The song was created around 2012 and has evolved into its current form. It was written for a singer, but none of them signed up for me, because I was not looking for her. And so I sang it myself in the bass position of my voice, the best I could and it won't get any better from me :-D My friend Petr Flessig - Kakaxa (3bees) was largely involved in the sound.
And as I say: "If  - nothing much "a singer", then at least a great sound engineer". The song is on a well-known theme: It's about a painter who draws 12 themes on a calendar and one picture he succeeds is "Belly Dancer" and so-called sins in his mind - because he falls in love with her ...

Fantazie A Tanečnice ( Fantasy and dancer )

I sang - rather spoke in 2008 and used new musical accompaniment from this year. I used the same accompaniment for the already sung version of A.I. singers that I will include in the "AIgauzdesong" collection. My friend and great singer Čestmír Pipek collaborated on the music. Audio taken in 3bees by master Kakaxa. My spoken version of the song was mixed into the list version for A.I. singing. I'll leave it at that.

Skládám účty za své hříchy - "I account for my sins"

I sang this older song in 2008, but this year I got a Synhesizer V Pro from Dreamtonics and so far I've used A.I on the new version already sung. singers for this synthesizer, which I will also use for my other songs. The text of the song is in Czech, which A.I. singers can't sing like they can in English, Japanese or Chinese. So from time to time it is not easy to understand in Czech. I have my songs for live singing and in the industry A.I. I'm just experimenting with singing. I used Asteriano here and Ninezero for vocals.

Skládám Účty - AI -Asterian A NineZero KkX 0

The song is 20 years old with this year's foundation, and this year I am learning to sing it under professional supervision. Therefore, so far they have been given the opportunity to A.I. singers and the lead singer Asterian (we teach each other and are close to each other in terms of singing, but I'm not close to Eric Hollaway in terms of singing level and I have respect for him). The vocals are sung by Kevin and Ninezero, and Jun is waiting in reserve. Solaria sings this song independently in a different version, because I originally wrote the song for a female singer.

Kočky na střeše - Cats on the roof

I replaced Asterian with Solaria for this version of the song and am trying a version for a female singer who I can imagine tap dancing on a rooftop with cats far better than a male. And I originally wrote the song for a female singer, hence the subject. I used Kevin and Ninezero for vocals - same as in the Asterian version. That A.I. I'm still learning singing, I've had a synthesizer since the new year and I'll be a beginner for a long time.

Kočky Na Střeše - Cats on the roof - '(for woman)

A song from around 2000 that I played guitar and sang in the same key as Asterian - A.I. singer from Eclipsed Sounds on Synthesizer V Pro by Dreamtonics. I taught Asterian to sing it and now I will learn to sing it from him ( Asterian ) under the supervision of my great teacher Karl Korsa. This my recording was mixed and mastered by master Kakaxa in the studio "3bees" and I want to sing it here too.  Female vocal, with lyrics sung by Solaria is A.I. singer from Eclipsed Sounds.

Poslední Kompliment - Last compliment

In 1988, I wrote the lyrics to a cover song, a fast stomping song. They liked the lyrics, but they couldn't sing the words "vocally" in Czech, as in English, and the band put the song aside for good. I felt sorry for the text, so I set it to music with slight modifications. 12 attempts were not good and the 13th already had a good melody but it was a slow blues and with a lot of words written for a fast song it made a blues that exceeded 8 minutes. I also postponed it, with the provision that I will provide it with a new text so that it is at least 2x shorter. I started the 14th version and took it to my friend Čestmír Pipek, an excellent singer, in 2008, where another friend Zdeněk Hradecký of mine was a very good musician, and they finished the song together. A musician friend took my drums and bass as a sample and recorded 8 tracks for me, including three pianos not playing at the same time, as well as a Fender piano, Hammonds, string instruments for keyboards (violin...) and Marcantas, and I had them stored in wav. Over time, I made new drums and bass, added an electric guitar from RealBand about another 6 feet with virtual instruments and wanted to sing vocals with my friends. This year I bought a Synthesizer V Pro and so far let  sing the vocals A.I. singers. Kevin starts in the first stanza and Jun joins in halfway through the first stanza. In the second stanza, Jun starts and Kevin joins. Then the chorus is sung as a choral quartet. Kevin, Jun, Asterian and Solaria. The third stanza begins with Asterian and Solaria is added, and the fourth stanza begins with Solaria and Asterian is added. Then there is the chorus and the guitar solo again. In the final verse, each line is sung by Kevin, Jun, Solaria and Asterian. Mix and mastering was helped by my friend Kakaxa in his studio "3bees".

