樂天則

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room 220

A contemplative descent into a lucid dream state of being — part ambient echoes, part neon lit dance pulse. It builds from subtle piano and synth interplay into a low-burning electronic movement that feels like moving through a memory with a lapse of time. 

Noema is my 49th upload on Soundcloud and one I have really tried to spend the vast amount of work lost in the small details on.  I hope this resonates with everyone and all who have supported and followed me over the years on this journey of music creation. I truly appreciate each and every one of you so much! 

Noema

Written, performed and recorded by Neli CoKo, 2025, all rights reserved. 
Thank you for listening :)

Original Photography by https://www.pexels.com/de-de/@anna-nekrashevich/

Lost In Dreams

Well hello… A new song, with a new instrument. A pawnshop Ukulele. Ha. What a fun instrument to play. Just had to. A few simple Uke chords, some acoustic guitar soloing, and a tale of sailing the ocean as a metaphor for life. And yes, lyrically I was talking with a seagull. And just so you know I have gotten really good at ‘talking’ with birds. I can click talk like a grackle, whisper whistle like a robin, whistle talk a curious melody like a chickadee, among others. Still working on my duck call. Ha… Years ago, I remember annoying some people at a party with this wooden duck call my buddy had. So maybe a future song about birds? And right outside my door there are some interesting avian dynamics between the grackles and robins nesting in the spruce trees. They argue every day, about territory and invasion of their personal space, but when danger appears, like a hawk or cat, they come together in unison to fend off the threat. In the natural biology of things, humans haven’t fallen too far from that spruce tree. Anyway, robins do not like the dark. They anxiously chatter with loud worry chirping amongst themselves at dusk, and create a chorus melody of happy song at dawn. With me being a late sleeper, their morning serenades can be quite bothersome at 4:30AM. A lesson for me though, as at times I am not so welcoming as I wakeup to another frenetic global morning. Anyway, birds and their enthusiastic singing far outpaces my own. Ha. There are many other birds here, but I will save that for another time. Hope you are well. Thanks for dropping by, Mark

Uke Chantey

This is actually the third version of the song. I felt the original idea I’d roughed out with the keyboard and computer could be more interesting. So I reworked the whole track again (twice) adding several ‘hooks’. These were some vocal ‘stabs’, some keyboard/synth riffs as well as writing ( what I hope ) is a more interesting bass line. I beefed up the drum section too. I hope the fun I had creating it is reflected in the overall vibe of the track. Having said all this, the question is: did it actually work? 


Get Up

ROCK

On The Sea

(黎明~短編)のフルサイズです。
This is the full-length version of (Reimei-Short Stories).

江戸時代の天保期を題材にしています。
The subject is the Tenpo period of the Edo period.

また、YouTubeMusicやSpotifyなどに完全版をアップロードしています。
The full version has also been uploaded to YouTubeMusic, Spotify, etc.

黎明

With things so bleak and frightening at the moment, I thought a wee fun country number might bring a smile or two, for a moment anyway.
For the lovely Finse, Happy Birthday my dear! <3
Music, Lyrics, Vocals, Guitar, and Harmonica - Lizzie Taypen
Cover painting - Lizzie Pentland

Them Hitchin Angels

Impressionistic adventure through the modern world 

Travelers Mirage

Fasten seat belts! This is the result of the secret masters of disturbed arts black belt convention (SmaodiablabeCon). For more info play it again.
https://soundcloud.com/ultrasonic_pest_repellent

Moloko Drencrom | Collab with Ultrasonic Pest Repellent

Lead voice patch notes:
I dialed in a 16 step sequence on my NLC Bindubba, made it a 32 step sequence working the direction inputs with clocked gates. The sequence is fed through Beers ADC into Beers Melakarta making it a sudo pitch quantizer. Pitch-CV is sent to Befaco Even VCO. Even VCO feeds into a modulated Erica Synths BBD Delay/Flanger and then into Erica Synths Polivoks filter. Melakarta's gate outs are fed through Beers Edge Detector, into Sin Phi Miasma (envelope generator) to open the Polivoks filter, at the same time the other Miasma channel is feeding a ducking envelope closing the filter with every kick drum hit. A copy of this voice is fed into XAOC Sarajewo BBD delay. Aside from this last module, all other modules used are self-built DIY versions.

Console

washed away

Select instrumentals from the WTF series so far. Enjoy. 

Art by Obscura.creative 

Mastered by pheel. 

download

wylin (instrumental)

Another (Instrumental)

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Beat Maker-Trap-Rap-Drill-Jersey club-Uk garage-Phonk-House-pop-                                                 https://audiomack.com/prodbyt2d

ROCK

prodbyT2D

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