transcend hard mix 2

Paces - 1993 (No Chill) remixes by Big Dope P, jackLNDN, Wongo, L.K. McKay 
@pacesmusic // @doppie // @jackLNDN // @wongo // @lkmckay

Taken from @pacesmusic debut LP ‘Vacation’ out now po.st/PACESvac

Paces - 1993 (No Chill) [Wongo Remix]

TU | www.trueunderground.one electronic music news and entertainment! A true desktop magazine experience on computer, mobile, tablet and VR.

https://terminalm.lnk.to/Bangers4

Terminal M welcome Beico (solo), Rudosa, Oscar Escapa & Lander B and OC & Verde, who deliver some serious banging tracks! Bang it out!

Premiere | Oscar Escapa & Lander B - Backroom (Terminal M)

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1605245 - Paranormal EP

Cosmic Boys - We Are The Futur [1605]

Stream FULL album: https://fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of  the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences. 
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here.  The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris. 
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.  
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate.  While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience.  It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

Love in the Age of Machines

Pleasurekraft - Last Sapien

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UMEK’s label 1605 is proud to present a new EP from talented Italian artist Mattia Saviolo who has already featured on other trendsetting labels such as Pleasurekraft's Kraftek and Christian Smith's Tronic. 

Mattia Saviolo is someone who shares little personal info online and instead likes to let his music do the talking, as nothing in techno speaks louder than an exceptional track played at full volume.

1605 has focused heavily on the music of its label owner, but it’s equally focused on giving exposure to new artists destined for big things as UMEK understands it’s becoming harder and harder for talent not to get drowned out by the white-noise of things like social media.

Track one on Mattia Saviolo's "Until The End Part 1"  is titled “Lifelink” and it opens the EP with the thundering kick drum now synonymous with 1605. Slowly building with atmospheric suspense its gliding synths contrast nicely with the grinding bass stabs and bursts of explosive percussion. Very much a hard techno soundscape, this cinematic track is perfect for blissed out moments on the dance floor.

Follow Mattia Saviolo
SoundCloud: @mattiasaviolo
Facebook: www.facebook.com/officialmattiasaviolo
Instagram: www.instagram.com/mattia_saviolo/

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Until The End Part 1

Premiere: Mattia Saviolo "Lifelink" - 1605

When it comes to a vivid forceful style with a ripping hard kick, we usually talk about KUSP. After a successful debut as a compilation participant, the UK duo returns to Korpus 9 this time with a striking four-track EP. Twisted opens this pleaure capsule and clearly explains what the next power wave awaits us. Since Theo Nasa is marked as featured artist in the second track - we don't expect Gettin' Deep to be less than a 'Bomb' for sure. The energy reaches its highest point with those trippy vocals going and early 00's synthlines. Then goes Phase 303 with classic TB-303 machine in action and dramatic pad on top. Breathe summarizes all we heard before into a broken beat cake with creepy vocal track inside of the mix.

Guys jump up hight and this EP strongly enhances their techno scene position and Korpus 9 Family status.

Gettin' Deep

BUY HERE

KUSP (UK), Theo Nasa - Gettin' Deep - K9014 - (snippet)

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Changes (Vs Pnau)

John Sense - Decline [KRZM010]

October 31st set recorded
live 

although I had a few mishaps I hope you guys enjoys

next one I release will be better promise

Spooky Tingz Set (BerMudA)

Dear Ben Bohmer,

You are amazing! 

I have been listening to him a lot of late. He is amazing. This is a chill track with lots of space tones. Hall reverb you are my good friend! 

Cheers

Ryan #M

Broken Down Sound

Space Bohmer (After Mars)

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Birmingham based producer Dark Chambers is up next on the Sydney label Elektrax Recordings with four hard-hitting originals.

‘Hangers’ features resounding, industrial styled kicks underneath the colossal, machine-like fx and electrifying grooves that punch throughout 

Dark Chambers ‘On the verge of…’ is out on Elektrax Recordings on 5th November 2020.

Follow Dark Chambers
SoundCloud: @darkchambers
Facebook: www.facebook.com/chamber.musictech
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On the verge of...