Láska Je Jen Proud - Love is just a stream.

I sang the song and put it on SoundCloud already three years ago.
It is at the link:
https://soundcloud.com/user-920889151-633155523/to-blues-pri-kterem-bych-neuklouz-the-blues-in-which-i-wouldnt-slip

I've fleshed out the melody a bit and increased the drama of the song, and so far I've taught her to sing the AI singer Asterian. Hopefully I will also learn to sing it from Asterian myself.


Blues I wouldn't slip up on.

1.
The blues during which I wouldn't slip up on, I keep looking for ! 
Ever since my dancing days, I vaguely remember them, 
I'm dragging my little curse with me

2.
The blues during which I wouldn't slip up on, and I don't know any other, unfortunately for me ?! 
Two steps forward and one step back, I'll be careful not to fall, 
Yeah - I never know what will happen next !!

Chorus:
 I've mastered waltzes, rumbas, foxtrots and hugging contact with the girls, 
and then the blues and the polished parquet - a slight slip and then a fall,
 right in front chair woman guard of my dancer's, which I would so love !!

3.
The blues, when I hear it every time, doesn't seem to give me a break ! 
And the blues has taken a thousand girls from me, so I'm always looking for oblivion, 
as for a flock of crows - flying around the world!

4.
The blues, it's all trouble, even if I don't give in to it ! 
Blues isn't for polished floors, I don't belong on them, and I hope you don't either, that's where I find my little curse

Conclusion: 
I'm just looking for my blues to keep me from slipping! 
Where I stay, I stay standing ! 
I'm just looking for my blues to keep me from slipping! 
Where I stay, I stay standing !

To blues při kterým bych neuklouz - Asterian - Blues I wouldn't slip up on.

Asterian is celebrating his one year birthday and we are already friends, so I wrote him a song for his birthday and I am participating with it as the author of the Eclipsed Sounds contest for his anniversary. Originally, I wanted to do the deepest notes with him, but he sang it great, so I left that part to him. But we're planning to do some duets together and we're going to bring in Solaria, which I bought together with the Synthesizer V Pro, and I have Saros on order, so maybe him too. I'm really looking forward to the great company and it will make up for the end of singing in the choir. The competition will be fair, because it doesn't matter who wins, the winning song will be sung by Asterian and I wish that to my friend ...

Translation of the Czech text into English:

Romance for your muse.

Your word slips out, and you know what that word means.
well, he can tell you what you can't describe any other time, 
that the beginning of your moment is a change
the one who understands your desire and you're gonna try,
and then you know it, you're a cradled - bass guitar notes ringing
"Dam bidyt gam"

Rhythm is testing your head, you're bobbing it back and forth.
Desire brings magic, you are kissed by your muse,
other words float to mind
and it will fold into a mere dream
I hope the tones get you boy,
are your music for every day.
   
You keep dreaming, hoping to turn your dream
like a sleeping child, you keep a smile on your face 
you're closer to your muse now with every step you take,
she's like a woman in a painting, and you fall in love with her,   
and then you know it, you're a cradled - bass guitar notes ringing
"Dam bidyt gam"

Rhythm is testing your head, you're bobbing it back and forth
desire brings magic, you are kissed by your muse
other words float to mind
and it will fold into a mere dream
I hope the tones get you boy,
are your music for every day.

