEELING SOMETHING STRANGE OUTSIDE
I BELIVE IT'S JUST ME AND MYSELF
(break)
I'LL TELL YOU SOMETHING
I'M FEELING SOMETHING

SO DEEP IN THE NIGHT AND IT'S BRIGHT
AND IT'S LIKE IT'S SHINING ON ME
I'VE BEEN RIDING THE TIDE IT'S SO HIGH
LIKE A KITE I WISH YOU COULD SEE

I SEEING SOMETHING
I'M FEELING SOMETHING STRANGE OUTSIDE
IT'S ONLY SHINING ON ME AND MYSELF

ME AND I

ME MYSELF I

ME AND MYSELF

ME & MYSELF (see info for video link)

www.korima.net
 
Korima's songs are written, performed, arranged, engineered, and produced by SuZanne Ledwith (Ireland) and Steve Pumphrey (England).
https://soundcloud.com/candyside-arcade/white-sail-korima

White Sail

Introduction in English

Many of them were persecuted, oppressed, tortured or even murdered. 
But many of them escaped their perpetrators and potential butchers and emerged even stronger from these struggles for survival. 
And especially at a time when the tyrannical powers are raising their heads again, when a repressive right-wing shift is taking place all over the world, they are more important than ever;
In their unmistakable clarity, their healthy stubbornness, their intuitive knowledge to protect the all-encompassing love and vitality in the world from the destructive forces of fascist systems.
With my song I want to encourage all free spirits to show themselves even more and to go forward. And I want to encourage all listeners of this song to open up more to their own free-spirited side.

Lyrics (for those, who don`t speak German)

Free spirits

They never let themselves be bent
Never let any repression get them down

They have a keen sense
For what is real or just false adornment

They follow their own tracks
They tick according to their own clocks

They are with themselves and yet open-minded
They change and remain true to themselves

Often stand on their head
Don't like to swim with

Every ancient braid
Is sprayed with color
Until it burns out

Free spirits
Are still 
In this land

Free spirits
Not all 
Have they
Banished, Burnt

Free spirits
Have 
Survived the hells
And lay down in the light unbreakable

They dream with their eyes open
Make a thousand mistakes, seem to be no good

Are often still unrecognized, banished from the grill plate
Yet they sparkle beneath the sand  

They are often underestimated
Violated in their dignity
Abandoned in the forest by the mainstream
They wear orchids 
Can see in the dark
Can walk blind on clouds

Are outraged alive
Say out loud what bothers them

Are driven by love
For themselves, the humans and the world

Free spirits
Are still 
In this land

Free spirits
Not all 
Have they
Banished, Burnt

Free spirits
Have 
Survived the hells
And lay down in the light unbreakable
lay down in the light
lay down in the light
Lay
Down
In
The 
Lieght

Deutscher Originaltext:

Freigeister

Sie lassen sich niemals verbiegen
Von keiner Repression unterkriegen

Sie haben ein feines Gespür
Für das was echt ist oder nur falsche Zier

Sie folgen Ihren eigenen Spuren
Sie ticken nach Ihren eigenen Uhren

Sie sind bei sich und doch aufgeschlossen
Sie wandeln sich und bleiben sich treu

Stehen oft auf dem Kopf
Schwimmen ungerne mit

Jeder uralte Zopf
Wird mit Farbe besprüht
Bis er verglüht

Freigeister
Sind noch immer 
In diesem Land

Freigeister
Nicht alle 
Haben sie
Verbannt, Verbrannt

Freigeister
Haben 
Die Hölllen überlebt
Und sich unkaputtbar in das Licht gelegt

Sie träumen mit offenen Augen
Machen tausend Fehler, scheinen nichts zu taugen

Werden oft noch verkannt, vom Grillteller verbannt
Dennoch funkeln sie unter dem Sand  

Gerne werden sie unterschätzt
In ihrer Würde verletzt
Vom Mainstream im Wald ausgesetzt
Sie tragen Orchideen 
Können im Dunkeln sehen
Können auf Wolken blind gehen

Sind lebendig empört
Sagen laut, was sie stört

Sind von Liebe getrieben
Für sich, die Menschheit und die Welt

Freigeister
Sind noch immer 
In diesem Land

Freigeister
Nicht alle 
Haben sie
Verbannt, Verbrannt

Freigeister
Haben 
Die Hölllen überlebt
Und sich unkaputtbar in das Licht gelegt
In das Licht gelegt
In das Licht gelegt
In 
Das
Licht
Gelegt

Freigeister (Free Spirits)