Premiere: Dark Chambers "Hanger" - Elektrax Records

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Los Angeles’ rising talent Stephen Disario made his debut on Liberta Records in August with a heavy-weight release. A massive contributor to the LA scene as a promoter, his distinct sound and passion are clearly evident in the music. "Perfect Circuit" EP translates a raw and hypnotic journey through Disario’s vision of techno.

The label now returns with a special project where each label artist would pick one of their favourite tracks from the label’s back catalogue and apply their own reinterpretation.

Reinterpretations Part I features remixes by the label’s familiar faces: Andre Salata and Stephan Krus, alongside newcomer Duncan Macdonald. Italy’s very own Stephan Krus is on remix duties for Stephen Disario’s track "End World."

Support "Reinterpretations Part I"
Bandcamp: http://bit.ly/LBRT18BC
Beatport: http://bit.ly/LBRT18BP

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SoundCloud: @StephenDisario
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Reinterpretations Part I

Premiere: Stephen Disario "End World" (Stephan Krus Remix) - Liberta Records

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Belgian based Phara makes a huge debut on @soma with "The Great Attractor" EP. With his fast, raw and energetic sound, Phara’s ascent has been quick off the mark and this latest release has the young producer stretch himself farther with cleverly produced and exciting tracks. UK Techno don, Setaoc Mass backs up this already masterful EP, lending his own prowess to the title track.

Great Attractor leans on 90s, spaced-out techno vibes as fast paced 909s fire against the backdrop of rapid, modulating synths. Setaoc Mass’ remix comes up next, offering a deeper more restrained affair. However, as usual, the adept nature of his productions deal out devastating effect. On the flip, Mission 3,2,1 delves into dubbed out synth work whilst retaining drive and groove. Further dub explorations are found on closing track The Andromeda Manoeuvre. Spacial synth work and atmospherics ebb and flow as Phara’s hard hitting and relentless percussive work deals the final blow.

Follow Phara
SoundCloud: @phara-6
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The Great Attractor EP

Premiere: Phara "Great Attractor" (Setaoc Mass Remix) - Soma Records

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Following her critically acclaimed @octopusrecordings label debut with the immense Anaconda EP back in 2019, unstoppable Spanish techno maven Indira Paganotto now returns to the esteemed Los Angeles-based imprint with her brand new sophomore EP, Death Valley.

Due for worldwide release on November 9, via the label’s burgeoning Octopus Warehouse Series subsidiary, Indira’s latest four-part package is another exceptional masterclass in dark, driving techno and comes complete with two hard-hitting remixes from Japanese producer SUDO and Italian industry stalwart Maxie Devine.

Pounding basslines, relentless ravey hooks and frenetic rhythms ignite the EP, as the formidable Phase Insane label boss takes us on an intense peak time journey through the unrelenting title track "Death Valley."

Follow Indira Paganotto
SoundCloud: @indirapaganotto
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Death Valley EP

Premiere: Indira Paganotto "Death Valley" - Octopus Recordings

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Teksupport Records is a New York based imprint ran by Kareem Cali that has already released music by Markus Suckut, Andre Kronert, Mike Dehnert, Steve Parker and Roberto Clementi amongst others.

The new release comes from Mink, an exciting new American producer who recently appeared on a VA for On Edge Society and now steps out with a full EP with three original works.

Supplying the remix is P.Leone the head of E-Missions imprint from Brooklyn and who now lives in Berlin. His music has been released on Radio Slave's Rekids, Ellen Allien's BPitch and Spencer Parker's Work Them, as well as collaborating with Dustin Zahn for example.

Track three "Warp" steps down into a slower paced ride focusing on a funky rhythm and spaced out sounds that add a blanket of electrified pulses and interesting use of acid tones.

Follow Mink
SoundCloud: @user-964264072
Instagram: www.instagram.com/minkwho
RA: www.residentadvisor.net/dj/mink

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SoundCloud: @user-754666843
Facebook: www.facebook.com/teksupportrecords

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Premiere: Mink "Warp" - Teksupport Records

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Shadow Wulf Records is thrilled to present Misfit from German producing partners Anina Owly and Thomas Klipps. Misfit features 2 original tracks -- Misfit / Lower Back -- with 3 remixes from Paul Neary and Shadow Wulf label-bosses Crescendoll and Drew Blyther. Misfit is Anina and Thomas’s second EP together, and the title track “Misfit” and “Lower Back” will make for their 10th and 11th tracks together. These two are a great partnership, in music and in life. Both have their own distinct sounds in the dark minimal community that lends to their collaborative style. Anina is known for doing all her own vocals which lends to a distinct originality in the tracks. “Lower Back” was created after a trip to Iceland with Thomas´s family where his father complained of back pain saying in German, "I don´t know what´s wrong with me, my lower back is killing me”, which sparked inspiration in Anina. The words sounded so entertaining in English, Anina began singing these words over and over the whole trip. Most of Anina´s vocals originate with stories like this.