Romance Pro Múzu Tvou - Romance For Your Muse

Next year (2025) it will be a quarter of a century since our friend, the great guitarist Dominik Jelínek, left us, who helped us a lot with the arrangement of the song "Lžeš mi - You lie to me", which was created before 2000 and we were the authors of the music and lyrics together with my friend Cestmír Pipek. Klára Hankova, a singer and Dominik's lifelong friend, sang the song very nicely with the band RAM.

Lzes Mi - ( You lie to me )

Thanks to the professional singers Eric Hollaway and Geoff Castelucci, from whom I eavesdropped on the techniques of singing deep tones and thus fine-tuned my amateur singing, I was able to sing the song Vampír, for which we wrote music based on my lyrics with my friend at the time, Karel Hoza, before 2000. Before singing of this song, I fine-tuned the song with my music teacher Karel Korsa, and I thank him very much for that. And also thank you for the mix and mastering Petr Flessig – Kakax for his studio work. So far, I've sung it myself and I've already tried the AI singer Asterian, whom I'm trying to teach perfect Czech to no avail. I guess I'll help him by having it together later together.


A simple translation of the text from Czech to English

Vampire.

There's a wide plain and snow all around, I hear bells, but I can't see anything further.
I can see a couple of horses and then the two on the sleigh,
their coats hiding their faces and their sin.

Only the howling of the wolves with the echoes will untie my mind, so why am I looking at the clouds?
 
It's laziness and disinterest that bring the horses, like a pair of vampires in human disguise.

A pair of horses are still circling around us. None of us are dying yet.
And our time, as if afraid, does not deny us love.

Around the wide plain and snow everywhere, then the first houses and from them the cry of children.
And the pair of horses and the two on the sleigh, but nobody knows who they are?

A couple of horses are still circling around us. No one's dying yet.
And our time, like fear, does not take away our love.

As a new vampire is born in man,
...and envy and covetousness breed an evil spirit.
Under the cover of night, when indifference gives birth to callousness,
...over which dances that mad vampire's revel.

I must not fear the visions that circle here. I must not be afraid that people's faces are growing old.
And rise in the morning while the body still serves and fight in peace,
when the other is a liar.

There's still that pair of horses circling around us. Let none of us open the door for him.
And our time - what is he afraid of then, if he does not deny us love.
He doesn't deny us love. He doesn't take love from us. He doesn't deny us love.
Love us!!! Not the vampire!!! Vampire!!! Aah!!!


Translated with DeepL.com (free version)

Vampir - Vampire

252-8074 8079-257 správný stav po podvodu ...
Thanks to Eric Hollaway, I was able to sing this song at least at an amateur level. I listened to his ways of singing in a lower position and learned to sing those notes in a still listenable state. An amateur can always learn from a great professional. 
My singing teacher - Karel Korsa - also contributed to the improvement of my voice. I already posted the song - "Vampire" here on SoundCloud about a month ago. I sang the song in the studio "3 bees" - Peter Fleissig Kakaxa - only in unison without additional vocals. And at the end of this version, I said that I would add additional vocals to it using AI performers via Synthesizer V Pro from Dreamtonics and give the main vocals together with Asterian - unizono. I mentioned the problems with the Czech language. But my problem was solved by my musical friend Alessandro Zocco and also a competitor who won the Eclipsed Sounds – Asterian competition. I was lucky enough to communicate with Alessandro before the competition via music forums and messenger. After listening to my version of "Vampír", he offered to help me with my Czech. I sent him an SVP file that had the accompaniment, my vocals, and the Asterian imported from my vocals. After a short time, Alessandro sent me a file SVP, where Asterian sang in perfect Czech. I also used Asterian's Czech for the other AI voices. In the new song "Vampire" I am accompanied by excelent singers - Asterian, Saros and beautiful female voice Solaria (Eclipsed Sounds) and the beautiful female voices of Cong Zheng and Natalie (Dreamtonics) ...
I used the new Dreamtonic app before the final mix and partially morphed some of the voices and I hope I didn't break the rules. I have properly purchased the license of application Dreamtonics and I am using AI interpreters properly purchased by me. I didn't use my voice and Cong Zheng to morph. I want to remind you that I wrote the text myself, but the music was composed by two of us, with Karel Hoza. The lyrics are like the English translation on the SoundCloud link for the song "Vampire" with only my voice singing:

