GOODBYE.  feat LuBosh

The final track from our forthcoming third album in the BARDS series, "BARDS: Of The Shimmering Seraphs" 76 minute CD + 52 page full color book with original illustrations, lyrics, liner notes, and expansion poems. Each track is a major paragon from a custom tarot deck in the works. The album/book will be available in another month or so. Keep your ears peeled for updates. There will be SIGNS.

https://mystictapedeck.com/bards/the-dark-twins/

BARDS: Of The Shimmering Seraphs

The Dark Twins

Recorded in Modesto, Ca.   Featuring Vibraphone solo. Hammond B3 Organ solo. Soprano Sax solo. Acoustic stand-up Bass. Gibson L5 Electric Guitar Rhythm. Hammond B3 Organ Rhythm. Viola Background. Violin, Background. Cello, background. Drums full kit. Percussion. Zildjan 22" Ride & Crash Cymbal.

Cannery Row

Cat Nip

Here's an old waltz that I've revised and refreshed.
(Full disclosure: It begins in F minor but ends in A-flat major.)

Waltz in F minor

Waltz In F Minor

A few things to say.
1. Sorry, this song is a long one: more than seven minutes, too many to expect to have listeners desirous to get to the end of a small marathon. Moreover, it is slow (the first refrain only comes after three minutes or so) and sung in Italian (the English translation is available, but it is never the same thing).
2. The photo shows two actors: Bekim Fehmiu and Irene Papas, protagonists of a wonderful TV series (‘Odissea’) aired in 1968. A show that enriched my childhood and conditioned my imagination (and my reading) forever.
3. I have long wished to be able to write a song about that story within the story of Ulysses' wanderings: his return to Ithaca and his failure to be recognised by Penelope. I succeeded in 1994, then producing a few versions of it. I recorded this one a few years ago, the sound quality was not excellent but now I have taken it up again, singing it all over again and changing the arrangement a little. I hoped at least to recreate an atmosphere musically suited to the story evoked.
Female vocals courtesy of Sound Doctrine.

LYRICS 

he speaks softly from afar
and his voice is like a stray dog
like a boat you can barely see
like a moon on a swing
suspended on the edge of a sea wave
he holds his breath to follow his song

she sings and as she sings she has dozed off
he takes her hand and
whispers ‘welcome back into my life, welcome back’

she still sleeps and dreams of making love
with this morning shadow
of these colourless eyes 
came from an icy adventure
of days that smell clean
of all nights and all days
of spells, escapes, memories 
of days lost without desires

and if she will not listen to his words,
if evil will not slip from her heart
then who knows
where the wind will settle him
where he will lose himelf
where he will rest

[Penelope]
"Are you the night that burns
are you this sky that falls on me
are you this ship that arrives
are you this fire congealed inside me
... (You're all I need) ..."

she squints her eyes and moves slowly
as if to let the world to feel
all the weight of this abandonment
of this vanished illusion 
of her infinite sadness
sadness that perfume the nights and days
spent alone with this wound

but he is not only the thought of every morning
he is in the sand in the waves
that have always bounced on the shore
he is the cement of this house
is the receding fear
is the storm ever closer
he is this morning shadow
and she will listen to his words
and the sea will deposit him on her heart
and then who knows
maybe the wind will settle 
the circle will close
and she will recognise him

[Penelope]
"... (You're all I need) ...
are you the night that burns
are you this sky that still falls on me
are you this ship that arrives
are you this fire congealed inside me
are you my eyes you are my hands
are you my lips my skin of today and tomorrow
are you this peace that rises again
are you this home to recapture
this night to rest
... (You're all I need) ..."

------

Lyrics and music by Michele Ansani (1994).
Posted on SoundCloud: 2024, September 15

Nostos (il ritorno di Ulisse) **

IT'S KEEPING ME AWAKE

Good Day (2024)

I-Kitten Staccato

Another idea I am working on. I am posting here for feedback. I am not sure if the voice synth fits. Sometimes I love it sometimes I am not sure about it.

