RECORDED BY PRIDDYBOIM.

PRODUCED BY ME ( CO - PRODUCED by prod.dior ) 

a m i n u t e

a clear of example of titles ruining everything, Zama gives an account of how my music should be received or not — she speaks on the various influences that are sonically evident in my music & encourages a culture of listening to the music, rather than packaging it into glasses of genre + assumptions of how it would sound.


credits 🎬

vocals: (un)written, arranged + performed by Zama Qwabe (@QwabeZamaN on twitter)


production: written, composed + arranged by Itumeleng Leso

ear to the sound

Ladies and Gentlemen, Konji. 
As we wait for his upcoming project, I was given the task to narrate his purpose. I am thankful for the ears that will tune in, and I hope you enjoy Konji's production work on his upcoming project. This is a semi brief of what you will hear in Konji's project.
Beat: Konji
Production and mastering: Girlthewoman 
written: Konji & Girlthewoman 
performed: Girlthewoman 

Konji's Purpose

O no le kae?

the intro to HEART BECOMES HEAVY EP

written by REGGIE X  
courtesy of Supreme Sxund & Outofthisplanetcraft Recordz 🌍

scared 2 fall in luv

Show You w Girlthewoman

Saccharine Radio is thrilled to announce the release of its second single, “FOLK TALES, FORK TAILS” as a precursor to their upcoming EP. With elements of alternative jazz, the ensemble continues to push boundaries in the genre.

Following their debut single, “amadlozi”, “FOLK TALES, FORK TAILS” promises to captivate audiences with its intricate melodies and hypnotic rhythms. This track serves as a preview of what's to come on Saccharine Radio’s upcoming EP.

- Ayanda Mzaca

spawning, from the bareback of sampling — the consistent, almost loopy approach comes from a love at first glance…

having taken a taxi on a random workday, [kimetsu.] had found himself shazaming a song playing, one that he would later discover that it was unofficial Charles Webster remix & within these distinct sonics, there was a guitar, almost staring into his soul…

an 8 second soundbite, turned into a frame for a collage of sonic exhibition — a painting that Johnny Wxlf would later on, equally paint with his brush of wit, wordplay & signature cadence.

- [kimetsu.]

This song was one of those case where I had no idea what direction this song would go but I knew as soon as i heard the snippet on [kimetsu.]'s WhatsApp status I had to do something on it. This was actually the first song I ever did with [kimetsu.] I think, I might be wrong but i know this was either the first or second. The manner in which [kimetsu.] produces his work is so ancestral sonically and it doesn't take much to get invoked by his music. After the second listen I found myself singing along without even realising and ended up recording the following day. I always find myself trying my best to compliment [kimetsu.]’s music with a meaningful message and bonfire type chants because i understand that what he’s doing musically is an anomaly and its also extremely important. The intention behind this song from my side was honestly just invocation and I'm grateful [kimetsu.] allowed me to express myself freely on this.

- Johnny Wxlf

[kimetsu.] — FOLK TALES, FORK TAILS w/ Johnny Wxlf

SONGS FOR THE WORDS THAT I NEVER SAID



written & performed by Mash
Beats by FLOUSEN, 174music, VYD & VinylSoul ll
Mixed & Mastered by Lunatik $teeZ

TIME FOR GOODBYE (prod. VinylSoul ll)

PITY THE FOOL

Booty Sweat

01. Teach Me.mp3

Singer & Songwriter
Enquiries: juamani03@gmail.com

instagram.com/jua.amani/

01. Teach Me.mp3

Jua Amani

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