As always stunned by your guitar work. It's champions league! Like all the other musicians on this track.

Fantastic Track & Incredible Playing Frans !!!!

This is absolutely fabulous! What an expressive joyrney.

Hi Frans, I'm going to listen to this track 4 times so I can push it up to 1000 plays :)

It is a perfect vibe. so fabulous i love it

👏👏 Sensational👏👏
👏WoW Frans ..
👏what a beautiful track
👏so many gems .,I’ll definitely be replaying this a few times
👏those Bongos are fused nicely giving the song an island vibe..
Brillant composition & arrangement my friend..
🔥Your instrumental mastering is second to no one 
👏👏👏👏👏Bravo👏👏👏👏👏

DAILY DROP  25.03.24

Let It Ride

YouTube:
https://www.youtube.com/watch?v=UWjfk21BL-0

Fall (Intro)

Christmas: A birthday celebration where we tend to forget whose birthday it is.

Não há lugar, não há qualquer estalagem.
Já não há espaço no coração.
Não há milhões que prestem homenagem.
Não há louvores da multidão.
Dá-me tua luz, oh vem guiar os passos meus.
Dá-me tua luz, filho de Deus.
Como os pastores que os anjos convidaram
Deus dá convites a todos nós.
Abençoados os que não esperaram
e atenderam à Sua voz.
Dá-me tua luz, oh vem guiar os passos meus.
Dá-me tua luz, filho de Deus.

Natal 2023

雲は流れる

Modern Times

Verse 1

Am I playing the wrong game —-  where losing’s a crime
Time’s just not the same—-and there’s no one here to blame
In these modern times——where machines reigns supreme 
breaking all the chains——-to fulfill my dreams
————And that’s a solid —because—- yeah—— I’m back————-
Metaphors and rhymes——-my weapons on this track
Modulating -from the underground ——one culture one voice
And we’re —-wired in like teeth—-like we—-ever—-had a choice

Chorus

Modern times---- a difficult maze
Where screens captivate —— the Information Age
And—-We're all connected——yet we’re—also——-alone
Lost in a sea of pixels----hearts ———-—cold as stone
Modern times————Modern times ——-Modern times

Verse 2

Smartphones--at our side—-our constant companions
That double-edged sword—-has become ——-part of the norm
buzzing Notifications——like a relentless swarm
Distracting —us ——-from moments —-another task ——to perform 
Just another monster ———taking physical form

**Chorus**

Bridge

Artificial intelligence--- a marvel and a threat
Replacing human minds--- leaving us —-deep in debt
Algorithms —-determine our fate—without regret—-
Like marionettes ———or puppets on a strings
Manipulating our thoughts——damn—we are feeding these things

Verse 3

Social media——-a stage ——for the soul to bare
Beneath the surface——lies ——and deceptions —-are clear
We curate our lives——-like a perfect facade
our true selves———pushed aside ——in total disregard 

**Chorus**

Outro

In this digital age---we must find our way
Embracing the power——with a huge price to pay
There’s a balance for the screens —-in real life
With the key to our future——a new vision insight

Modern Times

Music:  PJ Project & Janne Hennie
Lyrics & Vocal:  Janne Hennie
Instruments & Mix:  PJ Project

Lyrics:

I'm trying to read you, to find out
What I should do
But all traces are so well hidden
So I don't have a clue..
I'm searching high, searching low
It's impossible to find
I don't know what I'm  gonna do
Or what's on your mind...

Give me a sign, we don't have much time
I don't know where to look
So give me a sign..

I'm trying to ask you: Can we talk?
But you have nothing to say
You don't want to open up
Or meet me halfway..
Giving you time, so you can find out
If you have something for me
But you are still just as closed
As you always tend to be..

Give me a sign, we don't have much time
I don't know where to look
So give me a sign..

Give me a sign, we don't have much time
I don't know where to look
So give me a sign..

I'm out of time, enough is enough
Won't waste more time on you
If you are not willing to talk
I know what I have to do..
Before I go i just have one more thing to say
You should really start to talk
Cause I will walk away..

Give me a sign, we're out of time
I don't know where to look
So give me a sign..

Give Me A Sign  W/PJ Project

Recorded in Modesto, Ca.   Featuring Gibson 335 Electric Guitar. Godin Acoustic Guitar Rhythm. Acoustic Steinway Piano. Alto Saxophone solo. Horn section Trumpet, Tenor, Alto Baritone Saxophones. Bass Roland Synthesizer, Electric Funk. Trap Drum set full kit. Percussion, Timbales, Cowbell, Ago go Bells, Zildjan 22" Ride & Crash Cymbal.

Cannery Row

Crystalizer

SuperSpreader feat. SilverBella
Vocals and Lyrics:
SilverBella
https://www.looperman.com/acapellas/detail/22326/superspreader-96bpm-soul-acapella
https://soundcloud.com/silverbellasings
Paploviante:
Bass, Music Composing, Mix, Picture and Mastering