All feedback greatly appreciated. Thanks :)

Hungry Voices

Trippo Oriental Part III  by Jeamland & WÜST

Cast of characters:

Mistermark-- @user-432503709 -- Mark – backup organs (Wurlitzer and B3), VST steel drums, vocals, lyrics, composition, production, mix      

J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 electric piano voice and lead organ

Llanpsych-- @llanpsych -- Tez – Epiphone Les Paul electric guitar

TexMex Shaman– @texmex-shaman –Stephen– Fender Custom Shop Telecaster electric guitar and mastering

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass

This song began with Mark, who fleshed out the entire thing, from the rhythm section, to the organ that you hear in there, to the lyrics and vocals, before he laid it on the rest of us. We all got a chuckle from the tongue in cheek humor of the lyrics, and were excited to work on a song about an anachronistic adventure of a soulful caveman. 
  Ken was first up with his version of the the beat, finding the soul in the rhythm. Josh was next up, of course, using his "normie" bass for the his version of the line. Once the rhythm section was in place, it was JJ's turn to shine, adding his slick, soulful e. piano to the mix. 
  Now that they had a solid foundation on which to play, Stephen and Tez added their guitar magic to the mix. Stephen with the rhythm and the fills, and Tez with the ripping solo at the end. Mark also added the festive VST steel drums that you hear throughout at this point, too. Now that the music was laid down, he perfected his awesome vocals to complete it.
  It was in the can at that point, and just needed Mark to throw a pro sounding mix on it. Then, Stephen mastered it in his always expert way to finish it off.
  Mark wanted to record an old skool classic Soul song (a la Al Green), which he did, all on his own. But then, once he unleashed it onto the EC gang for their interpretation, they ran with it in a whole new, almost tropical direction, and it was decided to release 2 versions of the song, both of which you can find on Mark's page. Stephen does double duty on guitar for both versions. 
  This was a real team effort, even though it's really Mark's baby. The Eclectic Collective has many different methods of creating music. This one was a great exercise in trying to bring about Mark's vision. We hope you enjoy listening to it as much as we enjoyed creating it.

Original lyrics by mistermark:

Walking through this concrete jungle
I’m just trying to stay out of the way 
just me and ol’ Rex, my furry companion 
we been fielding funky looks all day
then somebody saw me kicking rocks with my bare toes
he said buddy have you lost your way?
then I sat right down and I started to cry
and this is what I had to say…


I’m a caveman, I can’t catch a break
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say 


Sittin’ in my man cave watching the clock crawl
there's nothing good on my tv 
my big grubby hands can’t flip thru the channels
i cant even hold a cup of tea
I was chatting on the phone making plans with a lady
a little bit of company
but my date split QUICK when I opened the door
man I wonder what’s wrong with me


I’m a caveman, I can’t catch a break now
the ladies say I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say


The big city’s fine but something’s on my mind
I feel a little incomplete
I miss my old club, for rustling up some grub
and the touch of grass below my feet
I’ve been around longer than all your creation, 
like the rocks and trees and streams
I wanna get back home, where forever I’ll roam
even if it’s only in my dreams

I’m a caveman
I can’t catch a break 
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

I’m a caveman, 
must be come kinda mistake
everybody says I’m so passé 
well I’m a - a caveman
It’s too much to take
but I’m gunna get back some day 


Caveman - Eclectic Collective

Greetings.. Thanks for listening..Born in Holland, came to the US when I was 10 years old.. I've Been playing, composing, writing, arranging, recording, mixing, mastering, engineering, producing music of all genres..Playing electric guitar, Slide, Dobro, Nylon Guitar, Bass, Accordion, Flute, Keyboards, Piano, Organ, Synthesizer, Vibraphone, Harmonica, Drums & Percussion since I was 10 years old, self taught.. many different styles and genres to choose from. These songs are the representation of a lifetime's work! 
Superior recordings.. using the best Microphones, Neuman U-87's, Dynamic Microphones, Ribbon Mics, Shure SM-57 & SM-58, and a variety of dynamic and condenser microphones used in these recordings with today's latest software, Pro-Tools, Mastering Labs,  Reaper, Audacity and various hardware and software products from Germany, Australia, France, and various places from all over the globe. 48 Channel Mixing console, Various outboard effect units...Thank you for listening!

Cat Nip

Frans Beelaard

Recent comments

Oatesm71

U.Poet

Rock Izy

Rock Izy

Related tracks