Picture: Love Cloud (Rae)

A Dreamy Atmosphere.  Fantasy? Imagination? Escapism? Or just trying to Reach one another for True Love! All Positive...make of it what you Will!
✨🤍✨

Hope you enjoy Cloud9! And whoever You are.. I hope you Go There with whoever They are!  And Feel it...Sometimes Words get in the Way👌

 ✨Love... and I hope you Make it✨

Lyrics and Vocals by SolarRae🎤

Guitar Work and Mix by Dave Bayes🎸
@dave-bayes
@guitar-alchemy

Lyrics:

Spending my Time
Thinking of You
I'm on a High
Are you Feeling it too
On Cloud9
Cloud9
On Cloud9

Wind in the Trees
Sun on the Sea
My Island is Here
Where I can be Free
On Cloud9
Cloud9
On Cloud9

Spending my Time
Thinking of You
I'm on a High
Will you come with me to
Cloud9
Cloud9
To Cloud9

With me to Cloud9....

🏝️♥️☀️







Cloud9♥️

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony on the end vocals
TexMex Shaman–@texmex-shaman –Stephen– banjo, production, and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and harmony on the end vocals
This song began with John, who is a verifiable expert in all things Jimmy Page, asking Josh and the Eclectic Collective if they'd like to cover another Led Zeppelin song to follow Hey Hey What Can I Do? Of course, the Eclectic collective is always down to sink their teeth into some of the best rock and roll ever made. John found us recordings of the original Zep version that were separated into their individual tracks, so as we were adding, we could hear what our part would've sounded like playing with the original band. What a thrill!
  Ken was first to complete his part, and did a great job of capturing the frenetic energy of Bonzo. John was up soon after, amazing us with a note for note interpretation of Page on both the guitar and mandolin. Josh came next, after nearly deciding that JPS's part was too difficult. It wasn't. Then, when the bulk of the music was recorded, MD came through and stunned us with a brilliant interpretation of Plant's vocals. To bring it to a boil, Stephen then laid down his magical banjo in there, too. Lasty, Ken and Josh polished it off with some background vocals at the end. 
  Of course, every great song needs a great producer, who in this case was Stephen. He managed to even it out and get it to sound not only like the album, but very dynamic, as well. 
  This is the EC's second collaboration with John, and we're all stricken by how proficient he is at playing Page's material. If you dig what we did here, you can check out the video, too, right here, of us playing. It's on John's YouTube page, which also contains scores of other favorites from Zep, Floyd, and others. If you are interested in seeing how your favorite Zep tunes were played, it's definitely worth a stroll through and watch.  Here's the link to his page. Also, you can find us doing Hey Hey What Can I Say? on there, too.  https://youtube.com/@johnanthony5720?si=7YqvUXLKkuXT4qjy
  We hope you enjoy listening to this song as much as we enjoyed making it.

Gallows Pole (The Eclectic Collective with John Anthony)

Shifting Visions( new mix)

Searching

The ones in dark corners
I am with you.
I sense your hush.
The ones of smoke and needles and bruises
who found glory
and saw how far a fall it is back down. 
The ones who hang around
when Main Street closes down.

The outcasts, the insane, the altered.
Each with a piece missing.
Invisible scars and otherwise.

A pact, a cult of the underground.
Where each path has it's inverse.
Where each feeling goes obscure.
Smoldering still from the impact of the world.
Cloaked in the darkness of night.
The only time we see what's real.

Words by Riley Robinson

Void of Blood and Rust

Five instruments 
- two violins, one viola, one cello, and one clarinet 
weave through individual melodies, engaging in a bizarre dialogue, until they finally find a harmonious conclusion together.

A multi-tonal dialog for Clarinet and String Quartett in F-minor.

Pentamorphosis

Live Reflexion #024

about getting it wrong.... demo of a Will Russell's track from the album ...and another thing. 

Trapped within You

Blackout

written, performed and produced by Richard Brown.

Lyrics:

I feel it comin I feel it within
My worlds getting darker the lights getting thin
I’m dying of hunger I’m dying to live
The spell that I’m under has left me in sin

Father you tried to break me
Sisters and brothers always leave
Mother why does your heart bleed
Why is a friend the one in need

It won’t be for nothin if I’m not to win
I’ll take what I’m given and drink it like gin
I’ll crawl through the darkness against the cold wind
And claw at your feet til you let me in

Father you tried to break me
Sisters and brothers always leave
Mother why does your heart bleed
Why is a friend the one in need

Blackout

ZEROFRIEND, d END ...