SuperSpreader feat SilverBella

Art Expressed in Music – Picasso's Brilliance
March 2024
Duration: 3:05
Listen to the Playlist: soundcloud.com/bruce-klepper-1/sets/art-expressed-in-music-i
Painting: Les Demoiselles d’Avignon 
John-Marc Ventimiglia: jagged shards sound effects 
Visit: @john-marc-ventimiglia
Pablo Picasso (October 25, 1881 to April 8, 1973) was a Spanish expatriate painter, sculptor, printmaker, ceramicist, and stage designer, one of the greatest and most-influential artists of the 20th century.  The enormous body of Picasso’s work remains, and the legend lives on—a tribute to the vitality of the “disquieting” Spaniard with the “sombre…piercing” eyes who superstitiously believed that work would keep him alive.  Picasso's output, especially in his early career, is often periodized.  The most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), Synthetic Cubism (1912–1919), Neoclassicism to Surrealism (1921-1937) and Post-War Work (1937 – 1970s).  Les Demoiselles d’Avignon, from his African–influenced period, marks a radical break from traditional composition and perspective in painting. It depicts five naked women composed of flat, splintered planes whose faces were inspired by Iberian sculpture and African masks. The compressed space they inhabit appears to project forward in jagged shards.  Picasso unveiled this monumental painting, that precursors Cubism, in his Paris studio after months of revision.  Picasso said the ethnic primitivism evoked in these masks moved him to "liberate an utterly original artistic style”.  The Avignon of the work’s title is a reference to a street in Barcelona famed for its brothels.  Exceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments, and became one of the best-known figures in 20th-century art.  Picasso died on April 8, 1973, at the age of 91, from heart failure, reportedly while he and his wife Jacqueline were entertaining friends for dinner.  Considered radical in his work, Picasso continues to garner reverence for his technical mastery, visionary creativity; paralleling the entire development of modern art in the 20th century.
For morin khuur violin, dudek, bansuri, bamboo flute, hecklephone, bassoon, kalimba, marimba, double bass, ethnic percussion and jagged shards sound effects

Art Expressed In Music - Picasso's Brilliance

Words and Music by Edvard Grieg
Vocals and Instrumentals by Layna Claunch

Der Winter mag scheiden, der Frühling vergehn,
der Sommer mag verwelken, das Jahr verwehn,
Du kehrst mir zurück, gewiß, du wirst mein,
ich hab es versprochen, ich harre treulich dein.

Gott helfe dir, wenn du die Sonne noch siehst.
Gott segne dich, wenn du zu Füßen ihm kniest.
Ich will deiner harren, bis du mir nah,
und harrest du dort oben, so treffen wir uns da!

The winter may wane and the springtime may fly and the springtime may fly
The summer may depart and the year may die and the year may die
To me thou wilt return, thou art mine soon or late art mine soon or late
I gave thee my promise and faithfully can wait, and faithfully can wait

God watch over thee at the dawn of each day at the dawn of each day
God bless thee every time that thou kneelest to pray that thou kneelest to pray
I will tarry here for thy coming my love thy coming my love
Or if thou wait'st in heaven I'll meet thee there above
I'll meet thee there above

Solveig's Sang

Bass guitars : Franck Leconte 
Drum Prog, Keyboards, Guitars and Vocals : Rino Lauciello 

Mange bien Franck

Whimsical

Watch the video (God damn it!): 

https://gate.sc/?url=https%3A%2F%2Fyoutu.be%2FYNTawIDG-8E%3Ffeature%3Dshared&token=d05a83-1-1728007277673

Pestkyrkogården

Here's another easy, dirty, old strum refreshed somehow in these hot summer days. This used to be a song, but the years have taken the words away and only the initial chords remain in my memory and maybe that of some old friends.

Picture is from Pietro Corrao.

------

Composed by Michele Ansani (2024).
Posted on SoundCloud: 2024, July 28.

Dirty and easy summertime strum

Artist Picture. Shyntwirl
Art Cover Editor. Shyntwirl
Colorist. Shyntwirl

Produccer. Shyntwirl
Programmer. Shyntwirl
Synthesizers. Shyntwirl
Beats. Shyntwirl
Distortion. Shyntwirl
Super Beats. Shyntwirl
Kicks. Shyntwirl
Fx. Shyntwirl
Mix. Shyntwirl
DJ. Shyntwirl
Improvisation. Shyntwirl
Remixed. Shyntwirl
Equalizers. Shyntwirl
Reverb & Echo. Shyntwirl
Keyboard. Shyntwirl
Background Expansion. Shyntwirl

Experimental / Techno / Descontruction / Underground / Hardhouse / R&B / Alternative / Synth / DJ / Mix / Kicks & Beats / Reverb & Echo / Improvisation

PROD. Shyntwirl

Shyntwirl - ¡SUPER CRAZY! (PROD. Shyntwirl)

The Tail From Hell

Greetings.. Thanks for listening..Born in Holland, came to the US when I was 10 years old.. I've Been playing, composing, writing, arranging, recording, mixing, mastering, engineering, producing music of all genres..Playing electric guitar, Slide, Dobro, Nylon Guitar, Bass, Accordion, Flute, Keyboards, Piano, Organ, Synthesizer, Vibraphone, Harmonica, Drums & Percussion since I was 10 years old, self taught.. many different styles and genres to choose from. These songs are the representation of a lifetime's work! 
Superior recordings.. using the best Microphones, Neuman U-87's, Dynamic Microphones, Ribbon Mics, Shure SM-57 & SM-58, and a variety of dynamic and condenser microphones used in these recordings with today's latest software, Pro-Tools, Mastering Labs,  Reaper, Audacity and various hardware and software products from Germany, Australia, France, and various places from all over the globe. 48 Channel Mixing console, Various outboard effect units...Thank you for listening!

Crystalizer

Frans Beelaard

Recent comments

Beats By Luke..

TheCREATOR

past is the verse

Blaffy

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