https://soundcloud.com/user-920889151-633155523/vampir-vampire

Vampir ZG - Asterian - Saros Solaria Cong Zheng Natalie 04

I already have this song on SoundCloud in two versions, 6 years old and 5 years old. Today I will put a version here where the AI singers will sing with me. Asterian copies me and the others (Saros, Solaria, Cong Zheng and Natalie) have their voices. I consider myself an amateur singer with a larger vocal range. But our singing together completely covers the shortcomings of my amateur voice. The vocals are done in the Synthesizer V Pro by Dreamtonics, where it builds up in a great way, although they gave me a hard time on this song. My voice was used from a recording five years ago here on SoundCloud, which was already created in the "3bees" studio, where the sound was fine-tuned by Petr Fleissig - Kakaxa. This new recording was also created in the studio "3bees" under the sound direction of Kakaxa. I tuned Czech according to Alessadro Zocco's instructions and method of working with phonemes.

Old version:
https://soundcloud.com/user-920889151-633155523/tak-dal-si-namlouvam-kv-nov-voc

Tak Dal Si Namlouvam KV ZGac

252-8041 8043-254 správný stav po podvodu ...
I already have two versions of this song, but this version made my dream come true. I created a three-part vocal in the bass singing position. I know I'm going to hurt myself in the popularity of the song because normal human listening requires a higher vocal position and only tolerates one bass voice in a multi-voice vocal. My dream did not reach perfection, because it comes from the last century and I wanted such a three-voice live. At the time, I couldn't imagine singing it with AI performers, because I guess I don't have the imagination of Jules Verne. Here, however, Asterian sings three semitones lower than me (I already created my voice for this triple voice 4 years ago in the first version). My new AI interpreter - contralto Nyl - sings it five semitones higher than me. We sing this three-part vocal in the same composition for two stanzas. Then in the chorus, CongZheng joins in 7 semitones higher and Natalie joins in 9 semitones higher. Natalie actually sings an octave higher than Asterian. In the third stanza, Natalie sings with us, replacing the original Nyl, and it's an interesting two-part vocal with a one-octave duplication. The fourth stanza is sung by the triple voice Cong Zheng (+7) and after the second interlude, Nyl sings the finale with me and Asterian again. Together with Kakaxa ( Petr Fleissig ) I completed the remix and remastering of the instrumental part and then the vocal part in the "3bees" studio.

Links to original versions:

1.version ( gauzde):
https://soundcloud.com/user-920889151-633155523/to-blues-pri-kterem-bych-neuklouz-the-blues-in-which-i-wouldnt-slip
2.version (Asterian):
https://soundcloud.com/user-920889151-633155523/to-blues-pri-kterym-bych-beuklouz-asterian-blues-i-wouldnt-slip-up-on

To blues pří kterým bych neuklouz ZG Asterian Nyl CongZheng Natalie

A new version of my old-new song "Láska je jen proud" - "Love-is-just-a-stream". The original version with a different vocal arrangement With Kevin, June, Asterian and Solaria. https://soundcloud.com/user-920889151-633155523/laska-je-jen-proud-love-is-just-a-stream

In the new version I sing an octave higher than I normally sing at my usual amateur level. Here I am helped by the voices created by Vocoflex from my recorded voice, which is untouched by Vocoflex.
In one voice I changed only the timbre with Vocoflex and in another voice without a vocal pattern I lowered my voice by an octave.
Other voices had a pattern created in Synthesizer V Pro. These were Asterian, Saros, Nyl, Cong Zheng, Natalie, Solaria.
The large number of participating voices was intended to explore what Vocoflex can do. I am satisfied with the result.

