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Wise words from Dr. Phil.  When live gives you crap, tell that crap you'll be right back...

Believe in Yourself

Originally released on the seminal London Housing Benefit imprint,straight out of Swag Records many labels, Swag Classics 003 is the work of Eddie Richards and Gideon Jackson. Since it's 2001 debut the 'A' side Biscuit Barrel Blues has steadily become what you might call a bonafide, 100% kosher tech house classic. Delighting clued up clubbers the world over with it's laid back, but strangely compelling, effortlessly driving groove, it's a track that's grown in stature with each passing year. The other side Pull Tab To Open (bit of a fast food theme going on here) is another dance floor gem in the original tech house style. Now available again on vinyl for the first time in 17 years. 
Handstamped white label, limited repress, vinyl only release
Words by Dave Mothersole

A Eddie Richards & Gideon Jackson Biscuit Barrel Blues

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Fine moody house with Delano Smith remixing Trus`Me:s track "No Harm" for Groovement records. Only the finest atmosphere to expect from these two legendary producers making this a relevant track. Building on decades of experience in the heart of the underground this is one of those tracks: future classic, genre defining and very much on point. 

Trus´Me - No Harm EP
Release date March 29th, 2019
label Groovement
catalog no GR033

Tracklist:
A1 No Harm
B1 Someone New
B2 Ho Harm (Delano Smith remix) 



 One of the most vital figures in contemporary house music for more than a decade now, Prime Numbers founder Trus’me makes his debut on Groovement with the ‘No Harm’ EP, featuring two new tracks that make good on his heritage.

‘No Harm’ is a bubbling, seductive roller that reveals itself slowly and surely as a punchy number, squarely aimed at sophisticated dancefloors, an ecstatic choir rising from beneath it’s interlocking rhythms. Meanwhile, ‘Someone New’ starts deep and burrows only further, making sensual and psychedelic use of trippy effects and a powerful, throbbing bassline to create maximum pressure.

Midwestern legend Delano Smith contributes a similarly confident, winningly understated remix of ‘No Harm’, one that takes the original track in an equally heady, techno-tinted direction, peppered with timeless Detroit touches.

With his love for music tracing way back to an early age by dabbling with various instruments and then moving on to develop a passion for record collecting, Trus’me found his calling after learning the art of mixing and sample digging. Surrounded by the heads of Manchester and its deep rooted music scene, one couldn’t deny that it was an effortless task to be exposed to good music from all genres, thus explaining his constantly evolving tastes as evident in his eclectic DJ sets as well as in his uniquely, diverse productions. “Like bookends some 12’s will work with both the beginning and the end of the night, such is the classy sampling from Trus’me” (Peter Nicholson, XLR8R). 

The much reputed CD sampler “Nards” that was responsible for initialing releases on Chicago’s Still Music label, inevitably sparked off Trus’me’s promising musical career. Seeing support from respected names such as Ashley Beedle, Juan Atkins, Mad Matts, Gilles Peterson and Chez Damier plus his productions selling out at record stores from Manchester to Tokyo, led to the highly successful release of his debut album, “Working Nights”, on Fat City Recordings, that’s hailed by most to be a timeless album, still finding devotees to this day. 

Not one to rest on his laurels, the label Prime Numbers was set up and quickly gained an unfaltering reputation for highly collectable and exceptional music from artistes such as Move D, Actress, Linkwood, Fudge Fingas, Motorcity Drum Ensemble; all artistes that fit the ethos and style that Trus’me continues to carry a torch for. In 2009, his highly anticipated follow-up album, “In The Red” that featured the likes of Chez, Damier, Amp Fiddler and Dam Funk further cemented his place in the House scene and set off a flurry remixes for acts such as LCD Soundsystem, Motor City Drum Ensemble, Alton Miller, Anthony Shake Shakir and more, including non-stop touring to clubs and festivals alike in Asia, Australia, Canada, Europe, North America, South America and of course, in his backyard, the city of Manchester where it all began.



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https://discogs.com/label/30040-Groov...
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ttp://www.facebook.com/trusme

No Harm EP [Groovement]

Premiere: Trus´Me - No Harm (Delano Smith remix) [House/Groovement]

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Irv.In - Solar

Think Croydon and a few things come to mind; Kate Moss, punk band The Damned, Crystal Palace football club, Peep Show  and of course Dubstep, the now world conquering music genre that will forever be linked to the south London suburb. What you never hear though, is any mention of Tech House, another world conquering music genre. And to be honest we’re a little bit peeved about that. Because if Tech House has a spiritual home it’s Croydon, and that is due mainly to Swag Records and the people that gravitated towards the humble West Croydon record shop and studio.
Swag began in late 1992 and within a year it has positioned itself as the leading store to buy the strange new, stripped down, trippy, driving brand of house music being played at underground parties in and around south east London. On any given day you could walk in and find Terry Francis, Dave Mothersole, Grant Dell or Richard Grey serving behind the counter, Eddie Richards, Colin Dale or Mr C buying records and Matthew B, Gideon Jackson or Affie Yusuf at the helm in the studio upstairs. The building shook night and day with the throbbing, bass heavy grooves and the beat never stopped – or so it seemed. And now all these years later some of those records made in that little room at the top of the old Victorian building that housed the Swag headquarters are finally starting to get the recognition they deserve. Back when those tunes were cut, in the late 90’s and early 00’, pretty much the sole intention was to have something new and exciting to play at parties like Wiggle, Heart & Soul, Whoop Whoop and Kerfuffle. Now they’ve become highly collectable for those who recognise the huge part they had to play in defining the tech house sound.  None more so perhaps than Sound Of The Suburbs ‘I Won’t Stop’, which is now fetching up to £100 on Discogs. And that’s why we’ve decided to release that as the lead track on Swag Classics – so people can buy it again, on vinyl, at a fair price.
Produced by Pete Hurst and Paul Stubbs under their Sound Of The Suburbs moniker, it sounds as fresh today as it did back in the day, more so perhaps. Meanwhile on the flip side there’s a previously unreleased track from Pete aka Sloth UK titled Mr Eko
Hope you enjoy it. This is the first of many vinyl only releases, which will come from the hallowed Swag vaults. All compiled and selected by Liz Edwards who dedicated around 14 years to Swag Records behind the scenes and financially.
Hand-stamped and Limited to 200 copies only, now sold out. Repress later this year 2018
The next 3 releases are forthcoming this Spring 2018, and will be distributed by Eds Vinyl, then available worldwide.
Your feedback is most welcome; liz@edsvinyl.co.uk
Viva Croydon!
Words by Dave Mothersole
Dj support so far from Alex Arnout, Craig Richards, Ralph Lawson, Adam Shelton, Archie Hamilton.........

A Eddie Richards & Gideon Jackson Biscuit Barrel Blues

Swag Records Classics

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