Composition,  electro acoustic rock/dance track. 

Own composition
Backing track added.

Hurricane

Classical/Spanish guitar.

Own composition.

Birds Tear Adagio

Spanish guitar, atmospheric

Own composition.

Enchanted Forest

Acoustic guitar with a relaxing sea waves mix. 
Serenade you, with soft waves, sounds and a heartfelt melody.

Own composition.

Sea Waves Serenade.

Una Leggenda Inimitabile

(Dedicata al mio gatto)

Questa è una canzone spagnola divertente e vivace su un gatto speciale di nome Rufus. Il testo descrive Rufus come un felino giocoso, energico e amante della danza che porta gioia a chi lo circonda.

Struttura: la canzone ha strofe, un ritornello ripetuto e una sezione di bridge.

Personaggio principale: Rufus, un gatto dagli occhi verdi con un modo unico di camminare.

Personalità: Rufus è descritto come giocoso, pazzo e sempre ballerino.

Stile di ballo: la canzone menziona che Rufus ama la cumbia, un genere di danza e musica latinoamericana popolare.

Ambientazione: la canzone è ambientata in una casa e sotto il cielo stellato della notte.

Ritornello: "Soy loco como el Rufus, Bailando en la luna, Soy loco como el Rufus, Con su cola en la bruma." (Sono pazzo come Rufus, Ballando sulla luna, Sono pazzo come Rufus, Con la coda nella nebbia.)

Temi: La canzone celebra la spensieratezza, il piacere della musica e della danza e la ricerca della felicità nelle cose semplici.

La natura ripetitiva del testo e le descrizioni allegre rendono questa canzone adatta a bambini o come melodia divertente e spensierata per tutte le età.


Soy loco como el Rufus

NikCannon

This collection of classical guitar pieces is an invitation to contemplation—a journey inward, into the heart of pure resonance, where each note seems suspended in time. From the very first measures, the listener is drawn into an atmosphere of sonic intimacy, where the guitar doesn’t merely play: it speaks, it whispers, it breathes.

The interpretation is refined, favoring expressive depth over flashy virtuosity. The dynamic range is handled with great musical intelligence, unfolding in subtle shades that move from the faintest breath to controlled outbursts, never abrupt. The touch is silky, almost organic, revealing the full palette of timbres the instrument has to offer—from warm, woody basses to crystalline, glass-like highs.

Each piece seems chosen not to showcase technique, but to construct a sonic architecture—a sensitive narrative in which silence matters just as much as sound. There is a listening to emptiness here, a respect for the passage of time, as though the music were aligned with the secret rhythm of breath or heartbeat.

The slower pieces, in particular, carry a gentle gravity, almost meditative. Shadows drift through them—memories, fragments of emotion touched lightly by the strings, never fully named. The more rhythmic passages pulse with contained energy—not seeking to dazzle, but to resonate, to set the guitar’s inner harmonics dancing.

The recording itself contributes to this atmosphere: likely captured in a natural acoustic space of wood and stone, it faithfully conveys the breath of the performer, the friction of fingertips, the floating harmonics. Nothing is sterile; everything feels alive, fragile, human.

This album is less a demonstration than a space—a space of calm, of slowness, of beauty. It reminds us that the classical guitar, in its most honest simplicity, can be one of the most direct ways to reach the essence of music: a shared emotion, without words, beyond eras and borders.

Notre envol 2

“Until the Last Goodbye” is a slow, emotionally charged instrumental built around the warm intimacy of a solo cello, a melancholic piano, and gentle drums. At 80 BPM, its deliberate pacing evokes a deep sense of longing, heartbreak, and reflection—perfect for underscoring tender farewells, unspoken love, or emotional turning points in film and television.
With a cinematic depth that supports both dialogue-heavy scenes and visual montages, this piece adds gravity and emotional resonance to romantic dramas, poignant documentaries, or bittersweet endings. Its subtle arc and organic instrumentation make it highly adaptable to scenes needing an understated yet powerful emotional lift.

Until the Last Goodbye

Until the last goodbye

guitar solo, Washburn R305 parlor guitar. 
Study in use of dynamics.

Introspective dawn

Magicus - Y Did U Quit On Me Fet. Magicus

Acoustic/Classical/Electric
Instrumental
composer 
and also covers.

Musician/Instrumental song writer

Content:-

Own Composition
Most tracks on here,  a good percentage, ' Sue Acoustic guitar' are composed by myself.

Copy
The copy songs, are my own version/or arrangement,  but not composed by myself. 


Instrumental composition and copies of others.
 Certificate grade in, the Royal School of Music. & playing by ear.
Classical training
Guitar Teacher
Participated in 'BBC Music Live', 
Charity Work, Schools, Care homes.
Small charity concerts.
Open Mic's


Please also follow me on my insta, YouTube,  Bluesky account.

https://www.Instagram.com/Sue_Guitarcomposition

https://www.youTube.com/@Susan2642

https://bsky.app/profile/sueguitar.bsky.social


YouTube @Susan2642

Birds Tear Adagio

Sue

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