Name: SATIS - SATIS COELVM by Sleep FUSE
Duration: 1 min 7 s
Description: First track "Satis Coelvm" taken from the "Planetarivm" debut CD EP on Sleep FUSE.

Non vos relinquam orphanos. Alleluia.
Vado, et venio ad vos. Alleluia.
Et gaudebit, cor vestrum. Alleluia.

Antienne du 'Magnificat' chanté pour les premières vêpres de la Pentecôte. 

Harpe électrique, chant, clavier.

Djin, 2016.

Non Vos Relinquam Orphanos

First track "Satis Coelvm" taken from the "Planetarivm" debut CD EP on Sleep FUSE.

SATIS - SATIS COELVM

Lack - Single

Lack

Head Space

“Litany for the Hopeless” is the first track by Blood and Dust, a collaboration between Lizbeth Poirier on modular synths and Hex Evans on cello, created during a one-hour jam session and reworked in software.

The best way we can describe / genre-fy this track is “horror drone”—i.e., slow-burning dread. And as “litany” suggests, there is a prayer-like aspect, echoes beneath arched ceilings, repetitions and calls and answers that rise up to devotion and descend to despair.

Litany for the Hopeless

“Dead Tongues,” the second song in a forthcoming EP, was inspired by one of the most feared and reviled forms of black magic in history: necromancy. Necromancy works upon the bodies of the dead, conjuring apparitions and subterraneous spirits to provide knowledge from beyond the earthly plane. In this song, we explore the stages of a necromantic ritual: the quiet setup of the ritual space; a droning meditation upon death; the infernal invocation; the sonic chaos of the spirit’s appearance and the performance of its assigned “business”; and the tense stillness of its release.  In these kinds of rituals, you may not be sure if you have bargained correctly or closed the gate completely. 

Enjoy this uneasy, ritualistic, auditory possession by Blood and Dust, with Lizbeth Poirier on synth and Hayley Evans on cello.

Rites of Blood and Dust

Dead Tongues

Mercury's Butterfly playing "Dancefloor Nightmare".

Dancefloor Nightmare

"Leave Everything Behind".The first track taken from the Alejandro Morse "Auditory Visitations' 8cm mini cd on Sleep FUSE.

Alejandro Morse - Leave Everything Behind

Give Me Your Finger (Hands in the Fog)

Autonomy

Open

Retrieved from the archives, the grandiosely named God was the collaboration between Steven Wilson and singer and multi-instrumentalist Ford, who wrote and recorded on and off in the late 80's and early 90's, taking their cue from a shared love of the new wave pop of artists such as Talking Heads, Japan and Magazine.  While Steven Wilson was soon on a path to having a long-term career with No-Man and Porcupine Tree, and Ford moved into the world of acting, God never got around to making a record or playing any shows at the time.  But now three gems from their small but perfectly formed oeuvre (two from 1993 and one from their very first recording session in 1987) have been rescued and remastered and will be released by ToneFloat on Panic Underneath the Arches 12inch EP on September 27, in a strictly limited edition of 333 numbered copies on marbled vinyl and 666 numbered copies on black vinyl. Available from www.tonefloat.com

GOD - CITY

Sleep FUSE is a limited edition sister label designed to co-exist together with Reverb Worship.Sleep FUSE will be exclusive to electronic music only.This will be a 8cm cdr label which will release handcrafted editions of cool music.

Twitter : https://twitter.com/Rogereverb
Instargram : https://www.instagram.com/reverbworship/

SATIS - SATIS COELVM

Sleep FUSE

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