Pour ce 2ème épisode de no draft, @janomax nous propose une chaotik ableton session, mêlant une fan club selecta de Jonatan Leandoer, des rythmes suprême ralentato, et autres émotions diverses.

Tracklist
MICA LEVI & JONATANLEANDOER96 - mica levi & jonatanleandoer96
yoshi loopz
JONATANLEANDOER96 - highway
my channel
TRACEY TRANCE - four days in florida (21'30 - 22'30)
welcome back
LOGTOAD - screw pump
PHYSICAL MOTION - ave maria (razormaid mix)
DJ SYLVAN - guitar spell (mix II) 
UNDERWORLD - bruce lee
DAVID CARRETTA - new disco beat
COPERNICO - good morning
chasin
MALIBU - hide and seek
BABYXSOSA - get off my swag - babyxsosa
BRIA 'N SARAH - promiscuous gurlz
SMAP - lion heart

J-MUSIC GOLDEN AGE 1990s

no draft w/ janomax (12/04/22)

random boredom [2009]

Rinse France Podcast

Tsunami with Js Donny - 24 Juin 2024

https://soundcloud.com/maoupa-mazzocchetti

https://www.nts.live/shows/guests/episodes/clara-y-maoupa-20th-september-2019

Clara! y Maoupa NTS (20.09.19)

King Doudou - yin-yang Street Mix (GRVTS016)

A - Angel (Face A)
B - Demonio (Face D)

@kingdoudou

Buy at Bandcamp

King Doudou - yin-yang Street Mix

“Urs Graf Consort, a collective with a corrupted genealogy, produce trail-blazing simulacra - songs nested within themselves, with the experimental accents of Ursonate. A protean duo operates under the name of Swiss engraver Urs Graf (1485 - c. 1529); Prune Bécheau and Adrien Bardi-Bienenstock are composers and performers for ensembles that are as varied as the motley company brought together in The Peasants War which Urs Graf depicted; Uva Ursi captured on-the-spot at acoustic vigils on the edge of amplified battlefields. Baroque violin, vièle-à-trou, bass, arranged drums, a broad spectrum of vocals, tuba, trumpet, synthesizer, spinet, sanza, shakers, bells and rattles... are all played in different concerts by: Simon Sieger, Mathias Pontévia, Jœl Grip, Samuel Burjade, Sam Langer, Paul Ferbos, Pierre Borel, Adrien Perron, Rachel Ramos, Emmanuel LeGlatin, Mathieu Cahuzac, Camille Émaille, Gabriel Bristow, Antoine Hummel, Makoto Sato, Arden Day, Olivia Scemama, Pascal Sieger, Geoffroy Gesser, Malgorzata Kasprzycka, Gwladys Le Cuff, and many others. The sheer number and differing degrees of participation by these musicians and their voices avoids genre - from passionate, rasping dialogues and the slow sedimentary effort of building the composition, to the use of six languages in various arrangements and surprise oral interventions. The same applies to the modes of recording, whether in the studio, live or by integrating direct sound recordings. 

The compositions on Uva Ursi - or bearberry, a medicinal mountain plant with small white flowers - confound expectations and established standards and attain new forms of interplay between Italian variety, free jazz, cabaret, instrumental theatre, Lettrist recitation, the disruptive intensities of improvisation and noise, and walrus songs. These disjunctive synthesis do not exclude humming or toe-tapping either, even though they may initially seem untenable as a whole: the airs are captivating but any dancing only arrives in passing, and either gets bogged down by weird meter or catches a chill from deceptive disintegrations and globbed down by macabre sounds.” Gwladys Le Cuff

Urs Graf Consort "Når Solen Skinner"

HAPPY VALENTINES DAY

FREE DOWNLOAD: https://hypeddit.com/track/phxbgj

BEYONCE - SINGLE LADIES (DJ FINGERBLAST REMIX) [FREE D/L]

Pre-prder the second LP from Still House Plant now 

https://bison-records.bandcamp.com/album/fast-edit

Fast Edit is the second LP by Still House Plants, the Glasgow and South London-based three-piece collective made up of Finlay Clark, David Kennedy, and Jessica Hickie-Kallenbach.

Written aided by mobile phones, dictaphones, laptop recordings of rehearsals, conversations and live shows, Fast Edit is a collage of different fidelities and headspaces, most tenderly exhibited on album centrepiece “Shy Song”. Overlays of past and current sit things on top of each other, fall over one another, get stuck, predicate. Fitting now, but also reflective of a period doing shows in South America.

The sentiment of the record is probably best described in part of an intervention written for what would have been the 2020 edition of Glasgow's Counterflows Festival by Frances Morgan:

"Getting used to the idea of never getting anywhere except for between these three notes, these two words, getting tired, getting beyond it, getting locked in. Trying to get it down, trying to get it written. Like the song that didn’t get anywhere: it still moves, it doesn’t move.

It is getting to you that this is heaviest verb to get across. Loaded and overloaded. Getting as in becoming, as in acquiring, as in catching, as in having, as in receiving, as in changing, as in...  more
credits
releases August 14, 2020

Recorded & mixed by Shaun Crook and Darren Clark at Lockdown Studios, London.

Mastered and cut by Helmut Erler at Dubplates and Mastering.

Typeface by Still House Plants, layout by Maja Larrson

Produced in partnership with Blank Forms, New York

Blank Forms Editions 013

BIS005

Still House Plants "Shy Song"

clyde-built-aug-fielding-hope

Fielding Hope (14/8/20)

Bill Wells (11/9/20)

Label based in London, run by Abby Thomas, based loosely on experimental song.

https://twitter.com/bisonrecs

Still House Plants "Shy Song"

bisonrecords

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