Follow  Shadow Wulf Records
SoundCloud: @shadowwulfrecords
Facebook: https://www.facebook.com/shadowwulfrecords
Instagram:  https://www.instagram.com/shadowwulfrecs/

Follow  Anina Owly
SoundCloud: @aninaowly
Facebook: https://www.facebook.com/DJanina.owly
Instagram:  https://www.instagram.com/aninaowlyofficial/

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SoundCloud: @thomasklipps
Facebook: https://www.facebook.com/thomasklipps.official
Instagram:  https://www.instagram.com/thomas_klipps/


Follow Paul Neary   
SoundCloud: @paulneary
Facebook: https://www.facebook.com/paulnearyartist
Instagram:  https://www.instagram.com/paulneary_/

Follow Crescendoll
SoundCloud: @/crescendoll
Facebook: https://www.facebook.com/crescendollmusic
Instagram:  https://www.instagram.com/crescendollmusic/

Follow Drew Blyther
SoundCloud: @drewblyther
Facebook: https://www.facebook.com/DrewBlytherMusic
Instagram: https://www.instagram.com/drewblythermusic/

Follow 6AM Group
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Misfit EP

Misfit

Premiere: Anina Owly and Thomas Klipps "Misfit" (Crescendoll Remix) - Shadow Wulf Rrecords

Lower Back

Premiere: Anina Owly and Thomas Klipps "Lower Back" - Shadow Wulf Records

Lower Back (Paul Neary Remix)

Premiere: Anina Owly and Thomas Klipps "Lower Back" (Paul Neary Remix) - Shadow Wulf Records

Enjoy the Track? Click the [Repost] 🔁 button so more people can hear it!

Shadow Wulf Records is thrilled to present Misfit from German producing partners Anina Owly and Thomas Klipps. Misfit features 2 original tracks -- Misfit / Lower Back -- with 3 remixes from Paul Neary and Shadow Wulf label-bosses Crescendoll and Drew Blyther. Misfit is Anina and Thomas’s second EP together, and the title track “Misfit” and “Lower Back” will make for their 10th and 11th tracks together. These two are a great partnership, in music and in life. Both have their own distinct sounds in the dark minimal community that lends to their collaborative style. Anina is known for doing all her own vocals which lends to a distinct originality in the tracks. “Lower Back” was created after a trip to Iceland with Thomas´s family where his father complained of back pain saying in German, "I don´t know what´s wrong with me, my lower back is killing me”, which sparked inspiration in Anina. The words sounded so entertaining in English, Anina began singing these words over and over the whole trip. Most of Anina´s vocals originate with stories like this.

Follow Shadow Wulf Records
SoundCloud: @shadowwulfrecords
Facebook: www.facebook.com/shadowwulfrecords
Instagram: www.instagram.com/shadowwulfrecs/

Follow Anina Owly
SoundCloud: @aninaowly
Facebook: www.facebook.com/DJanina.owly
Instagram: www.instagram.com/aninaowlyofficial/

Follow Thomas Klipps
SoundCloud: @thomasklipps
Facebook: www.facebook.com/thomasklipps.official
Instagram: www.instagram.com/thomas_klipps/

Follow Paul Neary
SoundCloud: @paulneary
Facebook: www.facebook.com/paulnearyartist
Instagram: www.instagram.com/paulneary_/

Follow Crescendoll
SoundCloud: @/crescendoll
Facebook: www.facebook.com/crescendollmusic
Instagram: www.instagram.com/crescendollmusic/

Follow Drew Blyther
SoundCloud: @drewblyther
Facebook: www.facebook.com/DrewBlytherMusic
Instagram: www.instagram.com/drewblythermusic/

Follow 6AM Group
Website: www.6amgroup.com
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transcend hard mix 2

DJ Transcend