Daily Drops

Red moon

(No AI Gen involved - I use my voice and Vst Instruments)
Traduit plus bas
-----
I walk the streets with my head down, fleeting shadow
I do not see you face passing slow
lost in my phone’s glow

And I feel sad, I don't know why the silence stays
I don’t see the time slipping through the haze
In this empty days

In these silent days

Many time, many miles, many left behind
for the single one, once in you life, closer to your mind
Anyone, anytime, may reshape your day
Cause everything, everywhere connects in a way

To change my eyes, to feel the wide, I'll dig inside
A single word can turn the tide
Your smile is the guide

Forget the screens, embrace what's real, I miss my friends,
The path goes on, but never ends
Till the darkness bends

Till the darkness bends

Many time, many miles, many left behind
for the single one, once in you life, closer to your mind
Anyone, anytime, may reshape your day
Cause everything, everywhere connects in a way

Everybody needs to believe
Everybody needs to find someone somewhere
----
Je marche dans les rues, la tête baissée, ombre fugitive.
Je ne vois pas ton visage passer lentement,
perdu dans la lueur de mon téléphone.

Et je me sens triste, je ne sais pas pourquoi le silence persiste.
Je ne vois pas le temps s'écouler à travers la brume,
dans ces jours vides.

Dans ces jours silencieux.

Beaucoup de temps, beaucoup de kilomètres, beaucoup de personnes laissées derrière
Pour cette seule personne, une fois dans ta vie, plus proche de ton esprit
N'importe qui, n'importe quand, peut remodeler ta journée
Car tout, partout, est connecté d'une certaine manière

Pour changer mon regard, pour ressentir l'immensité, je vais creuser en moi
Un seul mot peut changer le cours des choses
Ton sourire est le guide

Oublie les écrans, embrasse ce qui est réel, mes amis me manquent,
Le chemin continue, mais ne finit jamais
Jusqu'à ce que l'obscurité s'incline

Jusqu'à ce que l'obscurité s'incline

Beaucoup de temps, beaucoup de kilomètres, beaucoup de personnes laissées derrière
Pour cette seule personne, une fois dans ta vie, plus proche de ton esprit
N'importe qui, n'importe quand, peut remodeler ta journée
Car tout, partout, est connecté d'une certaine manière

Tout le monde a besoin de croire
Tout le monde a besoin de trouver quelqu'un quelque part

Reshape Your Day

Jacques Lemaire : synthesizers and tape
Marco Lucchi : synthesizers

The Path

What you can do with 16 bars of piano MIDI notes :-)

Fragile

About “Flickerstorm (Album Version)”
This track was inspired by the sounds of New Order and Echo & the Bunnymen that kept playing in my head under the moonlight.
I blended those influences with the dub and electronic elements I deeply admire, and it became the very first track I completed as Olttaoff.

Under my previous artist name, my works leaned more toward electronic downtempo. Over time, however, I realized that post-rock is an essential part of my identity, which led me to create this piece. In many ways, it feels like a return to my roots while moving forward.

It also marks a turning point in my process — shifting from hardware-based production to working fully in DAWs. The TR-909 featured on the artwork represents that transition, as well as a tribute to Roland, the iconic maker from my hometown in Japan.

Flickerstorm(Album Ver.)

💥C'est une histoire vieille comme le monde, un homme convoite deux femmes mais n'est amoureux que d'une seule. La maitresse lui clame sa détresse et met un terme à la relation. Malgré la douleur, elle en ressort victorieuse, car elle se débarrasse de l'emprise que cet homme à sur elle. Merci à Nadja.K de s'être prêtée au jeu, une correction de la voix avec Melodyne et autotune pour un résultat presque naturel.🎶 J'espère que vous apprécierez ce titre autant que nous avons eu plaisir à le travailler.🤍
💥This is a story as old as time: a man desires two women but is truly in love with only one. The mistress voices her despair and ends the relationship. Despite the pain, she emerges victorious, freeing herself from his hold. Special thanks to Nadja.K for joining in this project. A touch of Melodyne and Autotune helped refine the vocals for an almost natural result.🎶 We hope you’ll enjoy this track as much as we enjoyed creating it.🤍

