購入した新音源の中のティンパニーを使いたくてエヴァのヤシマ作戦の曲にチャレンジしました。あいにく楽譜が無かったので、YouTubeのピアノやエレクトーン演奏の指運と類推頼りに何10回も聴いて創りました。細かい間違いはお許し下さい。

独りコメントばかりしていますが、エヴァの楽曲担当の鷺巣詩郎氏は天才だと思います。特にストリングスのアレンジがとてもエグいです。因みにこの曲の元ネタは007シリーズにあるみたいです。

@hhbhr7wlnv3q : コメントをありがとうございます。楽譜無しの状態で、かなり時間をかけて創りました。最近稀な高いハードルでしたので、喜びもひとしおです。

holodisq.

P = 3 : ?

Decisive Battle

Puppy Bordiga : synthesizers
Marco Lucchi : piano, synthesizer and toy piano

from the album "A refuge lost in the landscape"
https://puppybordiga.bandcamp.com/album/a-refuge-lost-in-the-landscape

gennaio 2023

A Refuge Lost in the Landscape

Bandcamp

Puppy Bordiga & Marco Lucchi - Excursions at Evening

Segment of a work in progress using the Ariadnean myth as frame. More info with publication of the album some time in March. 
Karolina Ossowska: violin; Jeff Gburek: synthesizer, soundscape.
Painting by Jeff Gburek. Full album now on Bandcamp! https://jeffgburekprojects.bandcamp.com/album/ariadnes-thread

Buy the album!

Ariadne 1

Disquiet Junto Project 0585: F9

The Assignment: Fast forward an old track to make a new one.

Step 1: Many media playback apps for laptops (among other devices) include the option to fast forward through a track manually. Some apps have settings that allow you to adjust the length of the gap that will be jumped. Find a tool that can do this. VLC (videolan.org/vlc 2) is recommended. In VLC you can jump forward in set lengths of time by repeatedly pressing (not holding, but repeatedly pressing) the right arrow on your keyboard.

Step 2: Try this process with a few of your own recordings: hitting the right arrow at a steady pace (as quickly as every split second, as slowly as every two or three seconds).

Step 3: Locate a track of your own where doing what is described in Step 2 yields a result you find pleasing.

Step 4: Record what the result of Step 3 sounds like for one of your pre-existing tracks. (This may be old hat, if you have used Loopback or similar software. You could also just record the output from your laptop’s speaker.)

Step 5: Use the result of Step 4 as the foundation for a new piece of music. You can add as little or as much as you would like to it.

Notes: (1) You may find you can simulate this effect. (2) You can loop the result of Step 4 if what it yields is too short.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0585” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0585” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0585-f9/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. Just because it’s fast forwarded doesn’t mean it needs to be short.

Deadline: This project’s deadline is the end of the day Monday, March 20, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, March 16, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 585th weekly Disquiet Junto project, Generations (The Assignment: Fast forward an old track to make a new one), at: https://disquiet.com/0585/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0585-f9/

Summer forms - disquiet0585 Video here - https://youtu.be/cEbYttvD58g

hopplepopple

Inciound

The unholy alliance of a MakeNoise "O" coast and a Nystrom Crum Drum.

Jingle Jangl

Elsewhere

Drake - Family Matters Third Verse (Instrumental Remake)

I love a wide range of genres such as pops, techno, classical, folk music, mainly jazz and fusion, and create songs with various concepts centered on DTM.  And I will refer to your creative work.

Decisive Battle

Sontaku Ouji

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Sontaku Ouji

RD MUSIC TOKYO

Sontaku Ouji

Sontaku Ouji

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