Mastering and mixing done by Kakaxa in the "3bees" studio.
Music: Zdenek Gause, Čestmír Pipek, Zdenek Hradecký

Láska je jen proud nov - ZG - Asterian - Saros - Nyl - Cong Zheng - Natalie - Solaria

This recording is just a sample of my amateur production before 2000, namely my singing with a guitar. Since 2011 I have not played the guitar anymore, because the ring finger of my left hand has become numb. The recording is interesting mainly for me, because at that time I was already singing low notes using ventricular eyelashes. At that time I thought that I was singing only through my vocal cords, and many music teachers still believe this today. I learned it myself and spontaneously and I only started my "self-taught" when I was 36. Which is late. Singers at a professional level start these techniques much earlier and their tones are of better quality than my tones. I am satisfied that I know the principle of this technique, which is still on the fringes of musical trends.

               Dreamer's daily blues.  (translated DeepL)

When my eyes want to roll in longing!
And in the palm of my hand, a coin burns white hot!
And then my ears ring with the sound of heavy bells!
They echo through the midnight and my mind!

The fire now burns the  white sheet of paper!
It could have been written in a slightly angled verse!
The thick smoke will envelop the cursed lair in a moment!
The restless air and the frantic flight from trouble!

The personified trouble that walks under the night sky!
She becomes a woman in the guise of "Eve"!
So with my first desire, my dream becomes sin!
The bells toll my daily blues - my every step - every day!


In the morning, I'm careless of my feelings! 
The midnight binge always shows itself on me!
The sleepy morning with success calls for decay!
That's how my day begins - with a view to a night of gloom!

I've not been coming for bells of happiness for a long time!
I've had enough of bells, though they never bring me happiness!
The rhythm of the bells makes the blues ring in me!
When sadness is kind, I'll keep on longing! 

The personified anguish that walks under the night sky!
With the sunlight, she becomes a woman in Eve's clothing!
So with my first desire, my dream becomes sin!
The bells toll my daily blues - my every step - every day!
My every step - every day!

When will my eyes stop to walow in desire?


Snílkův každodenní blues s kytarou - Dreamer's daily blues.

I already have this recording in a guitar version and it is more or less an intermediate stage where I already have AI vocals of the "u" and "a" type provided by Galenaia, Solaria and Cong Zheng. My vocals were used with guitar recording from before 2000 - by separating the voice from the guitar using the RipX DAW application and this "vocal and guitar" recording is at the link:
https://soundcloud.com/user-920889151-633155523/snilkuv-kazdodenni-blues-s-kytarou-dreamers-daily-blues

Snílkův každodenní blues only ZG

This is the last version where I have three AI singers for my singing. Natalie and then Asterian a little behind and HXVOC more behind. The most challenging work was with the text in Czech, because both Natalie and Asterian had a little different pronunciation and HXVOC handled Czech worse due to the fact that I have it short and I don't know it as well as the other AI voices yet. I imported my "original" singing recording into "SyntV" via English translation to text under the notes and I assigned the created track to Asterian and transposed it three semitones higher (above me). The English didn't fit the Czech so I converted the entire track to Spanish and created the Czech pronunciation word by word. Natalie was created from Asterian already in Spanish and was above me by 21 semitones. HXVOC was made from Natalie and is above me by 15 semitones. The AI vocalists remaining on the recording are Galenaia, Solaria and Cong Zheng (u a).
The guitar only version is at the link: 
https://soundcloud.com/user-920889151-633155523/snilkuv-kazdodenni-blues-s-kytarou-dreamers-daily-blues
The vocal only version is at the link: 
https://soundcloud.com/user-920889151-633155523/sn-lk-v-ka-dodenn-blues-only


Dreamer's daily blues ZG1 kkX AI

The song was written between 2000 and 2005 and I only played it with a guitar, after which I used a computer and later a laptop to create it, and I finished the final version in the mastering part of the "3bees" studio under the master hand of Kakaxa. In the song I use the experience of dancing in 1967.

gauzde

Popular tracks