Here’s a side project that our friend Brian Young (Wull) composed, performed the music and produced. A few years back Brian asked us if we would add vocals and Nat and I came up with this recording. Brian later released a modified version. We wanted to keep this version as well and hope you’ll enjoy it. Our thanks to Brian for inviting us into this beautiful composition that features his terrific guitar work to which we greatly enjoyed singing along. The words were authored by “NewBeginnings” (Jimmy Osborne) DUPoetry.com, but you’ll hear some minor changes made to best fit with Brian’s music.
Cover art based on a photo by Jeffry S.S. (Pixels) and banner art based on a photo by TotumRevolution (Pixabay).

I know Why The Caged Bird Sings by Jimmy Osborne

Standing in the pouring rain
Soaked to the bone in sorrow,
I met a fellow mourner’s pain,
Along this road to no tomorrow.

She was drowning in defeat,
She braced this raging storm alone,
But she had the cutest little tweet,
I knew I had to take her home.

So, I took that bird beneath my wing,
And nursed her back to perfect health,
Then, one day I heard that angel sing
Perched so bravely upon her shelf.

Her wings no longer wet and cold,
Her broken heart no longer cried, 
With feathers no longer too stiff to turn,
I asked that beautiful bird to fly.

Underneath the misty glow of streetlamps,
Kissed by the lovelight in her eyes,
We lay locked within this fleeting dance,
Until the peeking sun began to rise.

With a final glance, and a simple kiss
We said our last goodbye…
Forever planted on her gentle lips,
Beneath that vibrant crimson sky.

The Caged Bird Sings

The Caged Bird Sings (with Wull)

*** CAIXA AUTOMÁTICA ***

Observa, meu filho, a fiel caixa automática que, depois de lambuzar gentimente o meu cartão, me entrega com um sorriso automático o talão e o dinheiro. E se por acaso não tenho saldo na conta, ela exibe uma cara triste e compassiva, desfaz-se em desculpas e salamaleques.

Mas isso é hoje, meu filho. Porque amanhã, quando um olho neuromagnético, fixo e mau, perscrutar os subúrbios da tua alma vendida para ali encontrar o indispensável número da besta, então, e só então, terás o teu dinheiro.

Oh! Lembra-te, meu filho, e aprende sabedoria em tua mocidade! Lembra-te, meu filho, para que não pereças!

Introduza o seu cartão... 
Marque o código pessoal...
Retire o talão e o dinheiro...

Caixa Automática

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Deutscher Singer-Songwriter über fünfzig Jahre alt. Seit fast vierzig Jahren schreibe und singe ich Lieder. Mein Hauptinstrument ist die akustische Gitarre, aber ich mag auch Perkussionsinstrumente (Cajon, Maracas, Gurio). Ich liebe es, melancholische und poetische Balladen zu komponieren. Aber manchmal schreibe ich auch (schwarze) humorvolle Songs, Jazzstyle und -Rocksongs. Meine Hauptsprache ist Deutsch. Aber in Zukunft will ich mehr Songs auf Englisch und vereinzelt auch Französisch schreiben.
In meinen Kompositionen bin ich inspiriert von Leonard Cohen, John Lennon, Jacques Brel, Van Morrison und Bob Dylan. Auf meinen Platten spiele und singe ich alles alleine. Meine Vision für die Zukunft ist es, Musiker aus verschiedenen Kulturen zu finden, die gerne ihre Tracks mit mir teilen wollen.
Mein persönliches Mantra ist ein Satz, der von Paul Mccartney auf dem Beatles-Album "Abbey Road auf dem Track "In the end" vor fast Fünfzig Jahren geschrieben wurde:

Die Liebe, die Du bekommst ist gleich der Liebe, die Du gibst.

German singer-songwriter over fifty years old. For almost forty years I have been writing and singing songs. My main instrument is the acoustic guitar, but I also like percussion instruments (Cajon, Maracas, Gurio). I love composing melancholic and poetic ballads. But sometimes I also write (black) humorous songs, jazz style and rock songs. My main language is German. But in the future I want to write more songs in English and occasionally also in French.
In my compositions I am inspired by Leonard Cohen, John Lennon, Jacques Brel, Van Morrison and Bob Dylan. On my records I play and sing all by myself. My vision for the future is to find musicians from different cultures who would like to share their tracks with me.
My personal mantra is a sentence written by Paul Mccartney on the Beatles album "Abbey Road on the track "In the end" almost fifty years ago:

The love you take is equal to the love you make.

Freigeister (Free Spirits)

Karlit-O-Kay (K-O-K)

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