She’s analog was born with the precise desire to explore the sound possibilities offered by a particular declination of the most classic ensemble: the trio.
A music created collectively, inspired by a tenuous compositive starting point,  is enriched by an increasingly radical improvisation. 
The musicians all contribute to create a rich and coherent sound texture, everyone braiding the voices of each instrument, to the point that it is no longer possible to distinguish.
Compositions get transformed into fragile architectures, without forcing in their own structure: they give the feeling and make suggest, they let catch a glimpse of an inner space.
The musical improvisation is never a real solo escape: the dialogue between the musicians is continuous and played all on the sound level;harmony and melody become almost secondary aspects compared to the continuous search for sound solutions.
The centrality of this aspect makes it language that feeds on the influences of individual musicians: contemporary classical, jazz, post-rock, minimalism, electronic music, all these languages interact dialectically creating from time to time something new and always emotional, never abstract and always directly expedient.

she's analog