The Upload

Cosmosofmusic - tekno-mat

TRACK OF MY VINYL 
sta traccia mi ha fatto smadonnare
done with korg electribe sx and mx

A.U.R.O

live set elektron octa et machine drum plus korg emx

Quand La Diva Ce Rend compte, Qu'elle est Comme Sa Mère

RAVE FOR SOLIDARTY 15.5.21 VINYL SET by v1n0t1c X!NDL

Track Pumping Tribe
160 bpm
Available on bandcamp : 
https://pharpheonix.bandcamp.com/track/the-age-of-robots

Buy on Bandcamp

The Age Of Robots - Pharpheonix

- Cycløck -

My Universe

TRACK LIST :
VELCRO - Gorge de loup 
VELCRO - Dawn point
VELCRO - SOMA
VELCRO - Repression Oppression
VELCRO - Antumbra Shadows
Sparks - Mobilité
Sparks- Dégradation

Early Morning Awakening (SET TEKNO)

Met veel liefde gemaakt. 
XxX
Je kapoen, TEKNOFOBISCH

ᏖᏒᎥᏰᏗᏝ ᏋᏒᏒᎧᏒ

BILL

Hunab Ku was the Supreme Creator God of the Mayan pantheon and represented the solar calendar, the balance of forces, perfection, universal consciousness, but also the gateway to other parallel dimensions.

The Symbol of Hunab Ku
Hunab Ku was depicted only through his symbol, but had no actual visible form. He was associated with two other deities: Itzamnà, his son, and Huracan, the god of wind and storms.

Hunab Ku is also a symbol analogous to yin and yang and resembles the shape of a spiral galaxy; Hunab Ku is also the symbol of the center of the Milky Way: the "galactic butterfly."

The Mayan calendar was entirely based on the position of the "galactic butterfly," since the fate of humanity depended on it.

Bandcamp exclusive

Chakruna: 150BPM 24BIT
Huracan: 154BPM 24BIT
Hunab Ku: 152BPM 24BIT

Mastering and artwork by myself

✧ soundcloud.com/yerbadivinamusic
✧ facebook.com/yerbadivina
✧ youtube.com/@YerbaDivina

Bandcamp

Huracan 154BPM

The Field Between: Music and Anti-Music

This artistic manifesto explores sound in the liminal space between music and anti-music—a generative field where the "unheard" insists on being felt rather than understood.
Music as Architecture: Music is framed as humanity's system for creating order and meaning from sonic chaos. It organizes, names, and classifies sound, offering maps and directions through auditory experience. Music builds bridges of meaning, structures time into comprehensible sequences, and domesticates temporal flow so it "makes sense." Fundamentally, music expresses gratitude for the recognizable, providing belonging and comfort through shared patterns and familiar structures.

Anti-Music as Invitation: Contrary to negation or rupture, anti-music is a profound expansion of sonic possibility. It doesn't destroy—it invites. This is an invitation to perceive differently, to embrace the unmapped and un-coded as valid artistic territory. Anti-music offers "foreignness not as exile, but as adventure"—a chance to be a stranger in one's own sensory experience. It presents the sublime: beauty in what escapes comprehension, abysses that aren't empty but full of strange possibilities "without baptism." Where music domesticates time, anti-music offers time without domestication. It expresses gratitude for mystery itself.

The Fertile In-Between: The work's core focus is the vibrant field existing between these poles—not a void but a charged space of becoming where the "inaudito" (unheard) insists, overflows, conspires, and expands. This recognition acknowledges that understanding is also limitation; every definition closes secret doors. Each act of comprehension loses infinite other readings.
Intuitive Reconnection: The practice seeks to reconnect with pre-lingual perception—sensing vibrations the body intuits without understanding. "In this not-understanding, I reconnect." This return to the un-codified is the core artistic act.

Unified Philosophy: Music and anti-music aren't opposing forces but symbiotic partners coexisting in the same sonic space. The work celebrates both the understood and its beyond, residing in what anti-music reveals: a "fenda linda"—a beautiful fissure in the fabric of the known, from which new ways of hearing and being emerge.

Cosmosofmusic - tekno-mat

Cosmosofmusic

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