Extrait :
[Verse 1]
Tu m’appelles juste parce qu’elle t’a laissé en plan
Tu aimes venir me prendre et faire semblant
Dans la tête, t’as encore les courbes de mon corps
et sous tes mains, des caresses qui me jettent un sort (ugh)
[pré-chorus]
Ouais, maintenant je vois clair dans ton jeu… je vois clair dans ton jeu…
Tu aimes, me mettre en feu et me laisser seule au pieu 
et j’ai le seum, j’ai le seum.
[Chorus 1]
Dis-moi, où est Luna ce soir ?
Tu sais, c’est l’amour de ta vie
Cheveux noirs, yeux bruns
Un corps plus beau que le mien
Alors, Où est Luna ce soir ?
Je sais qu’elle squatte tes pensées
Comme si elle hante les miennes
Elle est ta lune, je n'suis rien pour toi,
Pourquoi tu perds ton temps dans mes draps ?
Tes mains glissent sur mes cuisses
Et moi je me demande pourquoi,
Alors, qu'au fond, elle est ton supplice  :
Alors « Où est Luna ce soir ? »

Où est Luna ce soir ?

I used a phrase from a comment I received from Stars Mighty Fine as the title.
First, I see a chaotic array of tones, and then I try to create some kind of structure from that chaos. I think the process of composing is simply trying to control the song and sound with all my might.

We Control with All My Might (357)

Symphony in E Flat Minor - Conflictus 
I have attempted to create a potent emotional and technical foundation in this composition by using E-flat minor, to portray two critical intervals to define conflicting characters,  the minor second and the minor seventh.

To create an emotional profound darkness I have used cello melody in (E-flat minor) to immediately establishes a somber, monumental, and deeply introspective mood, setting the stage for a serious dramatic work that follows.

Acute Tension (Minor Second) has been deliberately used to injects the music with sharp dissonance and anguish. This abrasive, element drives conflict, often suggesting the intensity of the E-flat Phrygian mode.

Somber Depth (Minor Seventh) strings provide the essential melancholic color and stability of the minor key to allow for broad, cohesive irritating melodies to define chaos and conflict.

The use of alchemy pads & strings in between the abrasive, close tension of the minor second and the deep has successfully created a reflective sorrowful mood of the minor seventh.

Produced in the
ARAPA Music Studio
Sydney - Australia

Artwork:  #azcreativestudiosydney

Symphony in E - Flat Minor, Conflictus

finally! 
made with dishwasher, piano, stylophone beat, piano, zoom h1, and NCH

first real rain in many weeks

Was discussing The Replacements with a friend and had the urge to write a tune in that vein, and, gosh, there was inspiration right there in the daily news.  This was a quick & dirty one day write &  record, but then quick & dirty seems to be the order of the day.

hey mr tangerine man you're not fooling me
I'm not stupid and we all know what you're trying to do
hey mr tangerine man you're not fooling me
and you know we won't be mourning when they're burying you

you rake the air incessantly with your heinous flapping lips
while your golf shirt hides your tits
and your tiny grey hands twitch
all the citizens feel gypped
we're all waiting for a massive stroke to do you in
i'm ready to move anywhere I want to emigrate
but come back for the parade past the golf course where you're laid
i'll fight the urge to urinate

Mr Tangerine Man

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This is a re-upload of a track that was recorded a few years ago.  It was originally recorded in 2023, and it consists of 3 different segments of sitar and drum jams spliced together with subsequent sitar and bass tracks added after.  Drums were played by Mick Mack, sitar and bass by Gremescer Fuckburger.  I generally like the way it turned out, but I always wished I had tuned the sitar better before recording.  I have edited this track a bit to fix some of the tuning issues, but there is only so much I can do.  Either way, I hope you enjoy.

Orchid (Remastered)

mechanized representative

Produced & mastered by BotNikStudio2, Bottna, Sweden.

HOT AIR BALLOON UNDER A COLD MOON

City Blues

yes, i have only been a non-addict for less than a week,
since quitting nicotine candy
but i have compassion for all yous guys
zero addiction i have, not even phone or drug or p*rn or junk food
suddenly i am tall, and alone
it okay
i did not even realize until i was done
that i have got the last one
made with casio keyboard multitrack
(is remix of old song)
zoom h1, and NCH

i am a giant standing on a mountain looking down at the tiny addicted persons

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

music made between 2008-2020
https://vascoribeiromorais.bandcamp.com/?from=viewsite_dashboard
see also: vasco ribeiro morais 1,2,3,4,5,7,8, 9

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Vasco Ribeiro Morais (page VI)

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