Horses / final song / live at Scena Robocza

Song For Adriana

part of live sound installation „ Ocean X” at Łęctwo Gallery, Poznań, PL

Klatka A Foyer

audio installation:
part of the exhibition The Shadow Waiting for the Full Moon, 
Obrońców Stalingradu 17, Szczecin, 2017

In "Song of the hunter" few mythical feminists stories from different regions are interwaved.
One of the permanent exhibitions of National Museum in Szczecin is devoted to African puppet theatre and contains amount of objects originated from different parts of Africa. One of those is dajé antelope, a doll made of wood, textile and rope from sogo bo theatre from Mali.
Found stories and broken narratives have been migrating, intertwining, reflecting and becoming an echo of itself.
But to whom they belong ?

Song of the hunter

live set at Festival Młode Wilki 17, Szczecin, PL

wave wolves woolf Part II

and he comes towards me / blue silk / and we unite under the table

live set at independent art space Opokan Zona, Lublin, PL
Plateau Insondable, group show
https://www.facebook.com/events/2284775724882476/?ref=newsfeed

Since It's Not Like That / parallels; live at Opokan Zona

Desktop recording from the live performance at WY Gallery, Łódź (PL) 2018

Roxanne, can't you see; live at WY Gallery

Audio-visual installation and live act at Kana Theatrical Centre, Szczecin
October, 2018
Duration: 45"
Within residency program "The Parallel Stage” by Kana Theatrical Centre, Szczecin

vimeo.com/366386099 
Another collaboration of Agnieszka Kucharska and Ola Zielińska touches upon the relation of bodies within different exhibitionary spaces. During the short residency at Kana Theatrical Centre in Szczecin, artists investigate the theater as both public and private space, throug tracing choregraphies of its workers and audiences and studying the different positions of bodies imposed by both gallery and theatrical spaces.
The installation consist of the audio and video diaries of artists who are playing the roles of actresses, looking for the comfort positions while adapting to the space expectations. They create scenography out of the found objects: parts of the space, props, tool and artworks. The voice over in the video is interrupted by live added comments.

excerpt: 
(...)
We break into the library
We find translations of Ginsberg’s works.
That’s it, we are lying in the beds of Europe, again, the world at our feet, and yet “love is not perfect”, and it’s cold a bit, we “imagine the future and weep”.

Agnieszka walks around the stage in flip-flops, she tells about moving her arm, about being forced to exaggerate her gestures, as if the air around her had another density
she throws the flip-flop in the air, as if she doesn’t agree with it
she want to embrace it
she embraces herself 
she tells about being touched by a child in Sopot who greets Mr. Wodecki in heaven
I cannot be touched by that,
the alarm goes on again.
(...)

sound arttheaterGinsberg

Embraces. Take 01 & 02. excerpt / Theater Kana Szczecin

Audio-visual installation and live act at Kana Theatrical Centre, Szczecin
October, 2018
Duration: 45"
Within residency program "The Parallel Stage” at Kana Theatrical Centre, Szczecin

https://vimeo.com/366386099 
Another collaboration of Agnieszka Kucharska and Ola Zielińska touches upon the relation of bodies within different exhibitionary spaces. During the short residency at  Kana Theatrical Centre in Szczecin, artists investigate the theater as both public and private space, throug tracing choregraphies of its workers and audiences and studying the different positions of bodies imposed by both gallery and theatrical spaces.
The installation consist of the audio and video diaries of artists who are playing the roles of actresses, looking for the comfort positions while adapting to the space expectations. They create scenography out of the found objects: parts of the space, props, tool and artworks. The voice over in the video is interrupted by live added comments.

excerpt: 
(...)
We break into the library
We find translations of Ginsberg’s works.
That’s it, we are lying in the beds of Europe, again, the world at our feet, and yet “love is not perfect”, and it’s cold a bit, we “imagine the future and weep”.

Agnieszka walks around the stage in flip-flops, she tells about moving her arm, about being forced to exaggerate her gestures, as if the air around her had another density
she throws the flip-flop in the air, as if she doesn’t agree with it
she want to embrace it
she embraces herself 
she tells about being touched by a child in Sopot who greets Mr. Wodecki in heaven
I cannot be touched by that,
the alarm goes on again.
(...)

Embraces. Take 01 & 02 excerpt / Theater Kana Szczecin

& the romantic horse is sound project initiated by audio-visual artists Ola Zielińska and Agnieszka Kucharska in 2017.  They work in a field of electronic music, spoken words, improvisation, creating usually ephemeral live sound installations.
They curated music program of Młode Wilki 2017, Festival directed by Zorka Wollny and Łukasz Jastrubczak.
They performed at group shows and festivals in City Gallery of Gdańsk, Polish Institute in Berlin, Scena Robocza - Theatrical Residency Centre, among others.

https://www.instagram.com/the_romantic_horse/

& the romantic horse

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