Space Kamikaze (at The End)

B.C.P.A. = BIG Crimbo Pressie Alert: 

Ok, this is a special one we have been holding on to for over 10 years. Yes that's right this mix was recorded over ten years ago but only came out on Good Morning Tapes last year... Only a few people heard it before, can you believe it? 
Now things are coming even more Full Circle as it was aired live for the first time last week on Crimson's "Pink Eyed Blue" show on https://radiozora.fm/ I thought this was fitting as I will also be playing with him this summer at THE Ozora Festival! Those who know, know ;-) 
Anyways hope you will enjoy and have a great Christmas and New Year Celebration.

Some lovely words below from my great friend TC aka The Ch... for those that wish to read further! Enjoy...



The empty longings of nostalgia exist as a far cry behind taking from the past with a view to understanding a new place it might hold in the future. Now - with the 90’s revival in something of a full swing - Good Morning Tapes finally gets the chance to release a pivotal 10 year old mix that didn’t just ignite a curious wave of reflection and appropriation, it marked a culmination in the shifting sonic sands for its creator Mr. Alexis Le-Tan. His name needs little light trust upon it in these hallowed cosmic halls, with his enduring and ever present mixes being a staple for those that know. Back to Disco Valley is arguably his most important mix - it both recontextualised a dirty and forgotten sound of the past, and facilitated a wave of new freedoms for those wishing to look backwards in order to move forwards. Most importantly it planted the seed for everything Full Circle to come.

Back to Disco Valley is above all else a personal reckoning for Alexis and Joakim, it marked a moment when many problems inherent in a trapped older sound - with a sublime yet dated history of its own - could breath fresh life in the present day; a new slower realm was born. The slowing down of dance music is nothing new, and certainly where peak time beats have existed a spiritual shadow that revels in a slower ethereal space to dance has never been far away. Stylistically on one level, Back to Disco Valley might seem to build on what Baldelli or Loda were doing many years ago, and it certainly has that effortless charm, but it goes much further, not just in its re-appraisal of the frenetic fast paced sounds of Goa, but as a signifier of where many wanted to head on the dancefloor - towards a slower oasis - incorporating new releases and modern sounding rarities along the way. Indeed, in selecting the 33rpm dial rather than that marked 45, Full Circle at once opened up the new space inside a music some of us went bananas to 30 years ago, and at the same time made sense of a crucial yet forgotten heritage; a confession became a badge of honour.

Coming back to Full Circle and its genesis: it was only a matter of time before the old Goa records would come back down from the racks and spawn a new life, and perhaps whilst Le-Tan cemented something a lot of us knew, Disco Valley somehow liberated many of those early records from their stylistic shackles initiating a creative project that - along side the collaborative work with Joakim - has released a wave of inspirational edits and re-imaginations. Full Circle - in all its conceptual & metaphorical majesty - really has come to represent the most stylish of takes on past sounds, both in the realm of selection and re-working. It is certainly true that Back to Disco Valley - sounding now as it did then (to the select tuned ears that got to listen) - reflects a perfect meeting between an off-tempo past, present and future, being more than a functional assemblage, it revives many a lost memories, inspiring a new batch of ideas. There is nothing wrong with looking back, as long as it has a purpose.

Tom Colebrook

Full Circle - Back To Disco Valley (GMT 52)

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